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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
71

Thinking sex : D.H. Lawrence, Radclyffe Hall and the socialization of modern texts

Balzer, David. January 2001 (has links)
This thesis is an examination of sex in D. H. Lawrence's Lady Chatterley's Lover and Radclyffe Hall's The Well of Loneliness as it relates to the social, linguistic and political elements of literary modernism. Both novels "think sex," allowing specific concepts of sex to act as methods of communication between artists and readers. By writing sex, Hall and Lawrence address the modern reader, providing a script for ideal readerly and writerly approaches to the novel. The first chapter examines contemporary cultural and gender theory's understanding of the relationship between sex and discourse and relates this to political and literary considerations of modernism. The second chapter looks at psychosexual medical texts that influenced modernism's understanding of sex and art; the final chapter examines "thinking sex" in Lady Chatterley's Lover and The Well of Loneliness by examining the content and reception of both works.
72

Henry Miller's writings on D.H. Lawrence.

Levy, Mark William. January 1970 (has links)
No description available.
73

D.H. Lawrence and narrative design

Elliott, John January 1990 (has links)
Lawrence's work has almost invevitably been read as an aesthetic production whereby one must eventually agree or disagree with his vision of "reality". Those who assume a formalist standard of taste often find that Lawrence "loses control" of his material; those who offer ideological apologies for his work argue that disruptions in the aesthetic plane are representative of an exploratory genius, often seen as the outstanding characteristic of literary modernism. Both approaches, explicitly or otherwise , rely on the ultimate sanction of the achieved image, transmuted by the author always in control of his material. Yet anyone who reads Lawrence with an eye to to what the "tale" says in addition to what the "teller" claims discovers that Lawrence is not in full control of his material, thought it cannot simply be argued, on aesthetic or linguistic criteria, that he is out of control. Rather, there exists a "third" state whereby Lawrence both writes and is written, gives us a message with one hand, yet retracts, as it were, with the other. Because this double-move is preeminently suited to the language of fiction, and because it appears in Lawrence's fiction with the greatest versatility and incisiveness, this dissertation analyzes six of his novels for their rhetorical significance, understood as both an organization of tropes and figures and as a system of persuasive doctrine. A new definition for allegory is proposed, the introductions of thematic and structural "blanks" is examined, and a spread of narrative delays are identified and discussed, all concerned with the central problem of writing novels that direct themselves to the resurrection of a pre-linguistic universe, yet ironically depend more and more upon writing to bring this about. Ideas drawn from Continental philosophy and recent critical theory are incorporated for support and instruction. Attention is also focused on Lawrence's revision processes, often with specific emphasis on unpublished manuscript material.
74

The influence of Nietzsche in D.H. Lawrence's Women in Love.

Di Bianco, Louis Edmund January 1972 (has links)
No description available.
75

Death becomes her modernism, femininity, and the erotics of death /

Clair, Erin C., January 2007 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 6, 2008) Includes bibliographical references.
76

Retreat into wilderness a study of the travel books of five twentieth century British novelists /

Riesen, David Herman, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
77

Wagnerian patterns in the fiction of Joseph Conrad, D.H. Lawrence, Virginia Woolf, and James Joyce

DiGaetani, John Louis, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.
78

Postmodernism and comparative mythology toward postimperialist English literary studies in the Thailand /

Sutassi Smuthkochorn. Renner, Stanley W. January 1996 (has links)
Thesis (D.A.)--Illinois State University, 1996. / Title from title page screen, viewed May 26, 2006. Dissertation Committee: Stanley W. Renner (chair), Ronald Strickland, William W. Morgan, Jr. Includes bibliographical references (leaves 140-146) and abstract. Also available in print.
79

Representing others and analyzing oneself : a Bakhtinian reading of D. H. Lawrence's Italian travel literature and translations of Giovanni Verga /

Traficante, Antonio. January 2005 (has links)
Thesis (Ph.D.)--York University, 2005. Graduate Programme in English. / Typescript. Includes bibliographical references (leaves 227-232). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11635
80

Other life

Camati, Anna Stegh 14 February 2013 (has links)
Resumo: O estudo da cosmovisão de Hughes, inspirada em Lawrence e remontando a Bergson, abre novas perspectivas não exploradas pelos críticos, evidenciando aspectos inéditos em sua poesia. Da mesma maneira que Lawrence, Hughes procura ir alem das aparências exteriores, revelando o próprio processo vital, que e captado somente em raros momentos de percepção intuitiva. 0 objetivo principal de sua poesia e salientar como real idades 'outras ' as criaturas do mundo rião-humano, destacando-as como receptáculos da poderosa força vital existente no uni verso. Insiste em celebrar a vitalidade dos pássaros, animais e plantas, porque considera o homem demasiadamente auto matizado,fato que o impede de viver. Os indícios de degeneração que vê no homem moderno, Hughes os atribui a excessiva mecanização, que reduziu o homem a um autômato, interrompendo o contacto vital com as outras criaturas vivas. Estas ideias, que Lawrence expõe nas obras em prosa, i .e., ensaios, cartas, relatos de viagens, especulações filosóficas, romances e contos são retomadas por Hughes em sua poesia, constituindo não apenas a principal fonte de inspiração, como também a base de sua visão do mundo. Na primeira parte desta dissertação e colocada em relevo a filosofia de Bergson, que foi assimiladas reinterpretada por Lawrence e Hughes, servindo de fundamentação metafísica para a obra de ambos. Na segunda parte traçamos o paralelo existente entre o simbolismo animal de ambos os autores, demonstrando que as metáforas animais de Lawrence, que representam forças instintivas e intuitivas, estão também aparentes em Hughes, evidenciando sua habi1 idade em dar nova forma ao material em que se inspirou, bem como provando que maior compreensão do pensamento de Lawrence possibilita novos enfoques na poemática de Hughes.

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