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Thesis (Ph. D.)--University of Chicago, 1906. / "Selected list of books, articles, and dissertations": p. 14-16. Includes bibliographical references and index. Also available on the Internet. Also issued online.

Thesis (doctoral)--Halle, 1826. / Includes bibliographical references.

Inaug.-Diss.--Wratislavia. / Vita.

Although the sarcophagus of Junius Bassus stands as a foundation for the early Christian sculptural traditional scholars have devoted little serious study to the role it played in its cultural context of350s Rome. For the past four hundred years since its discovery, stylistic and chronological discussion of the Christian intercolumnar scenes has dominated any scholarly interpretations of this monument. The goal of this thesis is to shed light on how the sarcophagus interacted with its audience and patron, rather than to situate the images in a timeline of motifs. The interplay between the Roman elite, both pagan and Christian, the emperor, and the Church influenced the propagandistic goals of the sarcophagus. It is my opinion that the family of Junius Bassus, fixed between their pagan peers and Christian emperor, used the seasonal and calendar-inspired imagery of the ends and the ad sanctos burial of the sarcophagus at St. Peter's Basilica to propagandize Christianity as a religion that offered its members material and eternal wealth.

My thesis examines social conceptions framing rights and obligations by reviewing how possessions are used and exchanged in the poems of MS Junius XI. I identify several major additions to the scriptural source material of the poetic narrative where the poems present a unique treatment of possessions in a social environment. These poetic additions often feature novel combinations of events and even entirely new sub-stories. In reviewing these departures I focus specifically on possessions and examine how they frame the rights and obligations within social interactions. Focusing on objects of social exchange enables the discussion of the literary narrative to relate to secondary historical literature on possessions as well as social conceptions. This has not yet been done for the poems of Junius XI. This thesis is divided into four thematic chapters ordered from the most tangible to the most abstract: moveable objects, landed possessions, degrees of possession of people, and abstract notions of authority framing social interactions tied to holding and exchanging possessions. In chapter two moveable possessions will be discussed in relation to social status, cultural identity, exchange and hierarchy. The third chapter will examine the interplay between the allegorical and practical notions of land possession. The fourth chapter will discuss social hierarchy framed as a range of rights and obligations discussing to what degree people are themselves treated as possessions. The discussion will examine what types and levels of relative personal freedom is detectable in the Junius XI poems. The final chapter will amalgamate findings and issues of the previous chapters by examining how the exchange and treatment of possessions impact various types of authority which frame social interactions, hierarchies and values.

In 1563, the publication of the Heidelberg Catechism marked the conversion of the Rhineland Palatinate to a stronghold for Reformed religion. Immediately thereafter, however, the Palatinate church experienced a deeply unsettling surge in the popularity of antitrinitarianism. To their Lutheran and Catholic opponents, this development revealed a toxic connection between Reformed theology and the tenets of antitrinitarianism. As early as 1565, for instance, the Catholic Cardinal Stanislaus Hosius argued anonymously that the Reformed principle of sola scriptura was indistinguishable from the biblicism which had led heretics to reject the doctrine of the Trinity on the grounds that it was nowhere explicitly justified in the biblical text. Seven years later, the displaced Italian theologian and Heidelberg professor, Girolamo Zanchi, countered this argument in his De Tribus Elohim (1572). This huge landmark of this early theological crisis in Heidelberg sought to oppose the biblicism of the early antitrinitarians by arguing that the doctrine of the Trinity was explicitly taught within the Hebrew divine names Jehovah and Elohim. The following year De Tribus Elohim received an Imperial Privilege from the Catholic court in Vienna, a distinction virtually unheard of for a Reformed theological text. Zanchi’s argument was then widely promulgated in the marginal notations of the tremendously influential Biblia Sacra of Franciscus Junius and Immanuel Tremellius, and became a staple of refutations of antitrinitarianism thereafter. Yet Zanchi’s confidence that trinitarian theology was contained within the Hebrew of the Old Testament was not shared by many of his own Reformed colleagues. John Calvin’s exegetical works had explicitly rejected this argument; and theologians like David Pareus (Zanchi’s younger colleague in Heidelberg) and the Dutch Hebraist Johannes Drusius preferred a more historical-grammatical reading of the Old Testament and dismissed Zanchi’s reading of the name Elohim despite the danger that this might sacrifice a valuable defence against antitrinitarianism. Complicating the picture further, the Lutheran polemicist Aegidius Hunnius directed Zanchi’s arguments against Calvin in his Calvinus Iudaizans (1593). This variety of responses to Zanchi’s argument demonstrates the diversity of assumptions about the nature of the biblical text within the Reformed church, contradicting the notion that the Reformed world in the age of “confessionalization” was becoming increasingly homogenous or that the works of John Calvin had become the authoritative touchstone of Reformed orthodoxy in this period.

Literary texts of medieval England feature trees as essential to the individual and communal identity as it intersects with nature, and the compelling qualities and organic processes associated with trees help vernacular writers interrogate the changing nature of this character. The early depiction of trees demonstrates an intimacy with nature that wanes after the tenth-century monastic revival, when the representation of trees as living, physical entities shifts toward their portrayal as allegorical vehicles for the Church's didactic use. With the emergence of new social categories in the late Middle Ages, the rhetoric of trees moves beyond what it means to forge a Christian identity to consider the role of a ruler and his subjects, the relationship between humans and nature, and the place of women in society. Taking as its fundamental premise that people in wooded regions develop a deep-rooted connection to trees, this dissertation connects medieval culture and the physical world to consider the variety of ways in which Anglo-Saxon and post-Norman vernacular manuscripts depict trees. A personal identification with trees, a desire for harmony between society and the environment, and a sympathy for the work of trees lead to the narrator's transformation in the Dream of the Rood. The Tree of Knowledge of Good and Evil in the Junius 11 manuscript, illustrated in Genesis A, Genesis B, and manuscript images, scrutinizes the Anglo-Saxon Christian's relationship and responsibility to God in the aftermath of the Fall. As writers transform trees into allegories in works like Genesis B and Geoffrey Chaucer's Parson's Tale, the symbolic representations retain their spontaneous, organic processes to offer readers a visual picture of the Christian interior-the heart. Whereas the Parson's Tale promotes personal and radical change through a horticultural narrative starring the Tree of Penitence and Tree of Vices, Chaucer's Knight's Tale appraises the role of autonomous subjects in a tyrannical system. Forest laws of the post-Norman period engender a bitter polemic about the extent of royal power to appropriate nature, and the royal grove of the Knight's Tale exposes the limitations of monarchical structures and masculine control and shapes a pragmatic response to human failures.

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Univ., Diss.--Göttingen, 2001.