偵探敘事在台灣文學場域上的發生與形成，其意義指涉著一種新興通俗文類的移植與開展、深化與轉化的現象。偵探敘事的範圍，涵括的不只是由作家創作的虛構小說，也可能是西方偵探小說的翻譯介紹、強調真人實事的筆記體裁、對西方偵探小說的臨摹改寫，甚且可能是反偵探敘事的仿諷等等。偵探敘事作為一種通俗文類，尤其是其敘事成規與意識型態原是以西方偵探小說為主要源流的情形下，如何進入台灣的文學場域?進而在台灣「發生」?如何「形成」?彼時台灣的大眾，如何接受、消化、吸收、甚至享受這種新興文類?偵探敘事雖是新興文類，其與過去的種種文學創作傳統有所承繼?偵探敘事的興起，至偵探小說的完成，與彼時台灣人們的精神生活、娛樂生活有何關聯?塑造出怎麼樣的文化圖景?偵探敘事在台灣的發生點與關鍵點的摸索，都是本文主要關懷所在。 本文共計六章。第一章緒論，為全文框架說明。第二章偵探敘事生成的社會╱文學脈絡，由外緣與內緣進行偵探敘事發生空間的建構，說明大眾媒體、通俗文化、社會版新聞與偵探敘事形成的關聯，以中國傳統公案小說與日本的犯罪小說作為台灣偵探敘事的內在源流及期待視野的意義。第三章偵探敘事的起點，討論台灣文學場域上的偵探敘事發生的開端。這開始並非固著性的起點，而是每一次文本敘事取徑的參考點。本章分別就日治初期報紙上漢文、和文的偵探敘事、「實話」系統的寫作及西方偵探小說譯介的情況加以考察。第四章偵探敘事的小說化，日治時期台灣偵探敘事由實向虛、由翻譯到創作，呈現小說化的進程。由翻譯改寫到「連作」合寫、以及俠義章回化小說的偵探敘事，標誌了偵探敘事文類在台灣的實踐已臻成熟，乃至於滑稽模仿與兒童故事的再呈現，是其敘事成規反向思考及向外滲透，由此考察偵探敘事虛構化的進程。第五章偵探敘事生成的文化圖景，由作者、文本、讀者三個面向，分別討論偵探敘事的生成中所呈現的文化意義，殖民性、現代性與通俗性在敘事文本中的展現。第六章結論，總結全文，並且開啟未來研究的可能性。 / In my thesis on detective narrative in Taiwan under Japanese colonization, I focus on the emergence and evolvement of the new popular genre to clarify how people accept, adapt and appropriate the western-stemmed genre into local fiction. The era under Japanese colonization between 1895 and 1945 was a beginning of novelty and innovation; however, it was not the end of tradition and convention. Both cultures of late Qing China and late Meiji Japan, as well as western modern civilization introduced into Taiwan by China and Japan, all made colonial Taiwan an arena of modernity, coloniality and traditional values. I drew attention to popular literature and culture, another dimension different from the elite or high literature and was buried under the canonized discourse of resistance and decolonization in Taiwanese literary studies. The popular fiction in Taiwan reveals the subconsciousness hidden in the society at the turning point of modernization and colonization. First of all, I start my survey from the social and literary context of emergence of detective narrative in Taiwan by mentioning the formation of modern mass media in nineteenth century Taiwan as well as the literary tradition of Chinese and Japanese literature, Gongan fiction and crime fictions. This part helps me to clarify the literay field of the emergence of detective narrative. Secondly, I pinpoint three starting-points of the emergence of detective narrative: Japanese and Chinese detective fictions in newspapers in early Japanese colonization, the police procedural, as well as the translation and introduction of modern western detective fiction. Thirdly, I point out some milestones of fictionization of detective narrative in Taiwan, including the form of “translation-rewriting”, the collaboration of several writers, the chivalric novelization, the children’s stories and the parody of western detective convention. Finally, I examine the cultural visions in the emergence and evolvement of detective narrative in Taiwan during Japanese ruling period through three aspects: the writers, the texts and the readers’ aspects and explore the coloniality, modernity and the popularity of the new popular genre in Taiwan.

本篇論文重現日治時期大稻埕「江山樓」的昔日風華，透過江山樓的歷史過往、活動展演，逐步解讀江山樓以及江山樓的相關書寫，所代表的文學╱文化意涵。 第二章「江山樓昔日風華」，主要在彙整江山樓的背景資料，重塑江山樓當時的樣貌。透過對江山樓過往歷史與地理位置重建，以及江山樓舉辦的種種活動，瞭解江山樓對當時的指標性意義。並從江山樓歷代經營者的經營瞭解：江山樓在這些人經營下，與上層階級官紳、文人形成密集的交流網絡，而江山樓成為日治時期非常重要的聚會場所，也因其具有著多重吸引力，因此江山樓周邊的活動與娛樂餐飲等事業，皆圍繞著江山樓繁榮發展。 第三章「江山樓的消費空間」，本章主要分兩部分論述，一方面從江山樓空間最重要的消費行為－飲食、藝旦談起；另一方面由江山樓飲食、藝旦，而吸引的消費人口，讓江山樓成為重要的集會地，引領著當時的消費風潮論述。日治時期有句俗諺「登江山樓，吃臺灣菜」可見江山樓的盛名以及飲食吸引人之處，由江山樓的內部裝潢、飲食器具、菜單、還有外燴活動，論述江山樓的吸引人的飲食消費，也是江山樓受到矚目的重要原因。 第四章「江山樓的相關書寫」，江山樓的相關書寫當中，主要分為「日治時期」與「戰後迄今」兩部分論述，從日治時期的古典詩歌，有許多歌頌、描繪江山樓美好的部分，如景色、美人、醇酒，可探知江山樓為「製造歡樂的消費空間」；另一方面，從江山樓的聚會的心情書寫，可以了解江山樓相關書寫中呈現的文學╱文化意涵，尤其日人與臺人，在其人筆下的江山樓，透過文學創作，呈現出不同的面向與文化思考。從戰後迄今關於江山樓的民間傳說、口述資料以及現代文本中，尋找關於江山樓的創作，來探究新／舊文化對於江山樓意涵的書寫與再詮釋，其相同與相異之處，來討論江山樓庶民印象的演變與其代表意義。 第五章「結論」針對江山樓的的種種面貌，來比對出江山樓所代表的空間╱符號意涵；總結前文，指出本文研究的價值，及未來尚可開展之研究方向。 / This thesis re-presents the past glory of “Kang San Lau”in Dadauchen during the Japanese colonial era, interpreting Kang San Lau and its related writing and the literary/cultural meaning it represents through the historical past and development of events of Kang San Lau. The second chapter, “the Past and Present of Kang San Lau,”focuses on collecting background information concerning Kang San Lau, re-creating it at its time. Through re-constructing the past historical and geographical location of Kang San Lau, and a variety of activities held there, the contemporary significance of Kang San Lau can be understood. Furthermore, this chapter analyzes through the management of the past owners of Kang San Lau, its intensive social network with upper-class gentry and literati. Being an important place for gatherings during the Japanese colonization, its appeal is layered and the surrounding activities and entertainment prosper because of it. In the third chapter, “the Consumtion Space of Kang San Lau,” the discourse is two-parted: one deals with dining and Geishas, the most crucial consumption behavior of Kang San Lau, the other examines the consumtion population attracted by the dining and geishas of Kang San Lau, making it an important gather place, ushering the consumption trend at the time. During the Japanese colonization, there was a saying “Attend Kang San Lau and taste Taiwanese dishes,” which reveals through interrior decoration, utensils, menus, and catering events, the fame and popularity of Kan San Lau. The fourth chapter, “the Related Writing of Kang San Lau,”presents a two-sided discourse, one being the colonization, the other postwar till present. From classic poetry praising and describing the wonder of Kang San Lau such as its scenery, beauty, and wine, Kang San Lau as a “joy manufacturing consumption space”is explored. On the other hand, from the emotional writing of the gatherings at Kang San Lau, the literary/cultural meaning presented in the related writing of Kang San Lau is understood, especially among the Japanese and the Taiwanese. Postwar till the present, through folklore, verbal discourse, and modern documentation surrounding Kang San Lau, the similarities and differences between the discourse and interpretation of new/old cultural significance of Kang San Lau is processes. The fifth chapter, “Conclusion,” compares the spatial/signal meanings Kang San Lau represents under its layered façade. In conclusion, the value of this thesis is emphazied and a future direction for research is indicated.