Thesis (MA)--University of Stellenbosch, 2000. / ENGLISH ABSTRACT: This thesis examines the relationship between law and justice. Firstly, it is argued that the concept of justice tends to be defined too narrowly as distributive justice or as a mechanism to maintain social order. It is argued that Jacques Derrida's understanding of justice not only gives a richer and broader understanding of the concept, but also on its complex relationship with the law. Lastly, some of the possible implications for jurisprudence (with specific reference to Critical Legal Studies, Critical Race Theory and Drucilla Cornell) are examined. / AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die verhouding tussen geregtigheid en die reg. Daar word eerstens geargumenteer dat geregtigheid te maklik gedefinieer word as distributiewe geregtigheid of as In meganisme om sosiale orde te bewerkstellig. Daar word geargumenteer dat Jacques Derrida se verstaan van die konsep nie aileen 'n breer en ryker verstaan moontlik maak nie, maar dat dit ook fokus op die komplekse verhouding met die reg. Laastens word sommige van die moontlike implikasies vir regsfilosofie (met spesifieke verwysing na Critical Legal Studies, Critical Race Theory en Drucilla Cornell) ondesoek,

I trace Jacques Derrida's notions of self and truth in Circumfession. This text paints a gruesome self-portrait depicting the inescapable violence of subjectivity. The self is born in blood. Derrida courageously confesses to being a casualty of this lovelessness. Similarly, exploring the depth of patriarchy's inscriptions requires facing the painful truth of my bleeding self. Investigating these wounds seems to reopen them, making me complicit in my own oppression. Drawing from the rich narrative of Ingeborg Bachmann's novel Malina, I allow feminists such as Helene Cixous, Luce Irigaray, Drucilla Cornell and bell hooks to engage Derrida's notions of the wounded and wounding self. Beginning in this bloody place, they attempt to write a way-out of the disempowering systems of subjectivity to which the female self seems confined. They write in order that love will bleed some light on the struggle for empowered female subjectivity, re-writing the self as a space of love rather than violence.