Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.

Thesis (doctoral) - Hochschule für Musik und Theater, München. / Includes bibliographical references (p. 299-310) and index.

Thesis (Ed.D.)--Teachers College, Columbia University, 1969. / Typescript; issued also on microfilm. Sponsor: Gladys Tipton. Dissertation Committee: Robert Pace. "Discography": leaves 251-254. Includes bibliographical references (leaves 251-254).

Thesis (doctoral)--Universität zu Köln, 1993. / Includes bibliographical references (p. 234-243).

Thesis (M.M.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record.

Thesis--Indiana University, 2006. / Computer printout. Advisor: Lewis Rowell. Includes bibliographical references (leaves 233-240), abstract, and vita.

Charles Edward Ives was the first twentieth-century North American composer to write from a purely American perspective. His music also anticipated many of the stylistic features which characterize later twentieth-century music. This study begins with an examination of secondary literature to show how other scholars have interpreted Ives's music. Few projects have dealt with the question of coherence in Ives's music, in large part due to the seemingly disjunct nature of the music. Unity and coherence were overriding concerns to Ives, as is evident in his writings which are strongly steeped in transcendental philosophy. The second part of the thesis presents analyses of four songs from the 114 Songs: "The Cage," "Ann Street," "Like a Sick Eagle," and "At the River." Linear techniques in concert with the labelling system of pitch-class set theory are the principal analytical tools used to investigate the songs. The analyses begin from the premise that each song contains an underlying compositional plan and is a coherent whole.

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Thesis (Ph. D.)--University of California, Santa Barbara. / Physical description of the original determined from an examination of the photocopy. Portfolio contains scores of Capriccio (36 leaves), Woodwind Quintet no. 2 (28 leaves), and Apotheosis, a suite in honor of J.S. Bach (24 leaves), all by Larry Lipkis. "8428621"--Added t.p. of photocopy. Includes bibliographical references (leaves 26-27).