Thesis (PhD(Praktiese Teologie))--Universiteit van Pretoria, 2008. / Includes bibliographical references (p. 674-692).

Diss.--Philos.--Zürich, 1987.

Thesis (MA Teologie(Praktiese Teologie)--Universiteit van Pretoria, 2004. / Includes bibliographical references (leaves 184-186)

Thesis (M.A.)--University of Colorado, 1999. / Title from title screen. Accompanied by a bound paper guide which contains abstract, operating instructions and bibliographical references, and by a CD-ROM which provides access to the html files. (Direct access via the Web is not possible without the CD-ROM).

Thesis (Ph.D.)--University of Western Sydney, 2008. / A thesis submitted to the University of Western Sydney, College of Arts, School of Psychology in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.

Thesis (MPhil(R)) - University of Glasgow, 2007. / MPhil(R) thesis submitted to the Department of German, Faculty of Arts, University of Glasgow, 2007. Includes bibliographical references. Print version also available.

Thesis (M.A.)--Carleton University, 2001. / Includes bibliographical references (p. 266-270). Also available in electronic format on the Internet.

Thesis (M.A.)--Miami University, Dept. of Theatre, 2004. / Title from first page of PDF document. Includes bibliographical references (p. 135-137).

We give a short and elementary proof of Jung’s theorem, which states that for a field K of characteristic zero the automorphisms of K[x, y] are generated by elementary automorphisms and linear automorphisms. / Presentaremos una prueba corta y elemental del teorema de Jung. Este teorema establece que para un cuerpo K de caracterstica cero los automor smos de K[x; y] son generados por automorsmos lineales y los llamados elementales.

This study investigates whether or nor not the imagery of Catherine of Siena can be interpreted from a Jungian perspective. It takes a lead from other studies, notably one on Teresa of Avila and Jung. Reading of medieval literature suggests that medievals applied the use of symbols and imagery in ways that are at times baffling to people of our time. Carl Jung was no stranger to imagery and symbol. In our current age with its renewed emphasis on the insights of spirituality, and to some extent its disenchantment with aspects of traditional psychology, there is room for a dialogue between the two disciplines of mysticism and psychology across a six-hundred year divide. The use of imagery, as a window to the soul, in the Christian tradition is examined. Catherine of Siena is situated within her own medieval context, one of upheaval in the church, but also an age of mysticism and spiritual/religious phenomena strange to our own time. Catherine is introduced against the background of her world and against the backdrop of the Dominican tradition. A discussion of some of her major imagery demonstrates her aim of union with God. An understanding of conscious aspects and of unconscious aspects of the self is shown as key to Jung ' s view of the psyche. Elucidation of some archetypes and a discussion of Jung's dream analysis demonstrates how Jung believed the unconscious becomes conscious, and how individuation becomes a possibility. Key Catherinian images are examined from a Jungian perspective. Catherine has relevance for the twenty first century, and we are invited to be challenged by the mysteries and truths to which her images point us.