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This thesis discusses the comic discourse in Laurence Sterne's novel The life and Opinions of Tristram Shandy, Gentleman. It shows the way in which the theories of the comic of Henri Bergson and Sigmund Freud are applied in this novel. In Tristram Shandy, the principles of the comic of Bergson and Freud do not function in their usual manner; they are fulfilled by the structure and the process of narration. The comic in this novel is also enhanced by the fact that aspects of narration that are usually static and unchanging throughout a novel (such as the nature of the narrator) gained dynamism in Tristram Shandy. This dynamism offers a space for the structural comic to origin. The comic of Tristram Shandy also draws from the principle of association. This novel inspired later theories of humour and the comic in general.