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The Tragedy of Shakespeare's HotspurWright, Eugene Patrick, 1936- 08 1900 (has links)
It seems obvious that Shakespeare was interested in Hotspur as something more than a strictly historical character. The firey character found in I Henry IV is no longer recognized as the Ill-fated rebel from Holinshed and Daniel. Holinshed offers only a spark which Shakespeare uses to build a very real flame. The events leading up to the rebellion and the rebellion itself are historical, but the name of Hotspur in Holinshed is no more outstanding than that of Worcester, Glendower, or any of the other rebels. In Shakespeare's drama no other rebel character even approaches the development of Hotspur.
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Regarding Henry : performing kingship in Henry VKass, Kersti L. January 2003 (has links)
This thesis seeks to examine not any single theory of kingship in Shakespeare's 'Henriad', but the evolving methods of its representation from Richard II's assumed embodiment of monarchic authority to Henry V's unapologetic performance of the kingly role. As well, it explores how a shared awareness of authority's performed nature forces the spectator into knowing her own creative authority and in doing so, heightens not only the tension between gazer and gazed-upon, but also lays bare the spectator's need to watch a desired object and the performing object's overarching wish to be watched. The paper's critical foundation ranges from phenomenological approaches to the theatre and gender performance to studies on the spectacle of kingship.
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Rhetorical Figures and Their Uses in I Henry IVMartin, Brenda W. 12 1900 (has links)
This study is concerned with the artistic use of classical rhetorical figures in Shakespeare's I Henry IV.After the Introduction, Chapter II examines the history of rhetoric, focusing on the use of the rhetorical figures in Ancient Greece, Ancient Rome, and Medieval Europe. Chapter III investigates rhetorical principles and uses of the rhetorical figures during the English Renaissance and examines the probable influence of rhetoric and the figures on William Shakespeare. Chapter IV discusses themes, characterization, structure, and language in I Henry IV and presents the contribution of the rhetorical figures to the drama's action and characterization. Chapter V considers the contribution of the figures to the major themes of I Henry IV and concludes that the figures, when used with other artistic elements, enhance meaning.
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Regarding Henry : performing kingship in Henry VKass, Kersti L. January 2003 (has links)
No description available.
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The Choric Element in Shakespeare's Second History TetralogyLeath, Helen Lang 05 1900 (has links)
This thesis is a study of the anticipatory remarks and choric comments in Richard II, Parts I and II of Henry IV, and Henry V.
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Constructing Legitimacy: Patrimony, Patronage, and Political Communication in the Coronation of Henry IVFavorito, Rebecca 20 December 2016 (has links)
No description available.
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