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This thesis argues that in North America since the late 1980s, young women's interest in feminism has been expressed through participation in feminist music subcultures. The project provides an overview of the studies of culture, musical subculture, and gender and music making, as well as an historical context of feminism and a discussion of the relationship between second and third wave feminism. / The first case study explores Riot Grrrl's roots in the DIY activism of DC hardcore punk, its links to the female-oriented indie music scene of Olympia, Washington, and the subculture's use of alternative media. The second study examines efforts to integrate queer politics into third wave feminism through lesbian punk rock music subculture. The final study of electronic feminist punk rock examines how young feminists use alternative media such as zines, internet message boards, web sites, music making, and performance to educate young women about sexual abuse and homophobia. / Analysis of the Riot Grrrl, lesbian punk rock, and electronic feminist punk rock subcultures demonstrates how young women claim spaces for their own feminist politics, even if they have gone relatively undetected by the mainstream culture.

This dissertation explores lesbian experience, or the psychological meaning of being lesbian from the point of view of women who call themselves lesbian. The researcher suspended the binary paradigm of sex and gender, and argued that lesbians' identity development must be understood against the background of how patriarchy understands the category 'woman' through history. Towards this purpose the pOSition of women in the West, as well as contemporary images and literature about lesbians, was reviewed. On the basis of this review questions about lesbian gender construction, lesbian identity development and lesbian individuation were identified. In order to access the psychological meaning of being lesbian, or lesbian experience from the inside out, the dream-series of three lesbians constituted an empirical basis for further exploration. These dream-series were amplified with intensive face-to-face interviews, transcribed, and subjected to a hermeneutic-phenomenological inductive method. Common inter-case concerns were identified and synthesized. In dialogue with the literature reviewed, twenty-two statements of meaning about being lesbian were distilled. These revealed two possible constructions of gender for primary lesbians. In addition, primary lesbians involved in the research demonstrated remarkable flexibility with respect to their gender orientations and gender identifications, were in the process of integrating with and differentiating from different aspects of their masculine and feminine potentials, and developed and negotiated their gender identities in relationship to both their lovers and friends. The explication also revealed that participants identified with archetypal aspects of the father that their fathers' did not express, and desired archetypal aspects of the mother that their mother's did not express. Finally, in so much as the method distinguished ~ sex, sexual identity and sexual orientation from gender, gender identity, gender identification and gender orientation, it may prove useful for exploring gender in heterosexual relating.