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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
71

Les Poésies satiriques et morales des troubadours, du XIIe siècle à la fin du XIIIe siècle

Méjean, Suzanne. January 1978 (has links)
Thesis--Sorbonne, 1973. / Includes indexes. Includes bibliographical references (p. 608-628).
72

L'alexandrin chez Victor Hugo

Rochette, Auguste. January 1911 (has links)
Thèse - Universit́e de Montpeiller.
73

Yeats's verse-plays the revisions 1900-1910

Bushrui, Suheil B. January 1965 (has links)
Thesis--University of Southampton. / Bibliography: p. [227]-233.
74

Les Poésies satiriques et morales des troubadours, du XIIe siècle à la fin du XIIIe siècle

Méjean, Suzanne. January 1978 (has links)
Thesis--Sorbonne, 1973. / Includes indexes. Includes bibliographical references (p. 608-628).
75

Blankversveränderungen in Shakespeares späteren Tragödien eine Interpretation von Othello, King Lear, Macbeth und Antony and Cleopatra (mit einem Ausblick auf J. Websters Duchess of Malfi und Th. Middletons Women beware women, sowie einem Anhang zu Hamlet).

Sedlak, Werner, January 1971 (has links)
Inaug.-Diss.--Ludwig-Maximilians-Universität zu München. / Bibliography: p. 242-246.
76

Modern British verse drama and the Christian tradition the strategy of sacramental transfiguration /

Spanos, William V. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1964. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 484-504).
77

"Tis nature's law to change" : the Earl of Rochester in the hands of his readers /

Kohlhepp, Adam John. January 1998 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 1998. / Vita. Includes bibliographical references (leaves 217-240). Available also in a digital version from Dissertation Abstracts.
78

Über Surrey's Virgilübersetzung, Teil I

Fest, Otto, January 1903 (has links)
Thesis (doctoral)--Friedrich-Wilhelms-Universität zu Berlin, 1903. / Cover title. Complete ed. published: Berlin : Mayer & Müller, 1903. (Palaestra ; 34)
79

Mutation in blossom: an antithetical reading of the poetry of Anne Sexton through the aesthetics of D. H. Lawrence

Earles, Kristofer 05 1900 (has links)
Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02
80

Honey from Maggots: Aura, Sacrifice, and the Human Universe in Charles Olson’s “The Kingfishers”

Roethle, Christopher 06 September 2017 (has links)
In this thesis, I contend that some form of aura can be recovered from the ravages of technological reproduction described in Walter Benjamin’s “The Work of Art in the Age of its Technological Reproducibility (Third Version).” Recovering this aura, however, may require adopting an aesthetic of immediacy through destruction and even wanton disposability (what Georges Bataille in his general economic theory calls “nonproductive expenditure”) to ensure that, though routinely diluted and discarded, the split-second authenticity of a work remains, its radical ephemerality and formal irreproducibility opposing the enslaving, commodifying powers of the copy. The poetry and poetic theory of American poet Charles Olson, especially in his long poem “The Kingfishers” and his essays “Projective Verse” and “Human Universe,” serves as an example of how an author might inscribe auratic energy along nonproductive, general economic lines.

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