Orientador : Vilma Sant'Anna Areas / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-01T21:07:08Z (GMT). No. of bitstreams: 1 Dantas_GregorioFoganholi_M.pdf: 6446131 bytes, checksum: 77fb31dc7588d271c14599a6792ce949 (MD5) Previous issue date: 2002 / Resumo: O presente trabalho nasceu da reflexão sobre a ficção de José J. Veiga (1915-1999) e sua suposta "filiação" à chamada literatura fantástica e ao realismo maravilhoso latino-americano. Esta relação não se mostrou óbvia, como a bibliografia crítica - em que há poucos estudos longos e aprofundados - fazia crer. Analisando as constantes temáticas e estilísticas da ficção de J. J. Veiga, chegamos à descrição do que optamos chamar de insólito, mais adequado ao autor goiano, em detrimento ao já desgastado fantástico. Pretendemos, afinal, demonstrar que a ficção de J. J. Veiga dialoga com o fantástico e com o realismo maravilhoso sem contudo de sujeitar estritamente a nenhum deles. Para tanto, tornou-se necessário desenvolver questões pertinentes e comuns à fortuna crítica de Veiga, como sua predileção por personagens infantis, a possível interpretação de suas obras como alegoria política e a função do foco narrativo enquanto principal recurso para a construção do insólito / Abstract: The present study started from the reflections about the work of José J. Veíga (1915-1999) and on its presumed "affiliation" to the fantastic literature and to the latin american magic realism. Contradicting his criticaI bibliography, this relationship is not obvious - and there are only a few detailed studies about it. In examining Veiga's fiction we describe what we labelled as insólito (unusual), a more appropriate and appliable term to the brazilian author, rather than "fantastic". Our purpose is to demonstrate that his work establishes dialogues with the fantastic and with the magic realism, without, though, being strictly subordinated to any of them. Thus, it had become necessary to proceed to the analysis of some of the relevant aspects found in Veiga's critical fortune, such as his predilection for childish characters, the interpretation of his work as political allegory and the use of the "standpoint" to the construction of the insólito (unusual) / Mestrado / Literatura Brasileira / Mestre em Teoria e História Literária

Orientador: Antonio Arnoni Prado / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-15T07:39:01Z (GMT). No. of bitstreams: 1 Souza_AgostinhoPotencianode_M.pdf: 4999610 bytes, checksum: ffa67758753e470fdaf3a67cad653767 (MD5) Previous issue date: 1987 / Resumo: Este trabalho é uma proposta de descrição de aspectos de realização literária na obra do escritor José J. Veiga. Descreve o percurso das manifestações criticas as obras do escritor e das tentativas de classificação de sua ficção nos quadros da literatura brasileira. Considerações são feitas quanto às fontes temáticas das narrativas de José J. Veiga, destacando-se a resistência e a passividade as formas tiranas de opressão, nos sistemas de governo e na tecnologia burocratizada. Algumas ligações de fundo nativista são apontadas no privilegiar cenários de lugares do interior brasileiro. Como aspectos de contribuição original a crítica de José J. Veiga, o trabalho aponta dois procedimentos narrativos do ficcionista: os limites oscilantes e sutis entre planos diferentes do real humano e a carnavalização da literatura, uma forma do sério-cômico, como alternativas de um narrador critico na leitura do mundo / Abstract: Not informed. / Mestrado / Mestre em Letras

Damage zones adjacent to or associated with faults are important to the geologic community because of their implications to hazards and their ability to preserve evidence for, and show history of, slip, fluid flow, and deformation associated with large strike-slip faults. We examine two fault zones in southern California where fault zone damage is expressed. We revisit the drilled crystalline core from the Cajon Pass California drill hole, 4 km northeast of the San Andreas fault (SAF), and 1 km north of the Cleghorn fault, to perform a systematic structural analysis of deformation and alteration associated with strike-slip faulting at the site. The core preserved 19 fault zones, 11 of which were not previously identified. The most significant fault is a fully intact steep-dipping fault zone at 3,402 m depth with potassium feldspar and epidote alteration. This fault correlates well with the nearby left-lateral Cleghorn fault. The extent of deformation varies within the core, and is controlled by the size of the fault zones intersected by the core. The extent of deformation varies and is controlled by the size of the faults the core intersected. We also examined the nature of right separation across the Clark fault damage zone along the Santa Rosa segment using a marker assemblage of biotite, hornblende-bearing tonalite - marble - bearing metasedimentary rocks - migmatite located in Coyote Mountain and the southeast Santa Rosa Mountains. Separation measured from this study is 16.8 km + 3.67 km / -6.03 km. Our measurement uses the updated location of the Clark fault in Clark Lake Valley and matches a distinctive lithologic contact across the fault instead of matching the diffuse western boundary of the Eastern Peninsular mylonite zone as previously used. We calculate the errors associated with projecting the contacts across Quaternary cover to the trace of the Clark fault, and consider a range of projections. Additional strain may have been accommodated in folds and small faults within the damage zone of the San Jacinto fault zone. Two large map-scale folds deform the marker assemblage near the San Jacinto fault zone and we tested whether Cretaceous ductile deformation or brittle late Quaternary right slip produced the folds.

No description available.

No description available.

Conflict Event theory has the potential to change how archaeologists investigate battlefield sites. As a theoretical paradigm, eventful archaeology allows us to give agency to social-structure changing events, going beyond collect artifacts after the battle is over. Coupled with site formation processes, this model allows us to project battle elements to re-create the historical events that occurred at conflict sites. Within this theoretical framework, we can begin to understand why the conflict unfolded in a particular manner. Two site of the Texian Revolution are particularly appropriate to this new theoretical model: the San Jacinto Battleground (SJB), the location of the last battle of the Texian Revolution, and Washington-on-the-Brazos (WOB), the location of the signing of the Texas Declaration of Independence. Merging this theoretical model with an investigation of site formation processes (understanding the matrix in which the artifacts lie) and pulse-domain electromagnetic surveying allows for a much more robust approach to Battlefield Archaeology. Pulse-induction allows for the detection of discrete artifacts in the soil, and is a much more reliable method than the more commonly used magnetometry. Analyzing characteristics of the soil surrounding the artifacts then gives us a third line of inquiry as to why artifacts are in certain locations in the archaeological record, allowing for an explanation as to their quality and quantity. La teoría del Acontecimiento del conflicto tiene el potencial para cambiar cómo arqueólogos investigan sitios de campo de batalla. Como un paradigma teórico, la arqueología llena de acontecimientos nos permite dar agencia a la social-estructura que cambia acontecimientos, yendo más allá de reúne artefactos después de que la batalla esté sobre. Asociado con procesos de formación de sitio, este modelo nos permite proyectar batalla elementos para recrear los acontecimientos históricos que ocurrieron en sitios de conflicto. Dentro de esta armazón teórica, nosotros podemos comenzar a comprender por qué el conflicto desplegó en una manera particular. Dos sitio de la Revolución de Texian es especialmente apropiado a este nuevo modelo teórico: el San Campo de batalla de Jacinto (SJB), la ubicación de la última batalla de la Revolución de Texian, y de Washington en el Brazos (WOB), la ubicación del firmar de la Declaración de Tejas de Independencia. Unir este modelo teórico con una investigación de sitúa procesos de formación (comprendiendo la matriz en la que los artefactos están) y el pulso-dominio inspeccionar electromagnético tiene en cuenta un enfoque mucho más robusto a la Arqueología del Campo de batalla. La pulso-inducción tiene en cuenta el descubrimiento de artefactos distintos en la tierra, y es un método mucho más seguro que el magnetometry más comúnmente utilizado. Analizar características de la tierra que rodea los artefactos entonces nos dan una tercera línea de indagación en cuanto a por qué artefactos están en ciertas ubicaciones en el registro arqueológico, teniendo en cuenta una explicación en cuanto a su calidad y la cantidad.

Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2004Bitstream added on 2014-06-13T20:26:34Z : No. of bitstreams: 1 carneiro_nm_dr_assis.pdf: 783953 bytes, checksum: 1b84994fc377be9874ccc08c14280c38 (MD5) / A tese, O caleidoscópio de José J. Veiga: intersecções estruturais em narrativas insólitas, efetiva análises comparativas entre textos de José J. Veiga (1915-1999), a saber, Os do outro lado, inserido em Os cavalinhos de Platiplanto (1995), Sombras de reis barbudos (1995) e os contos: Aladino (anônimo), A chinela turca (1974), de Machado de Assis e Casa Tomada (1980), de Julio Cortázar. Este trabalho compreende, ainda, a análise do romance de Veiga, A casca da serpente (1994). Abordagens imanentistas subjazem os referidos procedimentos, valendo-se de considerações dos seguintes estudiosos: Tzvetan Todorov, Roger Caillois, Lovecraft, Irène Bessière, Wayne C. Booth, Norman Friedman, Gérard Genette, Linda Hutcheon e Bakhtin (em parte). Pressupostos sobre narrativas fantásticas e realistas maravilhosas emergem, principalmente, das reflexões de Filipe Furtado, Harry Belevan, Óscar Hahn, Francisca Coalla, Bella Josef, José Paulo, Alejo Carpentier, Irlemar Chiampi, Jorge Schwartz. Quanto aos conceitos do novo romance histórico, o trabalho firma-se em posicionamentos de Seymour Menton e Fernando Aínsa. Tais experimentos analíticos pretendem demonstrar que, embora a construção literária do sobrenatural implique variabilidades temático-formais, os elementos dominantes se interseccionam. Portanto, narrativas de Veiga e outras correlatas resultam em “imagens caleidoscópicas”, paradoxalmente, múltiplas e equivalentes. / The thesis, O Caleidoscópio de José J. Veiga: structural intersections in unusual narratives, accomplishes comparative analysis among texts of José J. Veiga (1915- 1999), namely, Os do outro lado, inserted in Os Cavalinhos de Platiplanto (1995), Sombras de reis barbudos (1995) and the short stories: Aladino (anonym), A chinela turca (1974) of Machado de Assis and Casa Tomada (1980), of Júlio Cortázar. This study also includes the analysis of Veiga’s novel, A casca da serpente (1994). Immanenet approaches lie in the above-mentioned procedures since considerations of the following scholarly people: Tzvetan Todorov, Roger Caillois, Lovecraft, Irène Bessière, Wayne C. Booth, Norman Friedman, Gerárd Genette, Linda Hutcheon and Bakhtin (partly). Presuppositons about fantastical and amazing realistic narratives arise, mainly from Felipe Furtado, Harry Belevan, Óscar Hahn, Francisca Coalla, Bella Josef, José Paulo Paes, Alejo Carpentier, Irlemar Chiampi and Jorge Schwartz’s reflections. As for the concepts of the new historical novel, the study rilies on Seymour Menton and Fernando Aínsa’s positions. Such analytical experiments intend to show that, though the literary construction of the supernatural thing involves formal-thematic variabilities, the dominant elements meet. So, Veiga’s narratives and correlate other ones result in “kaleidoscope images”, diverse and equivalente ones in a paradoxical way.

abstract: The study of fault zones is a critical component to understanding earthquake mechanics and seismic hazard evaluations. Models or simulations of potential earthquakes, based on fault zone properties, are a first step in mitigating the hazard. Theoretical models of earthquake ruptures along a bi-material interface result in asymmetrical damage and preferred rupture propagation direction. Results include greater damage intensity within stiffer material and preferred slip in the direction of the more compliant side of the fault. Data from a dense seismic array along the Clark strand of the SJFZ at Sage Brush Flat (SGB) near Anza, CA, allows for analysis and characterization of shallow (<1km depth) seismic structure and fault zone properties. Results indicate potential asymmetric rock damage at SGB, similar to findings elsewhere along the SJFZ suggesting an NW preferred rupture propagation. In this study, analysis of high resolution topography suggests asymmetric morphology of the SGB basin slopes are partially attributed to structural growth and fault zone damage. Spatial distributions of rock damage, from site mapping and fault perpendicular transects within SGB and Alkali Wash, are seemingly asymmetric with pulverization dominantly between fault strands or in the NE fault block. Remapping of the SJFZ through Alkali Wash indicates the fault is not isolated to a single strand along the main geologic boundary as previously mapped. Displacement measurements within SGB are analogous to those from the most recent large earthquake on the Clark fault. Geologic models from both a 3D shear wave velocity model (a product from the dense seismic array analysis) and lithologic and structural mapping from this study indicate surface observations and shallow seismic data compare well. A synthetic three-dimensional fault zone model illustrates the complexity of the structure at SGB for comparison with dense array seismic wave products. Results of this study generally agree with findings from seismic wave interpretations suggesting damage asymmetry is controlled by a NW preferred rupture propagation. / Dissertation/Thesis / Geologic Map of Sage Brush Flat / 3D fault zone model of the SJFZ at Sage Brush Flat / Masters Thesis Geological Sciences 2018

This curriculum guide is for grades four through six. It examines how wetlands, wildlife, and people interact and depend upon each other. The San Jacinto Valley wetland area is used as an example of wetland habitat destruction from population pressures that have changed the natural landscape. It is also used as an example of what habitat reconstruction can do to restore vital habitats. Through student contact with the wetlands increased awareness of the fragile interrelationships between the physical and biological components of a wetland habitat is gained. Students can use ecological themes to help them assimilate collected and given data into logical cohesive ideas, laying the ground work for developing an environmental action project.

The great literary movements affected Spanish drama less than that of any other country, though romanticism drew the public and stage closer. Realism and naturalism were slow in developing due to the "manifest incompatibility existing between the very spirit of the French realists and the Spanish national dramatic ideals."2 Spanish national drama deals in elemental passions, is poetic in situations, and magnificently conventional in tone; while its literary form is more important than its dramatic structure.2 French literature contains fine and subtle psychology, witty and ingenious, but is sometimes a little unsubstantial. Not universal theme but complex and involved feelings are characteristic. Spain has been slow to appreciate the modern French realistic play; indeed she has never adopted it in its original form. Attempts to imitate Ibsen3 and the foreign symbolism of Maeterlinck have been unsuccessful. The modern movement in the theatre starts at the end of the nineteenth century. Of all the writers the man most responsible for introducing modern drama, as we understand it in Europe, was Jacinto Benavente. No consideration of the modern theatre would be complete without a discussion of this interesting and brilliant dramatist. Wherever reforms have been accomplished, wherever barriers have been broken down, wherever new paths have been formed, he has been the leader.1 He is generally considered the greatest living dramatist in Spain, and worthy to rank with the best in any country. Of all the realistic dramatist of our time none is more realistic than Benavente. New ideals of literature and art, the method of the modern dramatist, more refined, more serious in aim than of old -- these are some of his contributions to modern drama. He has reacted on the drama and compelled it to change its traditional conventions for modern stage technique. Benavente is to be the master builder of modern Spanish drama; at the same time he mirrors the society of his time, its virtues and vices.