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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Políticas para a preservação audiovisual no Brasil (1995-2010) ou: “para que eles continuem vivos através de novos modos de vê-los”

Lindner, Maria Laura Souza Alves Bezerra 25 October 2013 (has links)
Rubim, Linda Silva Oliveira ver Rubim, Lindinalva Silva Oliveira / Submitted by Maria Lindner (atcsecult@gmail.com) on 2014-02-09T12:22:13Z No. of bitstreams: 2 _aaa tese v4_ 140131b capa.pdf: 294182 bytes, checksum: cb1396863834b27af55732187f0da5bb (MD5) _aaa tese v4_ 140131b FINAL.pdf: 2446800 bytes, checksum: 668d4c26ee3555169135a1605ee1ec3b (MD5) / Approved for entry into archive by Alda Lima da Silva (sivalda@ufba.br) on 2014-02-13T17:21:08Z (GMT) No. of bitstreams: 2 _aaa tese v4_ 140131b capa.pdf: 294182 bytes, checksum: cb1396863834b27af55732187f0da5bb (MD5) _aaa tese v4_ 140131b FINAL.pdf: 2446800 bytes, checksum: 668d4c26ee3555169135a1605ee1ec3b (MD5) / Made available in DSpace on 2014-02-13T17:21:08Z (GMT). No. of bitstreams: 2 _aaa tese v4_ 140131b capa.pdf: 294182 bytes, checksum: cb1396863834b27af55732187f0da5bb (MD5) _aaa tese v4_ 140131b FINAL.pdf: 2446800 bytes, checksum: 668d4c26ee3555169135a1605ee1ec3b (MD5) / Capes / O campo da preservação audiovisual passa, no tempo presente, por um período de amadurecimento e transformação; ao mesmo tempo, as instituições detentoras de acervos de imagens em movimento dispersas pelo Brasil têm uma história marcada pela falta de recursos e pela fragilidade institucional. Este trabalho aborda as circunstâncias político-culturais da situação atual e, promovendo um diálogo entre a preservação audiovisual e as políticas públicas, bem como entre o patrimônio cultural e o patrimônio audiovisual, busca o lugar da preservação do patrimônio audiovisual brasileiro entre as políticas federais de cultura, com foco no período compreendido entre 1995 até 2010. Utilizando conceitos da policy analysis analisamos a história da preservação do acervo cinematográfico do país e acompanhamos o percurso de algumas instituições relevantes para o setor, em especial da Cinemateca Brasileira, buscando suas articulações com as políticas de cultura. Através da análise da lógica de atuação dos governos, instituições e iniciativas da sociedade civil na área de preservação audiovisual, investigamos as estratégias e valores que atuam no campo cultural em determinados momentos, assim como as interfaces entre cultura, sociedade e poder. / At the present time, the field of audiovisual preservation goes through a period of maturation and transformation; on the other hand, institutions holding collections of moving images spread throughout Brazil have a history marked by a lack of resources and institutional weakness. This work addresses the political and cultural circumstances of the current situation and, promoting a dialogue between the audiovisual preservation and the public policies, as well as between cultural and audiovisual heritage, seeks the place of Brazilian audiovisual preservation among federal policies for culture, focusing on the period from 1995 to 2010. Using concepts of policy analysis, we analyzed the history of movie collections preservation in the country and followed the route of some relevant institutions to the sector, in particular the Cinemateca Brasileira, seeking their articulations with the cultural policies. Through the analysis of the logic of government actions, institutions and initiatives of the civil society in the area of audiovisual preservation, we investigated the strategies and values that operate in the cultural field at determined moments, as well as the interfaces between culture, society and power. / Zur Zeit befindet sich das Fachgebiet der Sicherung des audiovisuellen Erbes in einem Zustand zwischen Reife und Wandel. Zugleich leiden die Institute, die sich in ganz Brasilien mit der Archivierung von Bewegtbildern befassen, unter mangelhafter Finanzausstattung und institutioneller Schwäche. Die vorliegende Arbeit befasst sich mit den politischen und kulturellen Gegebenheiten der aktuellen Situation und untersucht den Platz des brasilianischen Filmerbes in der föderalen Kulturpolitik mit Fokus auf die Jahre 1995 bis 2010. So soll diese Arbeit den Dialog zwischen Filmerbe und Politik ebenso fördern wie den Dialog zwischen kulturellem und audiovisuellem Erbe. Die Geschichte der Bewahrung des kinematografischen Archivs Brasiliens wird mit den Konzepten der policy analysis untersucht. Zugleich wird der Weg einiger relevanter Institutionen des Bereichs kritisch reflektiert und deren Interaktion mit der Kulturpolitik analysiert. Besonderes Augenmerk wird dabei auf die Cinemateca Brasileira gelegt. Durch die Analyse der Logik des Handelns von Regierungen, Institutionen und Initiativen der Zivilgesellschaft im Bereich der Bewahrung und Sicherung des audiovisuellen Filmerbe werden nicht nur die Strategien und Werte untersucht, die im kulturellen Bereich in bestimmten Momenten zum Einsatz kommen, sondern auch die Schnittstellen zwischen Kultur, Gesellschaft und Macht.
2

Amazônia de Glauber Rocha: uma análise do documentário "Amazonas, Amazonas" / Glauber Rocha's Amazon: an analysis of the documentary "Amazonas, Amazonas"

Mendonça, Rosiel do Nascimento, (92) 98242-6224 10 August 2018 (has links)
Submitted by ROSIEL MENDONÇA (rosielmendonca@gmail.com) on 2018-09-05T04:25:51Z No. of bitstreams: 3 DISSERTAÇÃO_versão final_revisada.pdf: 3071573 bytes, checksum: 0397b4edbd3b5ae513d3f9a33dfaab1e (MD5) ATAS.pdf: 4329030 bytes, checksum: 635840e9c4d26920551bf319b81db275 (MD5) img016.pdf: 466832 bytes, checksum: bca68a1d0ea6aa8541b6beb3cdf2b174 (MD5) / Approved for entry into archive by PPGSCA Sociedade e Cultura na Amazônia (secppgsca@gmail.com) on 2018-09-10T22:51:47Z (GMT) No. of bitstreams: 3 DISSERTAÇÃO_versão final_revisada.pdf: 3071573 bytes, checksum: 0397b4edbd3b5ae513d3f9a33dfaab1e (MD5) ATAS.pdf: 4329030 bytes, checksum: 635840e9c4d26920551bf319b81db275 (MD5) img016.pdf: 466832 bytes, checksum: bca68a1d0ea6aa8541b6beb3cdf2b174 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2018-09-11T14:39:17Z (GMT) No. of bitstreams: 3 DISSERTAÇÃO_versão final_revisada.pdf: 3071573 bytes, checksum: 0397b4edbd3b5ae513d3f9a33dfaab1e (MD5) ATAS.pdf: 4329030 bytes, checksum: 635840e9c4d26920551bf319b81db275 (MD5) img016.pdf: 466832 bytes, checksum: bca68a1d0ea6aa8541b6beb3cdf2b174 (MD5) / Made available in DSpace on 2018-09-11T14:39:18Z (GMT). No. of bitstreams: 3 DISSERTAÇÃO_versão final_revisada.pdf: 3071573 bytes, checksum: 0397b4edbd3b5ae513d3f9a33dfaab1e (MD5) ATAS.pdf: 4329030 bytes, checksum: 635840e9c4d26920551bf319b81db275 (MD5) img016.pdf: 466832 bytes, checksum: bca68a1d0ea6aa8541b6beb3cdf2b174 (MD5) Previous issue date: 2018-08-10 / The present dissertation makes an analysis of the filmic discourse of the short documentary “Amazonas, Amazonas”, directed by Glauber Rocha between the years 1965 and 1966. The film is the result of an order from the Department of Tourism and Promotion, an agency of the state government that wanted to spread the tourist and economic potential of Amazonas in a context of profound political change at the national level. For this, we used documentary and bibliographical sources in order to reconstitute the experience of the director in the region and the social conditions of production of said film. Taking into account the context of cultural and political effervescence of the time, we try to identify wich representations does the film make of Amazonas and the Amazon region. / A presente dissertação faz uma análise do discurso fílmico do documentário de curta-metragem “Amazonas, Amazonas”, dirigido pelo cineasta baiano Glauber Rocha entre os anos de 1965 e 1966. A obra é fruto de uma encomenda do Departamento de Turismo e Promoção, órgão do governo estadual que desejava divulgar as potencialidades turísticas e econômicas do Amazonas num contexto de profunda mudança política em âmbito nacional. Para isso, recorremos a fontes documentais e bibliográficas no intuito de reconstituir a experiência do diretor na região e as condições sociais de produção do referido filme. Levando em conta o contexto de efervescência cultural e política da época, buscamos identificar que representações o filme faz do Amazonas e da região amazônica num sentido mais amplo.

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