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The traditional levirate custom : As practised by Luo of KenyaLutta, Caroline January 2015 (has links)
The aim of this thesis was to investigate views on the the traditional Levirate custom in modern society specifically regarding repercussions on the freedom of widows in the traditional Luo community. Qualitative research has been used this thesis, using both primary and secondary sources. Phenomenology as a principle of science has been adopted. Though much research has been done on this subject matter, this study hopes to provide a new approach by addressing the issues mentioned above. The findings of this study have shown that the Levirate custom seems to infringe on the freedom of the widows in the traditional Luo community. Evidence of male dominance due to values attached to the traditional Levirate custom has been observed.
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Cultural conflicts in Northern Sotho dramasMadiga, Raofa Philemon 06 1900 (has links)
The aim of this research is to investigate cultural conflicts in Northern Sotho dramas.
At the beginning of the work, reasons for the choice of the topic are given, and
thereafter, the methodology to be adopted in analysing the plays is outlined. Various
factors considered to be contributory to the acculturation of traditional Africans are
discussed.
Throughout this study, traditionalists oppose westernised Africans because of strange
norms and practices they have adopted. The two parties disagree on issues like
arranged marriage, remarriage and leadership. Christianity features prominently as the
basic cause of conflict. Modernists oppose traditional practices on the ground that they
are not in conformity with Christian principles.
The plays are compared to determine how each playwright has attempted to resolve
conflicts in his respective play. The study ends with a comment on findings where
traditionalism, being a common enemy in the three plays, is overridden by modernity. / African Languages / M.A. (African Languages)
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Cultural conflicts in Northern Sotho dramasMadiga, Raofa Philemon 06 1900 (has links)
The aim of this research is to investigate cultural conflicts in Northern Sotho dramas.
At the beginning of the work, reasons for the choice of the topic are given, and
thereafter, the methodology to be adopted in analysing the plays is outlined. Various
factors considered to be contributory to the acculturation of traditional Africans are
discussed.
Throughout this study, traditionalists oppose westernised Africans because of strange
norms and practices they have adopted. The two parties disagree on issues like
arranged marriage, remarriage and leadership. Christianity features prominently as the
basic cause of conflict. Modernists oppose traditional practices on the ground that they
are not in conformity with Christian principles.
The plays are compared to determine how each playwright has attempted to resolve
conflicts in his respective play. The study ends with a comment on findings where
traditionalism, being a common enemy in the three plays, is overridden by modernity. / African Languages / M.A. (African Languages)
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