Coastal foredunes are natural aeolian bedforms located landward of the backshore and which interact continuously with the beach. Traditionally, coastal dunes have been associated with onshore winds, however they can be found under more complex wind regimes where offshore winds are common such as the UK East coast, Northern Ireland and New Zealand. This research investigates the ways in which foredune-beach interactions occur under a complex wind regime at a range of overlapping temporal and spatial scales and is innovative in that it explicitly links small-scale processes and morphodynamic behaviour to large scale and long-term dynamics. The study area is the north Lincolnshire coast, East England. Detailed observations of airflow at three locations under varying wind regimes revealed considerable spatial variations in wind velocity and direction, however it was possible to determine a general model of how foredune topography deflected and modified airflow and the resultant geomorphological implications (i.e. erosion and deposition). During direct offshore and onshore winds, airflow remained attached and undeflected; and distinct zones of flow deceleration and acceleration could be identified. During oblique winds airflow was deflected to become more parallel to the dune crest. The field sites used are characterized by a seasonal erosion/accretion cycle and a series of increasingly complex models was developed and tested to determine whether it was possible to predict sand volume changes in the foredune-beach system based on a limited number of variables. The model predictions were tested against detailed digital terrain models at a seasonal timescale. The model prediction that best matched the observed (surveyed) sand volume changes included wind speed, direction, grain size, fetch effect controlled by beach inundation and angle of wind approach was accurate to within ±10% for 18 out of 48 tests at the seasonal scale and 6 out of 12 tests over periods of >5 years. A key variable influencing foredune-beach sand volume is the magnitude and frequency of storm surge events and this was not factored in to the model, but may explain the model-observation mismatch over the medium-term on two occasions. Over the past 120 years historical maps and aerial photographs indicate long-term foredune accretion of approximately 2 m year-1 at the three study sites (1891-2010). At this timescale, rates of coastal foredune accretion reflect the low occurrence of severe storm surges and suggest rapid post-storm recovery. The morphological response of the foredune-beach morphology is considered to be a combination of controlling and forcing factors. Process-responses within the system, associated with nearshore interactions and sediment transfer from the littoral drift, are compiled into a multi-scale morphodynamic model. Important to match appropriate dataset to scale of research question or management plan being explored. In the case of management, long-term records of past activity are necessary to predict the future but also to understand natural responses of system to short-term impact such as storm surge.

This thesis offers an interdisciplinary approach to the period between c. AD 400 and 650 in the Lincoln region, considering in depth not only the archaeological evidence, but also the historical, literary and linguistic. It is argued that by using all of this material together, significant advances can be made in our understanding of what occurred in these centuries, most especially with regard to Anglian-British interaction in this period. It is contended that this evidence, when taken together, requires that a British polity named *Lindēs was based at Lincoln into the sixth century, and that the seventh-century Anglo-Saxon kingdom of Lindsey (Old English Lindissi < Late British *Lindēs-) had an intimate connection to this British political unit. In addition to investigating the evidence for Anglian-British interaction in this region and the potential legacies of British *Lindēs, this thesis also provides a detailed analysis of the nature of the Anglo-Saxon population-groups that were present in the Lincoln region from the mid-fifth century onwards, including those of *Lindēs-Lindissi and also more southerly groups, such as the Spalde/Spaldingas. The picture which emerges is arguably not simply of importance from the perspective of the history of the Lincoln region but also nationally, helping to answer key questions regarding the origins of Anglo-Saxon kingdoms, the nature and extent of Anglian-British interaction in the core areas of Anglo-Saxon immigration, and the conquest and settlement of Northumbria.

Cette thèse porte sur l’étude de la station balnéaire de Skegness et les vacances de la classe ouvrière en Grande Bretagne. Elle valide le déclin des stations balnéaires britanniques en tenant compte des expériences plurielles et des stratégies de régénération et de survie du tourisme balnéaire. Les deux premières parties de la thèse ont analysé le développement des vacances balnéaires, comme une alternative aux anciens loisirs, et démontré l’apparition de Skegness en tant que station balnéaire suite au changement des conditions socioéconomiques des ouvriers. Cette thèse a également détaillé comment Skegness a été promue comme une station balnéaire à l’époque en se focalisant sur le rôle joué par les compagnies ferroviaires dans la promotion de la station par le biais d’affiches et de publicité dans les journaux. L'étude du matériel promotionnel a démontré les changements dans l'image de la station balnéaire et le ton social annoncé dès les premières années de l'aménagement du village jusqu’à la fin du XXe siècle. Cette étude a ensuite démontré que cette ville balnéaire a vu apparaître tous types de vacances de classes ouvrières, en particulier l’apparition des maisons de vacances (plotland), des camps de vacances et de caravanes. Dans ce contexte, les camps de vacances ont été étudiés comme un aspect de commercialisation des vacances de la classe ouvrière. Enfin, cette étude a abordé le déclin de Skegness et a démontré que le tourisme à l'étranger a eu un effet néfaste sur les stations balnéaires britanniques ainsi que la détérioration de l'infrastructure et les mauvaises stratégies de marketing. Dans ce contexte de déclin, il a été démontré que Skegness a réussi dans une certaine mesure à survivre en tant que destination privilégiée des familles de la classe ouvrière Anglaise. / This thesis is a study of the seaside resort of Skegness and the working class seaside holiday. It validates the onset of decline on British seaside resorts, but confirms the plurality of experiences and the varieties of the strategies of regeneration and survival. The first two parts of the thesis analyse the growth of the seaside holiday as an alternative to old leisure and the growth of Skegness as a seaside resort within the dynamics of changing leisure and changing socio-economic conditions of workers. A second theme, related to the growth of the Skegness resort, which is a major thrust of this thesis, is an analysis of the way Skegness was promoted as a seaside resort. It is argued in this context that the railway, in addition to bringing holidaymakers to the resort, played a pivotal role in the promotion of the resort, especially through posters and to a lesser extent newspaper publicity. The study of promotional materials seeks also to demonstrate the changes in the resort image and social tone from the early years of the resort development until the late twentieth century. This study also addresses the decline of Skegness as a domestic holiday destination. It argues that holidays abroad had a detrimental effect on British seaside resorts in addition to the homegrown factors like the deteriorating resort infrastructure and the poor marketing strategies. Against this background of decline, it is shown that Skegness, despite the alarming deprivation indicators, managed to a certain extent to survive as a working class family destination.

An examination of the utilization of folk song elements in the wind band music of Australian composer David Stanhope, represented in two movements ("Lovely Joan" and "Rufford Park Poachers") from his Folk Songs for Band. Sets 1 and 2. Included is an historical overview of English folk music, emphasizing the theoretical properties of the English folk song and the events surrounding the modern renaissance of British folk music. Background information related to the musical development of Vaughan Williams, Grainger, and Stanhope is provided, noting the influence of the folk idiom in their compositional styles and Grainger's influence on the music of David Stanhope. An historical account of the two folk songs examines the events and compositional procedures related to the inclusion of "Lovely Joan" in Vaughan Williams' Fantasia on Greensleeves. and Grainger's use of "Rufford Park Poachers" in Lincolnshire Posv. Emphasis is placed on the subsequent compositional treatment of the folk elements in Stanhope's wind band compositions. A detailed analysis of Stanhope's compositional style includes structural, harmonic, melodic, and historical considerations, while specifically illuminating his contemporary and innovative approaches to scoring and instrumentation.

This thesis examines 'improvement' of wetland commons in early modern England as a contested process of rapid environmental change. As a flagship project of agrarian improvement, drainage sought to alchemise pastoral fen commons into arable enclosed terra firma and promised manifold benefits for crown, commoners, and commonwealth alike. In practice, however, improvement schemes generated friction between the political and fiscal agendas of governors and projectors and local communities' customary ways of knowing and using wetland commons, provoking the most sustained and violent agrarian unrest of the seventeenth century. This thesis situates the first state-led drainage project in England, in the northern fens of Hatfield Level, in the context of the local politics of custom, national legal and political developments, and international movements of capital, expertise, and refugees; all of which intersected to reshape perceptions and management of English wetlands. Drawing on the analytic perspectives of environmental history, this thesis explores divergent ideas and practices generating conflict over the making of private property, reorganisation of flow, and reconfiguration of lived environments. This thesis argues that different 'environing' practices - both mental and material - distinguished what was seen as an ordered or disordered landscape, determined when and how water was understood as a resource or risk, and demarcated different scales and forms of intervention. Rival visions of the fenscape, ways of knowing land and water, and concepts of value and justice were productive of, and produced by, different practices of management, ownership, and use. Drainage disputes therefore crossed different spheres of discourse and action, spanning parliament, courtroom, and commons to bring improvement into dialogue with fen custom and generate a contentious environmental politics. In seven substantive chapters, this thesis investigates how improvement was imagined, legitimised, and enacted; how fen communities experienced and navigated rapid environmental transformation; and how political, social, and spatial boundaries were reforged in the process. By grounding improvement in the early modern fenscape, this thesis reintegrates agency into accounts of inexorable socio-economic change, illuminates ideas at work in social contexts, and deepens understandings of environmental conflict.