Thesis (Ph. D.)--Cornell University. / "Index editionum et commentariorum": p. 32.

Thesis--Regia Università degli studi in Torino, 1913. / Reprint of the 1913 ed. published in Turin. "Versi delle Satire di Giovenale con valore giuridico" (in Latin): p. [87]-100. Includes bibliographical references and index.

This thesis consists of a series of nine poems which deal with the theme of finding a balance between energy and form in life and in poetry. Fourteen miscellaneous poems are also included. In addition, an introduction by the author explains the purpose of the thesis as a whole and explicates the poems in terms of this purpose. The introduction discusses the meaning of each poem and the techniques used to convey its message. Each poem in the series of nine poems is also related to the. overall theme of the series.

A Forecast is a manuscript of poems that explores themes of longing, loss, uncertainty, time, place, and love. The poems also attempt to explore and adorn these themes through inventiveness and imagination. While inhabiting this imaginative landscape, the poems play with notions of perception, acting as objective witnesses to very subjective persons, places, and things. These poems are held together by their movement through stasis, fascination with weather, seasons, and the future, and the fragmented yet illuminated spaces they occupy, where the extraordinary seems ordinary and the ordinary seems extraordinary. What results is a series of explorations through a dreamlike world, led by a voice who wonders, hesitates, and hides, all the while trying to say something, to shape the world and tug you into it. / Master of Fine Arts

This autobiographical poetry collection is about identity, belonging, and brokenness, dealing with the aftermath of a dead mother, a deadbeat father, and a decaying home filled with years of trash and memory. In many ways, this collection is a buildungsroman. For me, what seem like ordinary questions become a journey into memories and experiences that were once repressed. As a child of a hoarder, one who fielded questions from family, friends, and the Department of Human Service for almost twenty years, I am just starting to confidently address the many silences that were and are present in my family: my mother’s quest to hide her breast cancer and her subsequent death as a result of her secrecy; my father’s four other children that I have never met; and my grandparents’ military history spanning three continents in the 1950s and 1960s. / Master of Fine Arts

A poetry collection in two parts. Slingshot Catapult, the first half of the manuscript, explores the lives of two professional wrestlers. While the spectacle of professional wrestling is the backdrop for this series of linked, narrative poems, the relationship between protagonists Tracy and Dodge and who they are as individuals, rather than the caricatures wrestlers often play, are the core concerns of this opening section. Knotcraft, the second half of the collection, offers a mix of lyric, narrative, and formal poetry. As in Slingshot Catapult, common threads running through and between these poems include family history, romantic relationships, religion, and vision. Readers are invited to draw parallels between themes explored in Knotcraft and Slingshot Catapult. / Master of Fine Arts

"full water" is a collection of poems examining a single consciousness, from a singular experience, that resonates to generational experiences. full water is a personal and literal landscaping: from the southern calm of Virginia to the innate heartbeat of south Bronx streets, the poems are grounded in a firm sense of place. The personal landscaping strongly connects with this literal landscaping, as this is a collection of someone's constantly leaving, an attempt at establishing identity through the varied parcels of perspective. In the same way, this collection investigates the urban family landscape, the love still possible, despite the conventional shortcomings, the fullness of self, regardless. Through the rhythmic composition of the language, emotion flashes and restrains itself. Within the turns of language, personal truths thrive, in what they don't outwardly say. The book learns its significance from the poems. In the chaos of this, the reader finds kernels of meaning just as the poet did in process. / Master of Fine Arts

A collection of poems primarily in free verse that deals with loss, love, nostalgia, memory, nature (both human and wild), and the self. The title is a Fats Waller quote I found as the epigraph in one of my favorite books, The World Doesn’t End by Charles Simic. While it is literally impossible to waltz the rumba, since they are two different dances and types of music, I like the idea it provokes for me: it says to me, “let’s do this our own way"? or the old cliché phrase “let’s walk to the beat of a different drummer."? This quote embodies the spirit in which these poems where written. / Master of Fine Arts

The purpose of this thesis is to explore relationships within different worlds. These include the relationship within the world of family, both mine and those of people I am close to; the relationship between the worlds of the material and the metaphysical; between the worlds of waking and dreaming; between the worlds of humanity and nature; and finally, between the worlds of good and evil. The poems are also meant to examine the lines between these seemingly disparate worlds. especially in instances when the lines become blurred, as they do so often for me. The work is influenced heavily - and oftentimes constructed entirely out of- dreams, which I've experienced in vivid color and detail nearly every night of my life. It also draws upon my experience as shaped by different environments, which include nature, my ancestral homeland of India, and, of course, my dreams. Most importantly, this work is my attempt to bring to light the hidden magic in these worlds, environments, and relationships, to remind people of the powerful magic that is infused in all things, and how the smallest details in life can continue to influence us well after we'd ever expect them to.

LD2668 .T4 1942 K4 / Master of Science