Thesis (Ph. D.)--University of British Columbia, 1998. / Includes bibliographical references (leaves 202-222).

Queer women's relationship to space has been under-theorized due to the difficulties in identifying particular spatial patterns that can describe their presence in urban settings. Most of the research that has focused on queer space has mentioned the difficulty of mapping queer women. The purpose of this research is to identify the ways in which the scarcity of queer women-specific space in Portland, Oregon, has affected the development of a women's community based on a queer identity, the role of intersecting identities such as race and gender identity in these communities and spaces, as well as the implications of queer women's spaces for the development of inclusive spatial frameworks. This research is based on 15 map-making interviews with queer women in the Portland area. During the interviews, participants were asked to draw a map of what they consider to be queer women's space in Portland. The results suggest that queer women occupy an array of places, but lack public queer women-specific spaces. Some of the reasons for the decline in these spaces are changing identities and the political climate, an attempt at inclusion of trans and gender non-conforming people, and racism. In order to better understand queer women's spatial patterns, the scholarship needs frameworks that are inclusive of private, cyber and temporary spaces. Given the lack of scholarship on the relationship between queer women and space, this research contributes to a better understanding of queer women's geographies in a changing political climate.

This thesis describes the organization of two waves of pride parades in the city of Dallas, Texas. Using more than 40 sources, this work details how LGBT organizers have used pride parades to create a more established place for the LGBT community in greater Dallas culture. This works adds to the study of LGBT history by focusing on an understudied region, the South; as well as focusing on an important symbolic event in LGBT communities, pride parades.

Out of the politically charged atmosphere of the 1960s and 1970s emerged a migration to "the land" and communes, which popularly became known as the back-to-the-land movement. This migration occurred throughout the United States, as well as many other countries, and included clusters of land based communities in southern Oregon. Within these clusters, lesbian feminist women created lesbian separatist lands and communes. These women were well educated, and politically active in movements such as the New Left, Civil Rights, Women's Liberation, and Gay Liberation. These lands or communes functioned together as a community network that developed and commodified lesbian art, which impacted and influenced the development of lesbian art over time. In Oregon, as of 2011, at least ten known lesbian lands still existed. This cluster belonged to an extended community that stretched down into California and over into New Mexico. Over a two-year period I collected, transcribed, and studied the oral histories of eight of the elders of the women's land movement in southern Oregon. The purpose of this study is to better understand this movement of lesbian feminists the development of lesbian art and culture over time. The lesbian feminist back-to-the-land movement made the conscious choice to disengage from the patriarchal mainstream rather than continue participation in their own oppression. They viewed lesbian feminist separatism and the creation of safe lesbian land as a way to reconstruct their self-identity and influence the continued self-perception of lesbians the world over through art and literature. Based on these oral histories and archival materials, it became evident that the women within the lesbian land communities developed and maintained land on which they could re-examine who they were, re-educate themselves and each other, learn practical skills, construct new identities, create art, and broadcast their creations out into the world through organized media networks. One of the key features of this construction of lesbian land culture was the desire to share--share power, share money, share responsibilities, share knowledge, share land, share lovers. On the one hand, ownership was eschewed as elitist and patriarchal, while simultaneously important to the continuity of women's land and its protection from what could be described as patriarchal profit motives. They developed infrastructure, altered language, created a spiritual practice, and made art. The material and artistic culture was created in concert with modes or mediums of transmission, casting it out to a much wider audience. These creative activities influenced and impacted women beyond Oregon, beyond the lesbian land communities, and beyond the 1970s. By examining the lesbian land movement in southern Oregon, we can better understand the impact on LGBTQ culture, and the continued albeit unintentional impact on the questioning of the gender binary and sexual identity. In other words, the feminist and queer questioning of identity construction and symbolic language began here.

Denna forskning genomfördes under åren 2000–2004. Forskningssammanhanget är både Lesbiska studier och IMER forskning. I avhandlingen studeras livserfarenheter som 21 lesbiska informanter från 15 olika länder, alla invandrare i Sverige, berättar om. Utgångspunkten för forskningen är sexualitet och migration. De övergripande forskningsfrågorna är: Genom vilka processer blir kvinnor medvetna om sin sexuella dragning till kvinnor? Hur ”lär” de sig att leva lesbiskt, samt inom vilket socialt sammanhang sker dessa processer? Forskningsfrågorna belyses genom de livserfarenheter som de 21 lesbiska informanterna berättar om. Analysen görs genom fokusering på det samband och den växelverkan som fi nns mellan lesbiskhet och migration i datamaterialet. Studien är etnografi sk och kvalitativ. Den narrativa metoden används för inhämtning av det empiriska materialet, vilket består av utskrivna intervjuer och anteckningar från deltagande observation. Analysen görs med hjälp av teorier om sociala relationer, heteronormativitet, stigmatisering, aktörskap och migration. Studien visar att informanternas erfarenheter av stigmatisering och marginalisering liknar varandra oavsett i vilket samhälle de växt upp. Marginaliseringen av lesbiska kvinnor hänger till stor del samman med en samhällsstruktur som förtrycker kvinnlig sexualitet. Det är genom komma-ut-processen som den lesbiska kvinnan ”lär” sig att ”vara” lesbisk. Stigmatisering är det sociala sammanhang i vilket den lesbiska kvinnan blir medveten om sin sexuella orientering. Genom sitt aktörskap ändrar den lesbiska kvinnan sin sociala position i marginalen och växer som ett självständigt och stolt lesbiskt subjekt. Detta leder henne till att söka sig till andra homosexuella (kvinnor och män). Känslan av grupptillhörighet baserad på likartade livserfarenheter, som har sin grund i samhällets attityd till deras lesbiskhet är centralt för informanternas liv och avgörande för bygget av ett lesbiskt samhälle, oavsett etnisk och nationell bakgrund. Det lesbiska samhället (och gaysamhället) är internationellt. / This research was carried out during the years 200-2004. The theoretical basis of the thesis is found within the fields of Lesbian Studies and IMER-studies (studies of International Migration and Ethnic Relations). In the thesis the life experiences of 21 informants, originating from 15 different countries are studied. The 21 informants are all immigrant women living in Sweden. The point of departure of the research is that of sexuality and migration. The main questions of the research are: through which processes do women obtain consciousness about their lesbian orientation, how do they “learn “to “be” lesbians and within which social context do these processes take place? Answers to these questions are given through an analysis of the life experiences of the 21 informants. The analysis is focuses on the connection and the interaction between lesbianism and migration. The study is ethnographic and qualitative. The narrative method is applied to obtain the empirical material containing transcribed interviews and notes from participant observation. Theories of social relationship, heteronormativity, stigmatization, agency, and migration are applied. The study shows that the informants’ experience of stigmatization and marginalization are very similar irrespective of which society they grew up in. Marginalization of lesbian women is very much a consequence of social structure, which oppresses female sexuality. It is through the coming out process that lesbian women “learn” to “be” lesbian. Stigmatization is the social context in which the lesbian women becomes aware of her sexual orientation and grows into conscious lesbian. It is through conscious action (agency) that she alters her social position in the margin and becomes an independent and proud lesbian subject. In the course of this process she seeks contact with other homosexuals (women and men) and she develops a sense of belonging to a group of people who share similar life experiences of stigmatization on the grounds of their homosexuality. This feeling is crucial for the establishment of a lesbian community, irrespective of ethnic and national background. The lesbian community (and gay community as a whole) is international.

Thesis (M.G.S.)--Miami University, Dept. of Sociology and Gerontology, 2007. / Title from first page of PDF document. Includes bibliographical references (p. 64-68).

"Legacy of Love" follows four members of the Dallas LGBTQA+ community and shows their perspectives on the community's past, present and future, focusing on the community has accomplished so far, and the work, especially related to race, that lies ahead.

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