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The narrator in D.H. Lawrence's travel fiction : nostalgia, disillusion, and visionGrimanis, Catherine January 1989 (has links)
No description available.
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Brothers, fathers, lovers : the search for male friendship in the fiction of D.H. LawrenceMullen, T. January 1999 (has links)
No description available.
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D.H. Lawrence's illnesses in relation to Women in loveCampbell, Barbara Lilian. January 1976 (has links)
No description available.
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D.H. Lawrence's illnesses in relation to Women in loveCampbell, Barbara Lilian. January 1976 (has links)
No description available.
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L'itinéraire d'un prophète en fuite ou Le texte biblique et la réflexion politique dans "Aaron's Rod", "Kangaroo" et "The plumed serpent" de D. H. LawrenceBricout, Shirley January 1900 (has links)
Texte remanié de : Thèse de doctorat : Littérature et civilisation anglaise : Montpellier 3 : 2006. / Bibliogr. p. 307-322. Index.
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The influence of Nietzsche in D.H. Lawrence's Women in Love.Di Bianco, Louis Edmund January 1972 (has links)
No description available.
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Thinking sex : D.H. Lawrence, Radclyffe Hall and the socialization of modern textsBalzer, David. January 2001 (has links)
No description available.
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The quest for completion an evolving mythopoeia in the writing of Thomas Hardy, D.H. Lawrence, and John Fowles /Psathas, Barbara Ann. January 1999 (has links)
Thesis (M.A.)--Kutztown University of Pennsylvania, 1999. / Source: Masters Abstracts International, Volume: 45-06, page: 2823. Typescript. Abstract precedes thesis as, preliminary leaves [2-3]. Includes bibliographical references (leaves 109-112).
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The artist-hero novels of D.H. Lawrence, James Joyce, and Samuel Beckett and the transformation of aesthetic philosophy /Gleason, Paul William, January 2000 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 400-412). Available also in a digital version from Dissertation Abstracts.
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D.H. Lawrence's revision of E.M. Forster's fictionSampson, Denis. January 1981 (has links)
Lawrence's revision of the fiction of his English comtemporary E. M. Forster is a key to the way in which Lawrence's imagination worked. He discovered in early 1915 that Forster was already producing a body of fiction which treated many of his own themes in a manner which resembled the visionary and prophetic mode he wished to create. This study demonstrates that Lawrence's motivation and method in the writing of many scenes in The Rainbow, Women in Love, The Lost Girl, Aaron's Rod, and St. Mawr are governed by his compulsive misreading of scenes, symbols, characters, settings, plots and motifs in Forster's fiction. It is evident that Lawrence needed to establish dominance over Forster in this manner in order to keep alive what he called his "passional inspiration."
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