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1	Space, Identity, and Difference in 4 Plays by Judith Thompson Gagnon, Jeffrey 11 1900 (has links) In this dissertation, I read Judith Thompsons The Crackwalker, I am Yours, Habitat, and Lion in the Streets with an eye towards how Thompson produces socially contingent spaces as sites of marginalized identity. My focus is on Thompsons work as a playwright rather than on the texts in performance. My interest is in the ways Thompson mediates a characterization of class-based marginality through the experience of space as a social product. In interrogating Thompsons use of space, I refer to the theories of philosopher Henri Lefebvre, specifically to the notion of space as a social product and his conception of the double illusion. Judith Thompson Theatre Canada
2	Space, Identity, and Difference in 4 Plays by Judith Thompson Gagnon, Jeffrey Unknown Date No description available. Judith Thompson Theatre Canada
3	Elements of the Gothic in the Works of Judith Thompson LeDrew, Rebecca January 2012 (has links) This thesis is an examination of the Gothic elements present in a selection of works by Canadian playwright Judith Thompson. The Gothic genre is marked by continual flux and adaptation, ensuring that its ability to inspire terror, as well as its relevance as a form of cultural critique, remains undiminished. Gothic texts seek to uncover the anxieties and uncertainties that societies would prefer to repress, and then forcing a confrontation with those elements. Frequently this pattern of repression and return takes the form of various kinds of hauntings, as well as the monstrous. As this emphasis on the “return of the repressed” would suggest, psychoanalysis will figure prominently in my analysis of Thompson’s work and is woven throughout the four chapters. Chapter One concentrates on establishing a working definition of the Gothic, its history and development, and the three subcategories of the genre that I will be focusing on in the subsequent chapters: the postmodern Gothic, the feminist Gothic and the Canadian Gothic. All three Gothic subgenres share their affinity for translating late twentieth-century anxieties into the language of the Gothic. They also share a resistance to closure or solutions of any kind, even if such solutions would seem to be advantageous to the author’s putative ideological stance. The works by Thompson I have chosen evidence her preoccupation with postmodern, feminist and contemporary Canadian concerns. She expresses these concerns in a unique style that blends contemporary literary techniques with the more timeless elements of the Gothic tradition. Gothic Judith Thompson English (Literary Studies)
4	Elements of the Gothic in the Works of Judith Thompson LeDrew, Rebecca January 2012 (has links) This thesis is an examination of the Gothic elements present in a selection of works by Canadian playwright Judith Thompson. The Gothic genre is marked by continual flux and adaptation, ensuring that its ability to inspire terror, as well as its relevance as a form of cultural critique, remains undiminished. Gothic texts seek to uncover the anxieties and uncertainties that societies would prefer to repress, and then forcing a confrontation with those elements. Frequently this pattern of repression and return takes the form of various kinds of hauntings, as well as the monstrous. As this emphasis on the “return of the repressed” would suggest, psychoanalysis will figure prominently in my analysis of Thompson’s work and is woven throughout the four chapters. Chapter One concentrates on establishing a working definition of the Gothic, its history and development, and the three subcategories of the genre that I will be focusing on in the subsequent chapters: the postmodern Gothic, the feminist Gothic and the Canadian Gothic. All three Gothic subgenres share their affinity for translating late twentieth-century anxieties into the language of the Gothic. They also share a resistance to closure or solutions of any kind, even if such solutions would seem to be advantageous to the author’s putative ideological stance. The works by Thompson I have chosen evidence her preoccupation with postmodern, feminist and contemporary Canadian concerns. She expresses these concerns in a unique style that blends contemporary literary techniques with the more timeless elements of the Gothic tradition. Gothic Judith Thompson English (Literary Studies)
5	Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801) Post, Andy 30 April 2014 (has links) In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthur. My third chapter deconstructs the Fairy of the Lake’s water and characterisation, and concludes her sole purpose to be to justify a Revolution beyond moral reproach. My fourth chapter traces how beer satirises Communion wine, among both pagans and Christians, in order to undermine any religion that could reinforce either divinity or the Divine Right of Kings. / A close reading of an all-but-forgotten Arthurian play as an allegory against the Divine Right of Kings. John Thelwall (1764-1834) Romanticism Romantic literature Romantic poetry Romantic nationalism Romantic medievalism Romantic antequarianism Saxon antequarianism Norse/Viking antequarianism Celtic antequarianism Whig history Jacobinism political allegory closet drama Early Modern Christianity Church of England Anglicanism Loyalism Germanic paganism Anglo-Saxon England Britain Wales French Revolution Glorious Revolution English Civil War King James I &VI John Milton Algernon Sidney Samuel Taylor Coleridge William Wordsworth Robert Southey Edmund Burke Simon Cottle Torquato Tasso Edda Northern Antiquities King Arthur Arthurian Sir Walter Scott Classical republicanism republicanism radicalism anti-monarchism fire water beer cwrw wassail Eucharist Communion Gothic Divine Right of Kings Political atheism Judith Thompson Michael Scrivener

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