Robert Louis Stevenson s The Strange Case of Dr Jekyll and Mr Hyde (1886) is the starting point for my practice-led research project. Stevenson's Victorian novella enables me to identify core themes which are pertinent to a discussion of the construction of contemporary identities in Korean youth culture. These identities are exemplified in the creation of avatars the virtual characters of animated online games such as massively multiplayer online role-playing games (MMORPGs). My animation practice is developed by addressing how Jekyll and Hyde provides useful critical and creative tools, such as gothic imagery and detective thrillers, for looking at the double . This concept is used to investigate the case of a young Korean boy, addicted to online gaming, who committed violent acts. My animated drama-documentary draws on research into the real and virtual Korean worlds and employs a visual ethnographic methodology to test my research question: in what ways can the construction of 'identity' (based on concepts drawn from 'Jekyll and Hyde') be identified in contemporary 'virtual' media (i.e. 'MMORPGs'/the 'animated' documentary), and how does this facilitate an address of the specific case of 'Korea' and 'Korean-ness'? The thesis is structured into five chapters: The Idea of Dr Jekyll and Mr Hyde, Theorising Identities in a Korean Context, Theorising Visual Ethnography, Theorising Animated Drama-Documentary, and A Film Practice as Animated Drama-Documentary in Visual Ethnography. Evidence of the research process and findings is located in a series of appendices. Theories about the construction of identity are discussed from three different perspectives: sociology, psychoanalysis and bio-culturalism. In my film practice, I look for the connection between the anxious self and Korean social issues, such as modernisation and the 1997 IMF economic crisis, to account for Korean youth s identity formation through online gaming. My research shows that many South Korean MMORPG users construct identity within contemporary virtual media and that this contributes to a very complex Korean-ness amongst Korean youth. Online gaming has both positive and negative consequences. Immersion in the virtual world can lead to addiction and to the violence which is at the core of my film narrative. It can also result in close online friendships, offering kinship not available in many broken families, or families inhibited in their communication by social roles and expectations, or the effect of economic failure and loss. My practice criticises young Korean people's narrow and limited social environment and proves that they desire liberal expression and decision-making for themselves, which can be experienced through the embodiment of animated avatars in MMORPGs. Hence, the online Hyde , though assumed to be a negative or destructive force, is actually a vehicle for varied and numerous social identities for youth culture preferable to those available in real Korean society. The research mounts a critique of the meaning of the online Hyde , not as a misrepresentative and negative representation of Korean-ness, but as a revelation of its contemporary meaning which can be articulated though animation, a tool which has applications within visual ethnography.

Following critical/post-structural perspectives in conducting ethnographic research on the political dimension of language learning, this study examines language learners’ identity and investment in a post-secondary Korean language classroom in Canada. First, this study explores the ways in which Korean-ness is produced through the curriculum, how an instructor’s linguistic and teaching practices in the Korean language classroom function to include some students and exclude others, and how the students on the periphery cope with their marginalization. I argue that peripheral students’ coping strategies are strongly tied to their investment into certain aspects of Korean language and culture, as well as their desire to gain symbolic resources in the Korean language. Second, my study examines the ways in which Korean heritage language learners (re)negotiate their hyphenated Korean Canadian identities by looking at three different discourse sites - Korean home, Korean church, and Canadian schools - and how their hyphenated identities are connected with their investment in maintaining their heritage language. The data for this study includes classroom observations, semi-structured interviews, bi-weekly written journals and focus group interviews. By adopting critical discourse analysis (CDA) as a means of analyzing the data, this study shows that language learners’ race, ethnicity and gender are salient parts of their identities, and thus impact their learning experiences to varying degrees and levels. My research findings also suggest that the ethnic identity capital that the heritage language learners embrace in relation to their perceptions of their native speech community as well as its status, is intertwined with the maintenance of their heritage language. Pedagogical implications from this study enable educators to equally empower students from diverse backgrounds, and help them to be sensitive to the relations between ideologies and power in the language classroom. Central to these pedagogical implications is that it is the role of the teacher to adequately capitalize on the multilingual and multicultural practices that each student brings to the language classroom, and to identify the social and cultural voices present in the class.

Following critical/post-structural perspectives in conducting ethnographic research on the political dimension of language learning, this study examines language learners’ identity and investment in a post-secondary Korean language classroom in Canada. First, this study explores the ways in which Korean-ness is produced through the curriculum, how an instructor’s linguistic and teaching practices in the Korean language classroom function to include some students and exclude others, and how the students on the periphery cope with their marginalization. I argue that peripheral students’ coping strategies are strongly tied to their investment into certain aspects of Korean language and culture, as well as their desire to gain symbolic resources in the Korean language. Second, my study examines the ways in which Korean heritage language learners (re)negotiate their hyphenated Korean Canadian identities by looking at three different discourse sites - Korean home, Korean church, and Canadian schools - and how their hyphenated identities are connected with their investment in maintaining their heritage language. The data for this study includes classroom observations, semi-structured interviews, bi-weekly written journals and focus group interviews. By adopting critical discourse analysis (CDA) as a means of analyzing the data, this study shows that language learners’ race, ethnicity and gender are salient parts of their identities, and thus impact their learning experiences to varying degrees and levels. My research findings also suggest that the ethnic identity capital that the heritage language learners embrace in relation to their perceptions of their native speech community as well as its status, is intertwined with the maintenance of their heritage language. Pedagogical implications from this study enable educators to equally empower students from diverse backgrounds, and help them to be sensitive to the relations between ideologies and power in the language classroom. Central to these pedagogical implications is that it is the role of the teacher to adequately capitalize on the multilingual and multicultural practices that each student brings to the language classroom, and to identify the social and cultural voices present in the class.