published_or_final_version / Chinese Historical Studies / Master / Master of Arts

published_or_final_version / History / Master / Master of Philosophy

published_or_final_version / abstract / Chinese Historical Studies / Master / Master of Arts

No description available.

This dissertation explores the interaction between literati and various social forces in east China in the mid-seventeenth century by focusing on their military performance. Based on a wide range of sources, the study focuses on about twenty literati, most of whom have never been previously researched from a military history perspective. It examines the diversity and complexity of Chinese literati as they pursued power over and within local society, paying special attention to the interrelation between them (literati and society). It argues that Chinese literati in this time period had much less aptitude in changing China than has been previously thought. Both individual and group case studies show that they mainly focused on the realization of an ideal goal, but were unwilling or ill-equipped to adapt themselves to changing conditions as well as environments. This study also indicates that the local military forces as well as ordinary peasants generally played a more crucial role than the literati; the latter's superior position could only be realized in times of peace. That civil and military officials affected each other in fact is an expression of a larger relationship between the central government and its own military forces or with certain local forces. Finally, this study concludes that Chinese literati as a whole had no idea how to integrate and lead the other social forces to reach an ideal goal in that specific time period.

No description available.

In 1923 Qu Qiu-bai returned from Soviet Russia to China and gradually aligned himself with the power nucleus of Chinese Communist Party as an important political theorist within the Party. Much of the polyphonic elements exemplary in Qu's thoughts, as seen in his earlier writings, had given way noticeably. As purported by mainstream academic queries, Qu's metamorphosis into a Bolshevik had often been accounted for his nevertheless brief stay at the Soviet Russia. The present study, however, confers a dissimilar view in attempting to locate the polyphonic registers in Qu's thoughts. It is found that Qu's thoughts had been characterized by a strong sense of polyphonic nature throughout, whether in his earlier or later works. / In resembling the overlooked complexity of Qu's thoughts, Chapter 3 goes on to inquire how Qu's construction of subjectivity is determined by his specific perspective of history---one which comprised of a synthesis of Creative Evolutionism and Dialectic Materialism. Such construction of subjectivity is important in understanding Qu's contested presence and agency in revolutionary political situations of the early 20th century. Chapter 3.1, thereafter, locates the relevance of Qu's construction of subjectivity to his notion of "orphan pushed away from track" in a re-reading of his widely acknowledged essay "Preface to Lu Xun's Collected Essays." This reading is coupled with a discussion of Qu's "Travel Notes on New Russia" through which Qu's specifications of "suicide" and spatial imagery of the heterotopias will be expounded. Working upon research outcome of this coupled query, a close reading of Qu's confessional note "Superfluous Words" will serves to elucidate Qu's proposition of a negated subjectivity. Chapter 3.4 gives a comparative analysis of the later political lives of Qu and Nikolai Bukharin. It attempts to establish that the outright negation of subjectivity is an implicit tendency in historical materialism. Lastly, Chapter 4 attempts to illustrate Qu's revolutionary subjectivity and his specific notion of pendulum time in recourse to the tropes of pendulum movements: "Revolution/Work," and "Love/Freedom." / The study begins with a topic of research that mainstream academic queries left mostly unanswered: namely, Qu's appropriations of Bergonism, the Yogacara School and Anarchism exemplary in his early writings. This line of query delineates how the 3 major traditions of thoughts compositely engaged Qu in his approach of Bolshevik political practices and Dialectic Materialism. On the basis of this, the study further examines the trajectory how Qu observed in his endorsement of Dialectic Materialism over Bergon's Creative Evolutionism (L'evolution Cretienne). The study also finds that such a pendulum movement from Philosophy of Life towards Dialectic Materialism largely concurred the thoughts and discourses of Italian Marxist Antonio Gramsci, a contemporary of Qu. Following this, the study compares the two men's notions and problematic of "the Intellectuals". A comparative analysis of Qu's theorization of the "Historical Tool" and Gramsci's "The Modern Prince" is offered at this part of study. / 張歷君. / Adviser: Lee Ou-Fan; Wang Wai Ching. / Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3146. / Thesis (doctoral)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (p. 243-256). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Zhang Lijun.

本文是第一部專以清初陶學為研究對象的論文，擬從文人的情懷、詩學的演變、詩歌的用意、意象的運用、注本的闡釋等多角度概述清初陶學的全貌。在方法上，筆者除分析當時文人對陶淵明的評論外，還選取了清初四十家身份不同的文人，比較他們詩作中運用的陶淵明典故，探討他們對「陶淵明形象」的塑造與取捨，並以歷史背景為線索，梳理陶淵明意象在清初文人心目中地位的差異與其變化。 / 基於上述的研究，筆者認為以往學術界把清初陶學只理解為「忠憤」的表現是不夠全面的，尤其是清初關於陶淵明的討論，除了遺民文人有熱烈的參與外，非遺民文人亦有相當數量的研究，而且他們之間還存在着不少的交流，互相回應。正因如此，清初和陶風氣盛極一時，並且出現了一種嶄新、「反其致」的和陶現象--〈反乞食〉詩。 / 這種借用陶淵明的意象互相交流與回應，更多反映在詩歌方面。清初文人借讀陶、評陶、和陶等方法抒發他們於易代間的鬱悶。這種詩歌世界，重現了陶淵明筆下的桃源，在這裏，他們「不知有漢，無論魏晉」，思想上可以暫時脫離現實的痛苦，悠然人間。這也使得清初《陶集》評注本的編撰，一改南宋以來十卷本的「全集」形式，而偏重於四卷本，只收錄詩作的體制。 / The author intends to discuss the reception of Tao Yuanming in the Early Qing Dynasty from the aspects such as the emotions of poets, the changes of poetics, the intentions of poetries, the poetic imageries and the differences of the editions. And, it is the first work focusing solely on the reception of Tao Yuanming in the Early Qing Dynasty. Regarding the research methods, this dissertation not only studies the critiques through the existed methods, but also analyses the existed materials in a different manner. By comparing the literary allusions of Tao Yuanming’s life of 40 scholars lived in Early Qing who had different social background, the thesis discusses how these people constructed the images of Tao Yuanming and how they selected from Tao’s qualities. The thesis also tries to sort out the different attitudes of Tao among scholars of Early Qing and its changes with regard to the historical context. / Based on the research, the author finds out that the existed understanding of the reception of Tao Yuanming in the Early Qing, which focuses on the leftover citizen’s aspect, and which portrays Tao image as a rebellion was largely incomplete. Apart from the vigorous discussions regarding the images of Tao among the leftover citizen, the non-leftover citizen also discussed Tao with great enthusiasm. Under this circumstance, a new form of He Tao Shi(和陶詩) “poems written to match Tao’s , was found in opposite mode in order to response to those leftover citizen. / By appropriation of Tao’s images in their communication and responding each other especially in poems, scholars lived in Early Qing expressed their uneasiness and pain as in the change of the regime through reading, commentary and writing of Tao’s collections. Thus, this special kind of poem allowed the Early Qing scholars to escape from the distress of the reality to an ideal world, a typical example of which was “Peach-Blossom Spring created by Tao Yuanming. This tendency reflected in the editions of Tao’s works in Early Qing Dynasty that Tao’s poems received much attention while other forms of works were not included in the collections of works. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 梁樹風. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 331-376) / Abstracts in Chinese and English. / Abstracts in English and Chinese. / Liang Shufeng. / 提要 --- p.I / 目錄 --- p.III / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 研究範圍 --- p.1 / Chapter 第二節 --- 研究旨趣 --- p.7 / Chapter 第三節 --- 相關文獻回顧 --- p.14 / Chapter 第四節 --- 論文架構與研究方法 --- p.17 / Chapter 第二章 --- 清初陶學背景 --- p.24 / Chapter 第一節 --- 明清易代與文人「生死」的抉擇 --- p.24 / Chapter 第二節 --- 陶淵明生存方式對清初文人的啟示 --- p.29 / Chapter 第三節 --- 清初文人寄情陶淵明的表現 --- p.37 / Chapter 第四節 --- 清初遺民的逃禪與蓮社之約 --- p.56 / Chapter 第三章 --- 清初詩學與陶詩評價的關係 --- p.91 / Chapter 第一節 --- 清初詩壇尋「真」對陶詩評價的影響 --- p.91 / Chapter 第二節 --- 清初「詩史」的重視與陶淵明甲子紀年之義 --- p.115 / Chapter 第三節 --- 清初田園詩的復興與陶淵明田園詩內涵的解讀 --- p.130 / Chapter 第四章 --- 清初的擬陶、集陶與和陶 --- p.151 / Chapter 第一節 --- 清初擬陶與集陶的表現與陶文詩意的賞讀 --- p.152 / Chapter 第二節 --- 清初和陶詩的表現與其意義 --- p.162 / Chapter 第三節 --- 清初擬陶、和陶的觴濫--陶淵明〈酒二十首〉 --- p.169 / Chapter 第四節 --- 清初的「反乞食詩」 --- p.184 / Chapter 第五章 --- 清初的陶淵明意象與繪事 --- p.206 / Chapter 第一節 --- 清初陶淵明與菊的意象與繪事 --- p.207 / Chapter 第二節 --- 清初桃源的意象與繪事 --- p.228 / Chapter 第六章 --- 清初《陶集》評注本 --- p.257 / Chapter 第一節 --- 《陶淵明集》版本源流與清初的《陶淵明集》 --- p.257 / Chapter 第二節 --- 清初的《陶淵明集》注釋 --- p.277 / Chapter 第三節 --- 清初《陶集》評注的特色 --- p.319 / Chapter 第七章 --- 結論 --- p.328 / 參考書目 --- p.331 / Chapter 附錄一 --- 清初文人詩作用陶淵明典故語句輯錄 --- p.1 / Chapter 附錄二 --- 清初文人用陶淵明典故的創作時間與數量分佈 --- p.105 / Chapter 附錄三 --- 歷代書目所錄《陶淵明集》 --- p.106 / Chapter 附錄四 --- 宋代《陶集》注本研究 --- p.119 / Chapter 附錄五 --- 清初文人和陶詩附表 --- p.147