Ce travail part d'une double ambition : permettre d'une part la relecture de l'œuvre de Jarry, souvent interprétée selon des modèles structuralistes ou à la lumière des mouvements littéraires qui lui ont succédé ; proposer d'autre part une réflexion qui permette de construire une histoire dynamique des formes littéraires. Une première partie analyse l'inscription de Jarry dans le champ littéraire de son époque, en définissant la manière dont il s'approprie les outils herméneutiques de la communauté interprétative symboliste à laquelle il s'affilie lors de ses débuts en littérature. Une seconde partie s'intéresse plus particulièrement aux stratégies de programmation de la lecture mises en place dans ses ouvrages. Le " colin-maillard cérébral " est le nom que prend la rhétorique de Jarry, qui établit des dispositifs de diffraction sémantique pour provoquer un effet de suggestivité.

No description available.

The aim of this diploma thesis is to employ a theatrological approach to the work of one of the most original and influential Czech pantomime troupes of all time, entitled Pantomima Alfreda Jarryho (the Alfred Jarry Pantomime, AJP). The company was established in 1966 in Prague by two young mime artists Boris Hybner and Ctibor Turba and existed as late as the political liquidation of the troupe in 1972 that came due to the process of the so-called normalization period in the former Czechoslovakia. The thesis consists of four major parts that are divided into several subsections. The first part deals with the historical contexts of the art of mime, both international and domestic. The AJP troupe represents the second generation of Czech pantomime that refused the style of the so-called modern pantomime expressed in the international context by Marcel Marceau and in the Czech context by Ladislav Fialka at the Theatre Na zábradlí (Theatre on the Balustrade). Since there is no monograph strictly based on this theatre, although it played a major role among the newly established small theatres in the sixties (and had an important influence on the poetics of the AJP troupe), we briefly introduce the poetics of both the pantomime company led by Fialka and the drama company led by the director Jan Grossman,...