Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-04-23T12:31:45Z No. of bitstreams: 1 467547 - Texto Completo.pdf: 751403 bytes, checksum: b10398fee2fc1ece7d20cb2d625a1515 (MD5) / Made available in DSpace on 2015-04-23T12:31:45Z (GMT). No. of bitstreams: 1 467547 - Texto Completo.pdf: 751403 bytes, checksum: b10398fee2fc1ece7d20cb2d625a1515 (MD5) Previous issue date: 2015-01-09 / This dissertation aims to extend the concept proposed by Marie-Claude Lambotte in which melancholy holds its own discourse, an ideia presented in Le discours m?lancolique (1999), and it attempts to apply this concept in literature. The objective is to find and highlight the elements of melancholy in the literary language, in this case, using as analysis corpus the work The Fugitive by Marcel Proust. Productions in first person discourses, as in the case of the narrative studied in this research, emphasize the evaluation of the forms and the manners of manifestation of emotions in literature. The objective is to investigate the existence of a fictional discourse noticeably dominated by emotional elements, focusing on the statements and on the narrative sequences in order to reveal their own character in the manifestation of the melancholic narrator, in a language of melancholy, and in a melancholy aesthetics by Marcel Proust. Within the framework of the theory of literature, philosophy and anthropology, the focus is to build an necessary interface, in contemporaneity, to study this emotion in a work of literature. / O presente trabalho estende o conceito proposto por Marie-Claude Lambotte de que a melancolia possui um discurso pr?prio, ideia presente na obra O discurso melanc?lico (1999), e procura aplic?-lo na literatura. Procura-se encontrar e evidenciar os elementos que constituem a melancolia na linguagem liter?ria, neste caso, usando como corpus de an?lise a obra Albertine Disparue, de Marcel Proust. Produ??es centradas em discursos em primeira pessoa, como ? o caso da narrativa estudada nesta pesquisa, privilegiam a avalia??o das formas e dos modos de manifesta??o das emo??es na literatura. O que se pretende ? investigar a exist?ncia de um discurso ficcional marcadamente dominado por elementos emocionais, enfocando nos enunciados e sequ?ncias narrativas, procurando evidenciar um car?ter pr?prio da manifesta??o do narrador melanc?lico, de uma linguagem da melancolia e de uma est?tica melanc?lica, na obra de Marcel Proust. Assim, ? luz do arcabou?o te?rico da Teoria da Literatura, da Filosofia e da Antropologia, procura-se construir uma interface que se mostra necess?ria, na contemporaneidade, para o estudo desta emo??o dentro de uma obra liter?ria.

Made available in DSpace on 2015-04-14T13:39:13Z (GMT). No. of bitstreams: 1 460149.pdf: 698283 bytes, checksum: 09b1b88964bea0ea869efaf7aa5cb9e7 (MD5) Previous issue date: 2014-02-28 / The eroticism always has been present in written culture once it is an essential element of the human condition and appears even when it is absent. However, this universe is composed from elements that cause discomfort, not just pragmatic, but theoretical. This dissertation aims to enter this obscure and marginal field. So, considering the eroticism as part of the text s structure and also a representation of a social and individual phenomenon, it was analyzed the Erotica of Ana?s Nin. For this, the approach was based on the philosophical conception of Bataille, with an intersection of the concepts of body (Le Breton) and sexuality (Foucault). After, it was made a brief introduction of the eroticism in literature, in order to legitimize and consolidate the erotic literary tradition, in which is inserted the writer Ana?s Nin. Finally, the literary corpus is compound by tales of the collections Delta of Venus and Little birds, and it was analyzed from the theoretical framework developed with the thinkers above cited. / O erotismo sempre esteve presente na cultura escrita, uma vez que, sendo um elemento essencial da condi??o humana, manifesta-se mesmo na sua aus?ncia. Contudo, esse universo ? constru?do a partir de elementos que geram um desconforto, n?o apenas pragm?tico, mas te?rico. Nessa perspectiva, esta disserta??o tenciona adentrar esse campo ainda t?o obscuro e marginal. Considerando o erotismo tanto como parte da tessitura textual de uma obra liter?ria, quanto como representa??o de um fen?meno social e pessoal, objetivou-se analisar a constru??o do erotismo na literatura er?tica de Ana?s Nin. Para isso, o erotismo foi abordado atrav?s da concep??o filos?fica de Georges Bataille, em uma intersec??o com os conceitos de corpo (David Le Breton) e sexualidade (Michel Foucault). No segundo momento, realizou-se uma breve introdu??o da presen?a do erotismo na literatura, com objetivo de legitimar e consolidar a exist?ncia de uma tradi??o liter?ria er?tica, na qual se insere a escritora Ana?s Nin. Por fim, o corpus liter?rio, composto por contos selecionados das colet?neas Delta de V?nus e Passarinhos, foi analisado a partir do quadro te?rico desenvolvido com os pensadores supracitados.

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-04-19T17:44:42Z No. of bitstreams: 1 DIS_ISRAEL_MENDES_COMPLETO.pdf: 2626772 bytes, checksum: 4871148c45e94b1a05d0e829a5947170 (MD5) / Made available in DSpace on 2016-04-19T17:44:42Z (GMT). No. of bitstreams: 1 DIS_ISRAEL_MENDES_COMPLETO.pdf: 2626772 bytes, checksum: 4871148c45e94b1a05d0e829a5947170 (MD5) Previous issue date: 2016-01-12 / This work promotes a search of the structural relationship between poetry and play. Thus, a theoretical and literary pathway was mandatory. French Symbolism was the analytical starting point of this study, especially in the figures of Baudelaire, Rimbaud and Mallarm?. This last one, taken as the apex of the playful and experimental poetry of his time, was the greatest pillar of this approach. In addition, a playful pathway was also required, blending concepts and theories sourced from the game field. This search yet showcased the investigation of compelling issues such as hypertextuality, co-authorship and rewriting. / O presente trabalho promove uma busca pela rela??o estrutural entre a poesia e os jogos. Para tanto, um percurso te?rico-liter?rio se fez necess?rio. O Simbolismo Franc?s foi o ponto de partida anal?tico deste estudo, em especial nas figuras de Baudelaire, Rimbaud e Mallarm?. Este ?ltimo, enquanto ?pice da poesia l?dica e experimental da sua ?poca, foi o grande pilar desta abordagem. Al?m disso, tamb?m foi necess?rio um percurso l?dico, fazendo uso de conceitos e teorias pertencentes ao universo dos jogos. Esta busca permitiu ainda investigar quest?es intrigantes como hipertextualidade, co-autoria e reescritura.