Thesis (M.A.)--University of Toronto, 2006. / Source: Masters Abstracts International, Volume: 44-06, page: 2527. Includes abstracts in English and Hungarian.

Thesis (M. Ed.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 70-77).

Thesis (M.Ed.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 70-77). Also available in print.

Typescript (photocopy). / Digitized by Kansas Correctional Industries

This study is concerned with pre-existing beliefs or preconceptions teacher candidates bring to their methods classes. It specifically addresses students in art education methods classes at a middle sized midwestern university and the population of generalist teachers the classes serve. The research question is particularly important because of the emergence of a new theory for delivering art education, discipline-based art education (DBAE) (Greer, 1984), that has challenged the existing art education paradigm. The study draws heavily on curriculum enactment research (Doyle, 1978). Through interviews with two groups of students, one entering and one exiting the teacher education program, the research seeks to identify and analyze the persistence of students' preconceptions about art and art education. The study's analytical framework is drawn from two bodies of research: (1) science and math studies concerning preconceptions held by students about subject matter; and, (2) studies of teachers and teacher candidates regarding the effect of their implicit beliefs on instructional choice and activities. The study finds that students have various preconceptions. Students believe that art is significantly different from other subjects. Instruction and evaluation are not deemed appropriate. Students believe that providing instruction or setting limits in an art activity is likely to restrict their students' creativity, and that any evaluation is a threat to students' self satisfaction. Entering students believe that talent is a genetic trait and can be improved very little by instruction. A prevalent preconception about observing and analyzing art is that all explanations for an artwork are equally valid since only the artist knows the real meaning behind the work. Despite a curriculum that was designed to teach students a discipline-based approach to art education, a model that emphasized the value of instruction, analysis and evaluation, many of the students' perceptions persisted. Most surprisingly, and importantly, preconceptions concerning talent and training, and instruction persisted. Although students moved toward a DBAE paradigm in some of their beliefs, in most respects students' preconceptions remained unchanged by the art methods classes.

Thesis (Ph. D.)--University of Nevada, Reno, 2005. / "August 2005." Includes bibliographical references (leaves 208-212). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.

Thesis (Ed. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 85-89). Also available on the Internet.

Thesis (Ed. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 85-89). Also available on the Internet.

Thesis (Ed. D.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 12, 2008) Includes bibliographical references.

Thesis (M.A.)--University of Toronto, 2006. / Source: Masters Abstracts International, Volume: 44-06, page: 2512.