Thesis (M.A.)--University of Delaware, 2008. / Principal faculty advisor: Margaret Marie Lidz, Winterthur Program in Early American Culture. Includes bibliographical references.

Thesis (M.S.)--The University of North Carolina at Greensboro, 2009. / Directed by Thomas Lambeth; submitted to the Dept. of Interior Architecture. Title from PDF t.p. (viewed Jun. 7, 2010). Includes bibliographical references (p. 97-100).

Thesis (M.S.)--The University of North Carolina at Greensboro, 2009. / Directed by Jo Leimenstoll; submitted to the Dept. of Interior Architecture. Title from PDF t.p. (viewed Jun. 8, 2010). Includes bibliographical references (p. 87-90).

Thesis (M.L.A.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 82) Also available in print.

Thesis (M.A.)--University of Delaware, 2009. / Principal faculty advisor: Brock W. Jobe, Winterthur Program in Early American Culture. Includes bibliographical references.

abstract: In this study I investigate the factors that may influence consumer preference and choice in China’s home interior decoration industry. With the fast development of information technology such as the internet in China, it becomes increasingly important to have a more precise understanding of consumer preference and choice in home interior decoration decisions so that companies in this industry can provide better services to meet customer needs. Using survey data from a sample of potential customers and a sample of existing customers of a large home interior decoration company, I find that (1) internet has become the mostly used channel by consumers to gather information about home interior decoration, (2) design style is the most influential factor in consumers’ choice of home interior decoration company, and (3) consumers are more likely to choose home interior decoration companies to provide full services when they are between 35 to 45 years old or above 55 years old, when it is the first time for them to purchase a real estate property, and when they are located in the Eastern region of China. Findings of this study can help home interior decoration companies better understand customer needs and preferences, facilitate changes in their marketing and sales strategies, and consequently strengthen their competitive advantage． / Dissertation/Thesis / Doctoral Dissertation Business Administration 2015

Thesis (MTech (Interior Design))--Cape Technikon, Cape Town,1996 / This research project has endeavoured to analyse the extent to which craft ideas and techniques are combining with technological skills in order to formulate an identity for Western Cape furniture design. This identity has been shown to be strongly linked to the determinants of style". which include the national striving for a South African zeitgeist. a sense of unified spirit. The problems of eclecticism are discussed in the light of superficial ethnic cooption. The new craft of the Western Cape (and more specifically Cape Town) of South Africa. is represented against the background of the old craft of the Arts and Crafts Movement in Britain at the turn of the century. Those old methods and ideas influenced the Cape Colony especially when it was under British rule. This dissertation shows that the new craft ideas and methods are synonymous with the new ideology of South Africa. a new craft for a new South Africa. The designers and practical work selected to be part of this research all share a common approach in their positive attitude towards experimenting with new techniques and using available resources to produce quality furniture which is accessible to most consumers. The work of four design groups: Greenspace. Metropolis. Flying Cow and the Montebel70 Smithy are discussed in terms of the objectives of this research which are essentially linked to the unravelling of the determinants of style and their relation to the concept identity in the South Africa which has succeeded the first free and fair general elections of April 1994.

Thesis (MTech (Design))--Cape Peninsula University of Technology, 2016. / Historical interiors hold within them significance which provides us with cultural identity, as well as historical and aesthetic value, and their physical materials offer us a connection to the past. These interiors and their functions often become obsolete and need to acquire a new function that is more suited to our modern-day society. One such change in function which was identified to be steadily on the rise in Cape Town is the reappropriation of historical interiors into contemporary exhibition venues. It was noted that during this process many of these historical interiors end up as neutral contemporary white boxes, where the whole historical interior is replaced or concealed by a pristine white interior and this leads to a loss of its internal historical aesthetic value. To counter this and to retain the significant aesthetics of these interiors for ourselves and our future generations, heritage legislation offers a certain amount of protection through their respective guidelines and principles during adaptation. However, these guidelines do not offer concrete methods on the responsive adaptation of historical interiors into contemporary exhibition spaces. To address this problem and provide a substitute for the white box, alternative methods for the responsive adaptation of the historical interior into a contemporary exhibition space are highlighted and investigated. Through this investigation, this study aims to provide responsive approaches which interior designers may adopt during adaptation that respect, acknowledge and highlight the significance of the reappropriated space in the design of contemporary exhibition venues.

This study is a venture in urban history in that although housing has been the subject of a number of recent studies, little attempt has been made within the British urban history framework to give serious study to what lies behind the architectural facade, the material domestic culture of an urban community. An important objective of this study is to examine the material culture of domestic dwellings in early Victorian Grahamstown, also referring to other parts of the Cape Colony. Where possible these facts are related to the occupants of the dwellings. No community, urban or rural, can be divorced from the influences which lie beyond its immediate locality in region or metropol. As a preliminary to this study the urban background of industrial Britain is examined, as are English and Dutch cultural influences on the interiors of Cape homes in general. The occupational stratification and spatial structure of early Victorian Grahamstown are then explored, leading into· a discussion of the material domestic culture of the interiors of Grahamstown dwellings. In the final analysis, this study is an attempt to uncover the character of early Victorian Grahamstown and its possible implications for English cultural influences at the Cape. In so doing, not only what constitutes the domestic material culture of Grahamstown is established, but beyond that, a comparison made with domestic material cultural developments in another colonial, though not frontier, settlement with roots in Georgian and Victorian England, namely Australia.

This paper is to present a student interior design laboratory manual for Perspective Drawing 134. A mechanical and freehand approach to the grid method of perspective is used. Chapter I reviews the significance of the problem, definitions of terms of perspective, data sources and method of procedure. Chanter II explains a brief overview of perspective from primitive man to its present use in interior design. Chapter III reviews the general principles of perspective. Chapter IV presents the grid method to one-point and two-point perspective, both mechanical and freehand approaches. Included are step by step illustrations and explanations of the method. Chapter V summarizes the intent of this study.