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Det folkliga och det förgångna i Karlfeldts lyrikMjöberg, Jöran, January 1900 (has links)
Akademisk avhandling - Stockholm. / Bibliographical references in "Noter": p. 232-252.
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Det folkliga och det förgångna i Karlfeldts lyrikMjöberg, Jöran, January 1900 (has links)
Akademisk avhandling--Lund. / "Noter" (including bibliography)": p. 232-252.
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Hållbar lyrik? : En ekokritisk läsning av Karlfeldts ”Hjärtstilla” och Lillpers ”Kälda” med syftet att belysa dikternas didaktiska potentialStoltz, Sara January 2021 (has links)
No description available.
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Meter, rytm och ljudgestaltning i bunden vers exemplet Karlfeldt /Malm, Ulf. Unknown Date (has links)
Thesis (doctoral)--Uppsala universitet, 1985. / Abstract and summary in English. Errata sheet laid in. Includes bibliographical references (p. 185-196) and index.
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Balladspår i modern svensk litteratur : Intertextuella influenserSchrevelius, Ally January 2008 (has links)
<p>The purpose of this study is to investigate the distribution of medieval ballads as semiotics of intertextuality in modern Swedish literature, here represented by August Strindberg, Erik Axel Karlfeldt, Kerstin Ekman and Katarina Frostenson. They are famous authors from different epochs, ranging from the period called “the modern breakthrough” in the 1880s until the postmodernism of the present time. My aim is to expose their attraction to medieval balladry, and their different ways of using form, language and style from this old poetry in poems, prose and plays, explicit as well as implicit.</p>
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Balladspår i modern svensk litteratur : Intertextuella influenserSchrevelius, Ally January 2008 (has links)
The purpose of this study is to investigate the distribution of medieval ballads as semiotics of intertextuality in modern Swedish literature, here represented by August Strindberg, Erik Axel Karlfeldt, Kerstin Ekman and Katarina Frostenson. They are famous authors from different epochs, ranging from the period called “the modern breakthrough” in the 1880s until the postmodernism of the present time. My aim is to expose their attraction to medieval balladry, and their different ways of using form, language and style from this old poetry in poems, prose and plays, explicit as well as implicit.
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