Engaging the question of postmodern ethical intersubjectivity in the work of Emmanuel Levinas and Luce Irigaray I attempt to move beyond Levinas sacrificial view of intersubjectivity with Irigaray's critique of sexual difference. I argue that Levinas view of ethical 'subjectivity' is violently conditioned by a necessary narcissim located in Levinas's description of the feminine dwelling. Instead of narcissim I argue with Irigaray for a way of love that offers an ethical relationship bonded in mutuality. This way of love is rooted in an understanding of the primordial matter of life as good for intersubjective-relationships that do not depend upon narcissim for connection. Concluding this study I suggest that his kind of intersubjectivity can be rooted in a primordial way of life found in the rhythm of breath.

This thesis suggests that Luce Irigaray's recent focus on spirituality in 'Luce Irigaray: key writings' makes explicit themes already suggested by her career-long insistence on the importance of sexual difference. It traces Irigaray's imagination of a dynamic, life-giving duality of sexual difference, suggesting that Irigaray's sexual difference displaces western philosophy's division between the natural and the spiritual; the earth and the sky; and mortals and the divine. In Irigaray's philosophy, cultivating sexual difference between men and women is the key to relinking the natural and the spiritual. This thesis calls this re-linking a religious task.Within this broad project, emphasis is placed on Irigaray's insistence that in order for sexual difference to be our redemption, women need to attend to creating a spiritual world appropriate to our own natural world. Indispensable to this project is the cultivation of a genealogy of mother-daughter relationships. This thesis explores this theme in Irigaray by discussing Drucilla Cornell's book, 'Legacies of dignity: between women and generations', as an Irigarayan genealogical exercise.This thesis also explores Irigaray's demand that western culture rethink its understanding of God. She suggests that we cultivate a sense of the divine as 'sensibly transcendent.' In order to highlight the distinction between Irigaray's divine and a monotheistic, transcendent God, this thesis turns to Patricia Huntington's article 'Contra Irigaray: the couple is not the middle term of the ethical whole.'The concluding chapter explores Irigaray's reworked notions of incarnation and salvation.Throughout these explorations, this thesis holds that Irigaray's re-integration of the natural and the spiritual will promote more ethical living -- with others, our selves, the earth and the divine.

I trace Jacques Derrida's notions of self and truth in Circumfession. This text paints a gruesome self-portrait depicting the inescapable violence of subjectivity. The self is born in blood. Derrida courageously confesses to being a casualty of this lovelessness. Similarly, exploring the depth of patriarchy's inscriptions requires facing the painful truth of my bleeding self. Investigating these wounds seems to reopen them, making me complicit in my own oppression. Drawing from the rich narrative of Ingeborg Bachmann's novel Malina, I allow feminists such as Helene Cixous, Luce Irigaray, Drucilla Cornell and bell hooks to engage Derrida's notions of the wounded and wounding self. Beginning in this bloody place, they attempt to write a way-out of the disempowering systems of subjectivity to which the female self seems confined. They write in order that love will bleed some light on the struggle for empowered female subjectivity, re-writing the self as a space of love rather than violence.