Is it possible to convey spirituality through art and material culture? Is it possible to renew art within the traditional church so that it appeals and is understandable for the modern man? These are the fundamental questions of my master´s work, which has it´s starting point in a public commission for an artistic contribution to the new Pentecostal church in Kalmar. The work also addresses the question whether there is a need for symbolism, art and sacred objects also within the Pentecostal movement, a traditionally strong image hosting environment. If so, how is it possible to bring this in to the church without completely breaking with the tradition and ideology of the movement? I want to communicate the Christian message in a renewed way, and in this particular project also highlight the importance of using images also within the Pentecostal movement. The essence of this project is:  How to communicate spiritually through material culture  How to bring in a new tool of communication in to the Pentecostal movement. A visual tool that communicates in another dimension than what verbal tools does, touching other senses  How to tell the essence of the Christian message in a renewed that still relates to the history and tradition of the Pentecostal movement  How to include these aspects when creating something to the congregation in Kalmar

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ska jag springa runt i 3D-labbet för att tänka på hur leder fungerar, en animerad figur som inte får röra sig som en robot, min dröm är att hitta den där parfymen som luktar plastdocka lika mycket som jag tänker ge min pojkvän parfymen som luktar nytryckt bok, det börjar med Fountain of Youth och slutar i syntetisk biologi och DNA-mutation, – allt för att hålla sig vid liv, eller åtminstone ge intryck av att göra så

Kapitel 1-5 är ett gestaltande utav de processer som en konstnärlig praktik består utav, i ful litterär form. Texten består även av ett inledande förord och en eftertext. / [I examensarbetet ingår utställningen "Taking care of business":] Material: gelatin, senap, kontorsstolar, rökelse, laser, binärljud, robotdammsugare, kalender Teknik: installation perfromance

[I examensarbetet ingår utställningen "Däremellan":] Material: Målarduk och oljefärg

What do we perceive, how do we perceive it and how do we then describe it? I try to reach an answer by describing artworks by Ida Ekblad, Franz West, René Magritte, Eva Löfdahl and Shunsuke Komatsu. I describe them from different medias into texts. I then try to find common observations and similarities in the texts. Following the thoughts of Maurice Marleau-Ponty I briefly discuss different aspects that effects our perception. The object and how it relates to its surroundings, how difficult it is to separate. Wholeness and details. The perceiver and the influence by the media from which you perceive. Experience, memories and time. Language and form (both physical and in language), The difference between description and analyses. The qualities that constitutes an object and how they are related to the senses. If an object is its material. / <p>Masterarbetet består av en skriftlig del och en gestaltande del. </p>

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Ett undersökande arbete om subtilitet, fotografi, text och konsthantverk. Om tydlighet, otydlighet, att upplösa och omforma.