Thesis (M.A.)--University of Oregon, 2006. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 59-61). Also available for download via the World Wide Web; free to University of Oregon users.

This essay is about the religious change that Jing-cult underwent 600-1500 A.D. It is a historical-critical essay based on literature studies, using Håkan Rydving’s theory of religious change. In chronological order, it will go through the religious change from ancient Japan to the late Muromachi-period when Shinto was created. It describes the early temple- cult, buddhism's mission to Japan and how the Jingikan was created. Further, it addresses the changes that occurred with the immigration from Korea and the consequences involved in the creation of the great temple-shrine complex in which Shinto and buddhism fused. Finally, it tells how the theological thinking of Japanese buddhism and the Jingi-cult changed and created Shinto. The essay has the main focus on the Kami-tradition, the shrine-tradition and the study of Shinto. The essay discusses the changes that occurred in the end and draw conclusions about why they occurred. The conclusion reached is that buddhism has had a great influence and changed the Jingi-cult most. In history there has come about akultration between buddhism and the Jingi-cult that eventually resulted in the creation of Shinto.

<p>This dissertation examines the modern transformation of orthodoxy within the Otani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the prevailing orthodoxy. Judging him a principal player in forging a distinctively modern Buddhism, many scholars have examined Kiyozawa's life and writings. However, it is critical to recognize that during his life Kiyozawa remained a marginal figure within his sect, his various reform initiatives ending in failure. It was not until 1956 that Otani leaders officially endorsed and disseminated Kiyozawa's views. Taking my cue from Talal Asad's critique of Clifford Geertz's definition of religion, I move beyond interpretation of the "meaning" of Kiyozawa's life and writings to the historical study of how they came to be invested with authority, impacting the lives of millions of sect members and influencing the perception of him among scholars. </p><p> I approach this history on three levels. On an individual level, I examine the lives and writings of Kiyozawa, his followers, and his critics, as revealed in their books, journal articles, newspaper articles, diaries, and letters. On an institutional level, I examine the transformation of the Otani organization's educational, administrative, and judicial systems, as documented in institutional histories, denominational by-laws, official statements, and administrators' writings. Finally, on a national level, I examine the effect of major political events and social trends on Kiyozawa's followers and the Otani organization. </p><p> This study reveals that one critical factor in the transformation of Otani orthodoxy was the strategic use of a discourse of "empiricism" by Kiyozawa's followers. As the Otani organization's modern university gradually came to supercede its traditional seminary, Kiyozawa's followers positioned themselves as authoritative modern scholars. At the same time, this study shows that the transformation of Otani orthodoxy was contingent upon broader historical developments far outside the control of Kiyozawa's followers or Otani leaders. Specifically, the state's persecution of Communists, war mobilization policies, and the post-war context of democracy building all shaped the views and fortunes of Kiyozawa's followers. I argue that by better acknowledging and examining the contingent nature of religious history, scholars can approach a more realistic view of how religions are formed and reformed. Specifically in regard to modern Buddhist studies, I also argue that more attention should be paid to how sectarian institutions continue to grow and evolve, shaping all aspects of Buddhist thought and practice.</p> / Dissertation

Thesis (Ph.D.) -- McMaster University, 1997. / Includes bibliographical references (leaves 284-294). Also available via World Wide Web.

This dissertation studies the critical and historical examination of modern Japanese Buddhism in terms of its collaboration with and resistance to ultranationalism and militarism before and during World War II. It also examines how Buddhism came to Japan and transformed itself according to the historical, social and political contexts throughout history. Also it shows how and why Japanese Buddhism has transformed the Gautama Buddha's teachings, the Dhamma and the notion of community, Sangha to its own in terms in relationship to the state. In order to examine the Japan's modern-nation-state's invention of installing a national consciousness and identity in the people through the means of State Shinto and the emperor, kokutai ideology after the Meiji Restoration in 1868, I apply the methodologies of social critical theories of James Scott, Benedict Anderson, Michel Foucault and Pierre Bourdieu. After the Tokugawa shogunate's long patronage of Buddhism (1602-1868), the dissertation examines how modern Japanese Buddhism was challenged by the Meiji state, and transformed itself to meet the need of the modern-nation-state centered on State Shinto and kokutai ideology. Moreover, it exposes how Japanese Buddhism struggled to meet the modernity itself such as individuality and socialization. Furthermore, in the 1930-40's, in the context of rise of ultranationalism and militarism in the name of "overcoming modernity," this dissertation explores how the Japanese Buddhist sects such as True Pure Land, Nichiren, Zen, and the Kyoto School collaborated with and resisted to them. Despite the main Japanese Buddhism's active participation in the war, there were few Japanese Buddhists' resistances. The dissertation examines why and how they could not effectively resist but failed. Moreover, the dissertation shows that there were several opportunities that Japanese Buddhism might have stopped the state's control of religions--the rise of ultranationalism and war ideology in the cases of Uchimura Kanzô's lese majeste in the 1890's, the state's failures of ratification on the Religious Organization Law twice in the 1920's, and Seno'o Girô's anti-fascist movements in the 1930's--the Buddhists had had critical minds and organizational wills alongside with the interreligious cooperation with Christianity and new religions. Thus, this dissertation critically examines Japanese Buddhism in three terms; the social critical ethics, the interreligious dialogue, and the trans-national dialogue. It shows why and how Japanese Buddhism lost the Buddha's critical mind, social ethics, the democratic origin of Sangha, as well as the trans-national dialogue with Korean, Chinese and South Asian Buddhists and eventually justified the Japanese imperial aggression against Asia. I hope that my dissertation will help the Japanese Buddhists undertake a self-critical examination of their involvement in World War II, and would set up a good example of self-criticism of religion and nationalism. It could certainly help the current Islamic people's struggles for democracy, nationalism and holy war. Also in case of China's nationalistic expansionism which resembles the Japan of 1930-40's, in the name of nationalism and social harmony, religious freedom was limited to the inner private realm, but its public role in checking nationalism was suppressed. Tibetan Buddhism, Falun Gong and house Christian churches cried out for their freedom. Therefore the self-critical examination of the rise and fall of the Japanese empire in terms of religion, religious freedom and ultranationalism might help Chinese religions and intellectuals as well as other cases involving religion, nationalism and war. / Religion

Made available in DSpace on 2016-04-25T19:20:40Z (GMT). No. of bitstreams: 1 ELISABETH GONZAGA.pdf: 1041915 bytes, checksum: ecaee502cdcc895eaca43fe4bc0478b1 (MD5) Previous issue date: 2006-05-19 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho de pesquisa buscou investigar, a partir da análise de três grupos religiosos instalados na cidade paulista de Suzano, a situação do chamado Budismo Étnico Japonês no Brasil. Os grupos Higashi Honganji, Honpa Hongwanji e Jodo Shinshu Shinrankai pertencem à Escola Jôdo Shinshu - Verdadeira Terra Pura e se instalaram junto com os imigrantes. O principal diferencial do segmento estudado em relação às outras correntes budistas em nosso país está na forte relação com o elemento étnico, que imprime uma nota visível na idade dos participantes, no idioma utilizado nas cerimônias, no perfil dos clérigos e na permeabilidade a novos seguidores, pertençam eles ou não à colônia nipo-brasileira

This thesis develops a Theoretical framework to be applied to future research concerning medieval Japanese Buddhist nuns and their involvements with Buddhist material culture. My efforts at theory production serve as a preliminary attempt at laying a comprehensive Theoretical foundation for a fresh area of inquiry, namely merging the respective studies of Japanese Buddhist nuns with Buddhist material culture. This marks a promising area of study as a corrective to the enduring focus placed upon men by Religious Studies (RS) scholars. Indeed, RS has historically been, and largely continues to be, a field dominated by men. As such, RS research has concentrated upon the male population, both lay and monastic, and has only recently started shifting toward the question of where women were and what they were doing. Additionally, the study of Buddhist material culture is itself a relatively new field. Consequently, there are currently very few English publications exploring women’s involvement with this important aspect of Buddhism. As a means of contextualizing the Theoretical framework ultimately proposed, I first examine the states of the Buddhist Studies subfields of Buddhist nuns and of Buddhist material culture. I subsequently explore the states of theory production within RS and Medieval Japanese Buddhist Studies (MJBS), contending that a distinctive mode of theory (macro ‘capital-T’ Theoretical frameworks and micro ‘lowercase-t’ theoretical models, respectively) is found within each discipline. While I propose only a RS style macro Theoretical framework, I suggest that an ideal foundation for the study of nuns through the lens of material culture will take the form of a Theoretical complex comprised of both a Theoretical framework and a MJBS style theoretical model. Ultimately, I wish to begin the process of laying the groundwork for future research focusing on women and gender within the context of Buddhism and material culture. / Thesis / Master of Arts (MA) / This thesis develops a Theoretical framework to be used in future research about medieval Japanese Buddhist nuns and their involvements with Buddhist material culture (paintings, statues, relics, and so on). This is a preliminary attempt at laying a Theoretical foundation for this fresh area of inquiry. In this endeavour, I am trying to respond to the enduring focus placed upon men by Religious Studies (RS) scholars, as the field has been and largely continues to be dominated by men. Consequently, there are very few English publications exploring Buddhist nuns and material culture, an important aspect of Buddhism. I examine the states of the studies of these topics, and explore two types of theory production distinct to RS and Medieval Japanese Buddhist Studies respectively. Ultimately, I wish to begin the process of laying the groundwork for future research on women and gender within the context of Buddhism and material culture.

The thesis consists of the novel The Fox and the Mirror and an accompanying exegesis. The novel is an historical fantasy set in a world based on early medieval (12-13th century) Japan. The main characters are a young female shaman, Hatsu, and a young warrior’s assistant, Sada, who is a Buddhist believer. When Hatsu’s village and shrine are destroyed by warriors and her summoning mirror is stolen, she is abandoned by her kami . To experience the kami’s presence again, she must follow the thief and retrieve the mirror before it can be used to resurrect an ancient evil. Sada must capture Hatsu and bring her back to his lord, or his family will suffer. Yet he is entranced by Hatsu and feels guilt at the destruction of her village. He must choose whether to abandon his former life and stay with Hatsu, or betray her. In the novel I have tried to invoke the feel of a place and time where the supernatural is as real as the physical world; I also try to imagine how a religion as alien to Japanese native beliefs as Buddhism became a part of that country’s spiritual culture. In the exegesis I reflect upon how I used various kinds of history, both written and unwritten, to build the world, characters and narratives of The Fox and the Mirror, and thereby explore some ways in which historical fantasy, as a sub-genre of historical fiction, is capable of presenting an ‘authentic’ view of the past, in spite of its non-realistic nature. I identify three main ways historical fantasy writers can provide an authentic view of the past: by using telling details from an historical era; by incorporating documented events and persons into the story; and by portraying the world as people in the past believed it to be. Historical fantasy is different from realistic historical fiction in that it can more easily incorporate elements belonging to shared cultural heritage, such as beliefs regarding the dead and the supernatural. This characteristic involves writers in research using material that involves other ways of knowing the past—in particular the expressions of belief such as religion, popular customs, folk tales, and oral history. With the broadening of our historiological perspectives in the postmodern climate, historical fantasy based on non-documentary forms of history may come to be seen as another way of knowing the past.