Thesis (Ph. D.)--University of Wisconsin--Madison, 1960. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1967. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.

Thesis (M.A.)--Brigham Young University. Dept. of English, 2006. / Includes bibliographical references (p. 103-105). Filmography: p. 106.

Contient un choix de lettres d'H. James. - Diss. : Philosophische Fakultät : Köln : 1978. - Bibliogr. p. 188-196. -

Texte remanié de: Thesis Ph. D.--Cambridge, GB--University of Cambridge. / Bibliogr. p. 224-235. Index.

No description available.

This study proposes first, to investigate the biographical and literary influences that led James to attempt the ghost story; second, to examine the stories themselves in light of James's theory of fiction, and to compare them with the tales of other writers; last, to consider James's ghosts as dramatized unseen realities which strongly affect human experience.

All of the aforementioned factors--love, money, the abuse of confidence, the guilt growing out of it, the response of the victim--contribute to the moral view constantly evolving towards an ultimate statement in the three novels of James's maturity. This thesis will attempt to explicate in full that statement. For James's theme of abuse of confidence, together with all of its elements, was in itself only the vehicle of a finely attuned moral awareness.

The purpose of the study at hand is to follow up the suggestions in Winters's observations and Booth's thesis, and to examine both the extent and the nature of money and other financial considerations as these matters appear in the four most important novels of James's early period.

This thesis examines the influence of Latin literature and values on the fiction of Henry James, with particular reference to the authors who wrote under Augustus, the first emperor of Rome. The similarities between their works and his are analysed in terms of structure, style, setting, plot, theme, imagery, characterisation and didacticism by close readings and comparisons of the texts. The writings to be compared are Horace's Odes with James's “Daisy Miller,” Virgil's Aeneid with The Ambassadors, and the histories of Livy and Tacitus with The Golden Bowl. In the end, this dissertation attempts to demonstrate how the morals that James sought to commend to his young and burgeoning America were based on those of the ancient Augustan age, a period that he may have believed bore a strong resemblance to his own times, while he may also have felt that emulation and appropriation of these canonical classical writers could help him to become a classic himself. The results of this enquiry are offered as a contribution to both classical reception studies and Jamesian studies.