Bibliography: p. 230-244. / This study was conducted through systematic participant-observation from July 1994 to December 1996. Basic socio-demographic data were recorded and revealed considerable ·heterogeneity within the population. Formal and informal interviews, three focus group interviews and (selected) informants' diaries provided additional material. The study examines the construction of identity in diaspora and explores the relationships of individuals to places, groups and nation-states. Jews are shown to be the most salient local social category and language, cultural style and a sense of transience are shown to be the most significant boundary markers. The migrants' sharpest differentiation from local Jews is manifested in attitudes towards, and practice of, religion. Whether a partner is South African or Israeli was shown to be the single most important factor influencing patterns of interaction. Most studies treat Israelis abroad as immigrants while noting their insistence on transiency. Such studies also emphasize ambivalence and discomfort. In a South Africa still deeply divided by race and class, the migrants' status as middle-class whites greatly facilitates their integration. Their strong and self-confident identification as Israeli and their ongoing connectedness to Israeli society underlines distinctiveness. The combination of engagement with the local while maintaining distinctiveness, as well as past familiarity with multicultural and multilingual reality is utilized to negotiate the present, and results in a lived reality of 'comfortable contradiction' in the present. This condition accommodates multi-locality, multiple identifications and allegiances, and a simultaneous sense of both permanence and transience. The migrants' conflation of ethnic-religious and 'national' dimensions of identification (Jewishness and Israeliness), born in a particular societal context, leads, paradoxically, to distinguishing between membership of a nation and citizenship of a state. This distinction, it is argued, together with the migrants' middle-class status, further facilitates the comfortable contradiction of their transmigrant position. It is argued that while their instrumental engagement with diaspora and their understanding of responsible citizenship resembles past patterns of Jewish migration and adaptation, the absence of specifically Israeli (ethnic) communal structures suggests a departure from past patterns. The migrants' confidence in a sovereign independent nation-state and in their own identity, removes the sense of vulnerability that permeates most diaspora Jewish communities. These processes enable the migrants to live as 'normalized' Jews in a post-Zionist, post-modern, globalized world characterized by increasing electronic connectedness, mobility and hybridity. The ways in which the migrants in this study have negotiated and defined their place in the world suggests that a strong national identity is compatible with a cosmopolitan orientation to multicultural reality.

Thesis contains the novel "Waterval" by Phyllis Sakinofsky. / Thesis (PhD)--Macquarie University, Faculty of Arts, Department of Media, Music, and Cultural Studies, 2009. / Bibliography: p. 128-138. / PART ONE -- Introduction -- Section One -- Early history -- The apartheid years - two realities -- Post-apartheid South Africa -- The creative response of Jews to apartheid -- Section Two -- Our relationship with the past: placing narrative in the context of history -- Rememory and representation -- Telling the truth through stories -- Section Three -- Imprints of memories, shadows and silences: shaping the Jewish South African story -- PART TWO -- Waterval: a work of fiction by Phyllis Sakinofsky / This is a non-traditional thesis which comprises a work of fiction and a dissertation. -- The novel is set in South Africa and provides an account of events that took place among three families, Jewish, Coloured and Afrikaans, over three generations. -- The dissertation is constructed in three sections. The first section describes the settlement of South Africa's Jewish community, its divergent responses to apartheid and how this is mirrored in its literary output. -- In the second section, the relationship between history and fiction since the advent of postmodernism is discussed, how there has been a demand for historical truthfulness through multiple points of view and how consequently there has been an upsurge in memories and memorials for those previously denigrated as the defeated or victims. -- Fiction has been re-valued because it is through the novel that these once-submerged stories are being told. The novel has the capacity to explore uncomfortable or silenced episodes in our history, tell important truths and record stories and losses in a meaningful and relevant way. A novel might be shaped by history but it is through the writer's insights and interpretations that messages or meanings can reach many. -- South Africa's Truth and Reconciliation Commission report is an example of how the written word can expose the relationship between the re-telling of history and finding an alternate truth. By recording the many conflicting stories of its peoples, it has linked truth and literature, ensuring an indelible imprint on the country's future writing. The past cannot be changed, but how the nation deals with it in the future will be determined by language and narrative. -- The final section is self-reflexive and illustrates the symbiotic bond between the research and creative components, citing examples from the dissertation of how the two streams influenced one another. / Mode of access: World Wide Web. / 145 p