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1	A study of Krzysztof Penderecki's Credo : how it exemplifies his compositional style at the end of the 20th century / Meder, Randall Anton. January 1900 (has links) Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2006. / Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4033. Adviser: Fred A. Stoltzfus. Includes bibliographical references (leaves 135-136) Available on microfilm from Pro Quest Information and Learning.
2	Zum Problem der Dialektik in der Musik: Krzysztof Pendereckis Musik in den späten siebziger und frühen achtziger Jahren des 20. Jahrhunderts Kiwała, Kinga 08 May 2020 (has links) Die Dialektik des künstlerischen Schaffens nach Władysław Strózewski 'Pendereckis Werk ist eine große musikalische Umsetzung der Dialektizität. Einer Dialektizität, die sich zwischen Extremen erstreckt, diese Extreme irgendwie aufhebt, dabei aber zugleich ihre Existenz stets aufrechterhält.' So äußerte sich über die Musik des Schöpfers des Polnischen Requiems in den siebziger Jahren des vergangenen Jahrhunderts Władysław Strózewski, einer der führenden polnischen Phänomenologen, ein Schüler Roman Ingardens, der ins Zentrum seiner Kunstphilosophie das Problem der „Dialektik des Schaffens“ stellte. Ausgangspunkt und These für Strózewskis Überlegungen ist die Überzeugung, dass das künstlerische Schaffen wesensmäßig dialektisch ist. info:eu-repo/classification/ddc/780 ddc:780
3	Links between Penderecki's Music and the Polish National Tradition Chlopicka, Regina 31 May 2018 (has links) No description available. National Music, Poland info:eu-repo/classification/ddc/780 ddc:780
4	Die Tonsprache der geistlichen Musik von Krzysztof Penderecki Loos, Helmut 18 November 2022 (has links) No description available. info:eu-repo/classification/ddc/780 ddc:780
5	An Investigation of Textural Activity and Its Hierarchical Structures in Selected Works by Krzysztof Penderecki Daley, Paul B. (Paul Byron) 05 1900 (has links) This study focuses on temporal aspects of the music of Krzysztof Penderecki and deals with these on the level of textural activity. The analyses are based on a referential idea called a "discrete sound event," defined as an occurrence of a sound or collection of sounds which, as a unit, is distinct from the surrounding texture. These sound events are then used to appraise textural activity from layer fluctuation and composite density. The pieces selected for applying these techniques are the Threnody to the Victims of Hiroshima, from 1960, the Fluorescences, from 1961, and the 1965 Capriccio for oboe and strings. Krzysztof Penderecki textural activity musical style Style, Musical.
6	Klavírní tvorba polských skladatelů po Chopinovi / Piano works of Polish composers after Chopin Strzelecka, Milena January 2018 (has links) The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
7	Klavírní tvorba polských skladatelů po Chopinovi / Piano Composition by Polish Composers after Chopin Strzelecka, Milena January 2018 (has links) The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions

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