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Schreiben als Form des Gebets : l'écriture en tant que forme de la prière dans l'œuvre de Franz KafkaDeschamps, Bernard, 1957- January 2008 (has links)
No description available.
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The ethics of evaluation : the immigrant, the cosmopolitan, and the "Jew" in American literary realism, 1880-1925 /Oster, Sharon Beth, January 2003 (has links)
Thesis (Ph. D.)--University of California, Los Angeles, 2003. / Vita. Includes bibliographical references (p. 445-462). Also available on the Internet.
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James Joyce's Judaic "other" text and contents /Reizbaum, Marilyn. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1985. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 170-188).
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Some Roman literary opinions on Judaism and JewsWardy, Bilhah. January 1968 (has links)
Note:
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Poets and the Canadian Jewish community: three portraitsDayan, Shoshana 05 1900 (has links)
The central idea of this study is an examination of the transformation of the
image of the poet in different generations. My thesis problem is that the poet is dynamic,
reflecting both the self-image and reception of society at different times. I collected data
from many different sources- the primary sources were memoirs, poetry, short stories,
novels and original documents from the Canadian Jewish Congress Archives and by
speaking with historians about A.M. Klein, Irving Layton and Leonard Cohen. The
secondary sources used were scholarly books about the poets articles from the
Canadian Jewish press and documentaries. I used literary analysis for the poetry and I
took a social-historical approach in the examination of the poets' relationship to the
community and biography. The social historical approach and the literary approach
were both used in this study to analyze the succession of Canadian Jewish poets. As an
original contribution to the field, this study categorizes the three poets in a succession:
Klein is the Jewish poet, Layton is the Canadian Jewish poet and Cohen is the spiritual
guru, all reflecting the changing situation for Canadian Jews.
I examine the first generation poet in this succession of gifted Canadian Jewish
poets, A.M. Klein, the second generation, Irving Layton and the third generation poet,
Leonard Cohen. Specifically, I argue that the roles and the reception to these poets
have changed in the Jewish press as a result of changing times. As the years progress
and the situation for worldwide Jewry becomes more stable with greater tolerance in a
multicultural society, the poet moves away from the identification as a Jewish poet. In
Klein's generation he is labeled as a Jewish poet. Layton fights the label of a Jewish
poet and through controversy and celebrity he is recognized as a Canadian Jewish poet.
Leonard Cohen re-defines the category of a Canadian Jewish poet in favor of a spiritual
guru.
This study provides an overview of the times and the issues that each poet faced
in their generation. The first part of each chapter is devoted to a brief biography and an
exploration of the way the Jewish community responded to the poets in terms of roles
that they wanted them to undertake and the own reception to the poets in the local
Jewish press. It is interesting that each poet served a different function in different
generations as a response to the needs of the community. The second section of each
chapter is an examination of the poets' self-image as depicted in their writing. All of the
poets viewed themselves in the same manner, as spokesmen, controversial figures and
as modern poets similar to ancient biblical figures. This section includes the ways the
poets viewed their relationship with the community and their relationship to Judaism as a
way of shaping their self-perception.
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Tropes of otherness abjection, sublimity and Jewish subjectivity in Enlightenment England /Herer, Lisbeth Diane. Saladin, Linda, January 2004 (has links)
Thesis (Ph. D.)--Florida State University, 2004. / Advisor: Dr. Linda Saladin-Adams, Florida State University, College of Arts and Sciences, Dept. of Humanities. Title and description from dissertation home page (viewed Sept. 30, 2004). Includes bibliographical references.
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Shylock's origins and evolution : the image of the Jew in English literature from the middle ages to the mid-seventeenth centuryDurbach, Errol January 1966 (has links)
[From Preface]. Any study centred in the exploratlon and analysis of the medieval and Elizabethen images of the Jew might, with some justification. seem redundant and impertinent to a modern reader; for the third quarter of this century has witnessed the almost total obviatlon of a great many such time-honoured images and symbols. The immemorial figure of the Wandering Jew, to cite a sIngle instance, has for the past two decades, attained his country and place of destination - history no longer condemning him to tarry until the Second Coming of the Messiah. Even the deicide Jew has been granted complete absolution, by an offlcial decree from the Vatican, for his complicity in the killing of Christ. It would seem, moreover, that the atrocities perpetrated against the Jews during the course of the Second World War have resulted in an alteration of the Jewish image radically transforming It from one of contempt into one of compassion a living symbol of "man's inhumanlty to man"; and the modern European dramatist has revived the Jewlsh figure on the stage as an instance of almost personal atonement or, alternatively, as a means of scourging the state of middle-class mind which abetted the persecution of the Nazi regime, attacking state policies of inactio and deploring the failure of influentlal powers to resist the blatant inhumanlty perpetrated within Its boundaries. Max Frisch's Andorre and Rolf Hochhuth's The Representative embody, each in its own way the 2Oth century's sense of shame and horror at those events with which the century has yet to come to terms. They are both extreme reactions agalnst the image of the Jew whlch the Nazi propogandized in the 1930s. And the image which the Nazis propogandized was curiously consistent wlth the medieval and Elizabethan images of the Jew.
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Poets and the Canadian Jewish community: three portraitsDayan, Shoshana 05 1900 (has links)
The central idea of this study is an examination of the transformation of the
image of the poet in different generations. My thesis problem is that the poet is dynamic,
reflecting both the self-image and reception of society at different times. I collected data
from many different sources- the primary sources were memoirs, poetry, short stories,
novels and original documents from the Canadian Jewish Congress Archives and by
speaking with historians about A.M. Klein, Irving Layton and Leonard Cohen. The
secondary sources used were scholarly books about the poets articles from the
Canadian Jewish press and documentaries. I used literary analysis for the poetry and I
took a social-historical approach in the examination of the poets' relationship to the
community and biography. The social historical approach and the literary approach
were both used in this study to analyze the succession of Canadian Jewish poets. As an
original contribution to the field, this study categorizes the three poets in a succession:
Klein is the Jewish poet, Layton is the Canadian Jewish poet and Cohen is the spiritual
guru, all reflecting the changing situation for Canadian Jews.
I examine the first generation poet in this succession of gifted Canadian Jewish
poets, A.M. Klein, the second generation, Irving Layton and the third generation poet,
Leonard Cohen. Specifically, I argue that the roles and the reception to these poets
have changed in the Jewish press as a result of changing times. As the years progress
and the situation for worldwide Jewry becomes more stable with greater tolerance in a
multicultural society, the poet moves away from the identification as a Jewish poet. In
Klein's generation he is labeled as a Jewish poet. Layton fights the label of a Jewish
poet and through controversy and celebrity he is recognized as a Canadian Jewish poet.
Leonard Cohen re-defines the category of a Canadian Jewish poet in favor of a spiritual
guru.
This study provides an overview of the times and the issues that each poet faced
in their generation. The first part of each chapter is devoted to a brief biography and an
exploration of the way the Jewish community responded to the poets in terms of roles
that they wanted them to undertake and the own reception to the poets in the local
Jewish press. It is interesting that each poet served a different function in different
generations as a response to the needs of the community. The second section of each
chapter is an examination of the poets' self-image as depicted in their writing. All of the
poets viewed themselves in the same manner, as spokesmen, controversial figures and
as modern poets similar to ancient biblical figures. This section includes the ways the
poets viewed their relationship with the community and their relationship to Judaism as a
way of shaping their self-perception. / Arts, Faculty of / Classical, Near Eastern and Religious Studies, Department of / Graduate
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The birthright and the blessing narrative as exegesis in three of Thackeray's later novels /Wajngot, Marion Helfer. January 1900 (has links)
Thesis (doctoral)--Stockholm University, 2000. / Includes bibliographical references (p. 197-205) and index.
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The birthright and the blessing narrative as exegesis in three of Thackeray's later novels /Wajngot, Marion Helfer. January 1900 (has links)
Thesis (doctoral)--Stockholm University, 2000. / Includes bibliographical references (p. 197-205) and index.
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