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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Skin, trace and material process in selected works by Leora Farber

Burton, Maria Teresa Macedo 23 August 2011 (has links)
MA (Fine Art), Faculty of the Humanities, University of the Witwatersrand, 2011
2

Three Mormon actresses : Viola Gillette, Hazel Dawn, Leora Thatcher.

Gashler, Mavis Gay. January 1970 (has links)
Thesis (M.A.)--Brigham Young University Dept. of Dramatic Arts.
3

Three Mormon actresses Viola Gillette, Hazel Dawn, Leora Thatcher.

Gashler, Mavis Gay. January 1970 (has links)
Thesis (M.A.)--Brigham Young University Dept. of Dramatic Arts. / Electronic thesis. Also available in print ed.
4

Three Mormon Actresses: Viola Gillette, Hazel Dawn, Leora Thatcher

Gashler, Mavis Gay 01 January 1970 (has links) (PDF)
The purpose of this study is to recreate the theatrical lives of three Mormon actresses through an appraisal of the critical reviews of the press, the primary source of available material.
5

The Lightcroft Estate : Hagerstown, Indiana home of Charles and Leora Teetor / Title on signature form: Thesis : documentation of the Lightcroft Estate, Hagerstown, Indiana using guidelines for the treatment cultural landscapes

Harbison, Brian P. 06 August 2011 (has links)
This final creative project involved preparation of a cultural landscape report for the properties that were previously known as The Lightcroft Estate. This study has determined the historical significance of The Lightcroft Estate as a designed historic landscape and presents preservation guidelines for future improvement at the site. Historical evidence indicates that the Lightcroft Estate was developed over a period of forty-three years under the direction of Mr. and Mrs. Charles N. Teetor with the services of an architect Charles E. Werking and the possible collaboration of an engineer, John W. Mueller. Existing features in the landscape surrounding the home suggest an extensive landscape that included a Japanese Garden, two fishing lakes, a formal garden with tea house, pergola, fountains and basins, a power house/roller wheel with adjacent water works and water features throughout the landscape. The home and the grounds are found to be significant for its association with the Country Place Era in landscape architecture and the role the Teetor family served in bringing prosperity to their family and community during the industrial revolution and early automotive industry. A cultural landscape report is presented which follows the Secretary of the Interior’s Standards for the Treatment of Historic Properties with Guidelines for the Treatment of Cultural Landscapes. Treatment recommendations are presented which focus on the preservation of existing features, reconstruction of the formal garden. / Department of Landscape Architecture
6

An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists

Greyvenstein, Lisa 22 August 2013 (has links)
This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art, and explores reasons for the emergence of this style. It investigates artists who use their bodies as a site of resistance, to contest or reconstruct the dominant social values which establish differences between bodies to place them within the marginal position of ‘Other’. This investigation relates to post-colonial concerns. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the conditions from which the seventeenth century Baroque style evolved. Neo-Baroque aesthetics of excess manifest in a variety of ways, and are particularly evident when artists transgress social boundaries placed on the body through abject and erotic associations. Excess ultimately arises from complexity, as hybrid art forms are created from the combination of media and content found within the art work. / Dissertation (MA)--University of Pretoria, 2012. / Visual Arts / unrestricted

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