• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 1
  • Tagged with
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Amor e monstruosidade em Notre-Dame de Paris : da literaratura à dança

Oliveira, Priscila Fernandes de 31 August 2015 (has links)
Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-graduação em Literatura, 2015. / Submitted by Tania Milca Carvalho Malheiros (tania@bce.unb.br) on 2016-01-26T12:14:05Z No. of bitstreams: 1 2015_PriscilaFernandesdeOliveira.pdf: 5029391 bytes, checksum: 44bdcdc440817270faf8c12a4a2ca464 (MD5) / Approved for entry into archive by Marília Freitas(marilia@bce.unb.br) on 2016-01-26T12:25:39Z (GMT) No. of bitstreams: 1 2015_PriscilaFernandesdeOliveira.pdf: 5029391 bytes, checksum: 44bdcdc440817270faf8c12a4a2ca464 (MD5) / Made available in DSpace on 2016-01-26T12:25:39Z (GMT). No. of bitstreams: 1 2015_PriscilaFernandesdeOliveira.pdf: 5029391 bytes, checksum: 44bdcdc440817270faf8c12a4a2ca464 (MD5) / A relação entre literatura e dança é antiga e ocorre sob diversas formas. A escritura frequentemente serve como referência para criações coreográficas, assim como a dança insere-se como elemento fundamental em algumas narrativas. Os estudos sobre a dança na literatura são numerosos. Entretanto, pesquisas que perfazem o caminho oposto, analisando a transposição da obra literária para a dança, são praticamente inexistentes, deixando uma série de indagações a respeito dessa forma de recriação. Portanto, identificar e questionar as dinâmicas envolvidas no processo de metamorfose de um código para outro, ou seja, da palavra escrita ao movimento, constitui o cerne desta pesquisa. Com o propósito de tentar responder a essas questões e analisar o diálogo intersemiótico entre essas artes, propomos um estudo comparativo entre o romance Notre-Dame de Paris de Victor Hugo e a adaptação coreográfica desta obra para o ballet neoclássico realizada pelo coreógrafo Roland Petit. No processo de análise das obras, focaremos nas relações de amor e monstruosidade, investigando as principais divergências e convergências entre ambas as obras. ________________________________________________________________________________________________ ABSTRACT / The link between literature and dance is a longstanding relationship and it occurs in various forms. The scripture often serves as a reference for choreographic creations, as well as dancing is part of a fundamental element in some narratives. The studies about the dance in the literature are numerous. However, researches that make up the opposite way, analyzing the transposition of the literary oeuvre to the dance, are almost non-existent, leaving a number of inquiries concerning this form of recreation. Therefore, to identify and question the dynamics involved in the process of metamorphosis from one code to another, i.e. the written word to the motion, is at the heart of this research. With the purpose of try to answer these questions and analyze the intersemiotic dialogue between these arts, we propose a comparative study of the novel Notre-Dame de Paris by Victor Hugo and the choreographic adaptation of this oeuvre to the neoclassical ballet performed by the choreographer Roland Petit.In the process of analysis of the oeuvres, we will focus on the relations of love and monstrosity, investigating the main differences and similarities between the two artworks.

Page generated in 0.0926 seconds