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Free from Any Other Meaning": Truth and Politics in the Rhetoric of Elizabeth I considers the relationship between rhetorical education and practice by examining the rhetoric of Queen Elizabeth I of England in light of dramatic shifts in rhetorical theory in Elizabethan England. This dissertation first examines rhetorical manuals of the sixteenth century, and discusses how a move from considering rhetoric as a complex relationship between knowledge, truth, and language to focusing almost exclusively on the use of figures of speech points to an anxiety over meaning and truth themselves. It then analyzes rhetorical performances of Elizabeth and her interlocutors in key debates during her reign, showing that Elizabeth drew on this anxiety about meaning and truth in order to overcome what was for her the most problematic "truth" of her reign--the doubtful authority of her status as a female prince. Tracing out two parallel narratives--the development of rhetorical theory and the development of Elizabeth's rhetorical strategy--I show finally that a series of dynamic shifts in rhetorical thought were not simply the result of pedagogical needs and intellectual currents, but responses to the problem of female rule. / English

Thesis (Ph. D.)--UCLA, 2009. / Vita. Description based on print version record. Includes bibliographical references (leaves 269-287).

Thesis (Ph. D.)--Rutgers University, 2009. / "Graduate Program in Comparative Literature." Includes bibliographical references (p. 264-275).

Thesis (M.A.)--University of Manitoba, 2001. / Includes bibliographical references.

Thesis (Ph.D.)--Brown University, 2008. / Vita. Adviser: Karen Newman. Includes bibliographical references (leaves 225-251).

Thesis (Ph. D.)--York University, 1999. Graduate Programme in English. / Typescript. Includes bibliographical references (leaves 382-423). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ43433.

Fictional Constructions of Grey Street by Selected South African Indian Writers. This thesis explores the fictional constructions of Grey Street by selected South African Indian writers to establish a deeper understanding of the connection between writers, place and identity in the South African Indian context. The concepts of 'place' and 'space' are of particular importance to this thesis. Michel Foucault's (1980) theories on space and power, Frantz Fanon's (1952) work on the connection between race and spatial politics, and Pierre Bourdieu's (1990) concept of 'habitus' are drawn on in this thesis in order to understand the ramifications of the spatial segregation of different race groups in colonial and apartheid South Africa. The specific kind of place focused on in this thesis is the city. Foucault's (1977, 1980) theorisation of the Panopticon is used to explain the apartheid government's panoptic planning of the South African city. As a counterpoint to this notion of panoptic urban ordering, Jonathan Raban's Soft City (1974), Michel de Certeau's "Walking in the city" (1984) and Walter Benjamin's The Arcades Project (2002) are analysed to explore an alternative way of engaging with city space. These theorists privilege the perspective of the walker in the city, suggesting that the city cannot be governed by top-down urban planning as it is constantly being re-made by the city's pedestrians on the ground. The South African city is an interesting site for a study of this kind as it has, since the colonial era, been an intensely contested space. This dissertation looks primarily at the South African Indian experience of the city of Durban which is a characteristically diasporic one. The theories of diasporic culture by Vijay Mishra (1996) and Avtar Brah (1996) form the foundation for a discussion of the Indian diasporas in the South African colonial and apartheid urban context. Two major Indian diasporic groups are identified: the old Indian diasporas and the new Indian diasporas. Each group experiences the city in different ways which is important in this study which looks at how different Indian diasporic experiences of the city shape the construction of Grey Street in fiction. One of the arenas in which diasporic histories are played out, and thus colonial, nationalist histories are challenged, is the space of fiction, Fiction provides diasporic groups with a textual space in which to record, and thus freeze, their collective memories; memories that are vital in challenging the hegemonic 'nationalist' collective memories often imposed on them. Christopher Shaw and Malcolm Chase's (1989) work on nostalgia is useful in this thesis which proposes that the collective memories of diasporic groups are quintessentially nostalgic. This is significant as the fictional constructions of place in the primary texts selected are remembered and re-membered through a nostalgic lens. The fictional works selected for this thesis include Imraan Coovadia's The Wedding (2001) and Aziz Hassim's The Lotus People (2002). Although other Indian writers have represented Grey Street in their works, including Kesevaloo Goonam in Coolie Doctor (1991), Phyllis Naidoo in Footprints in Grey Street (2002), Mariam Akabor in Flat 9 (2006) and Ravi Govender in Down Memory Lane (2006), the two novels selected respond most fully to the theories raised in this thesis. However, the other texts are referred to in relation to the selected texts in order to get a fuller picture of the Indian South African perspective of Grey Street. The selected primary texts are analysed in this dissertation in their historical context and therefore a brief history of Indians in South Africa is provided. The time period covered ranges from 1886 with the arrival of the first Indian indentured labourers to Natal to present day. Although this thesis focuses largely on the past and present experiences of Indian South Africans in Grey Street, questions are raised regarding future directions in Indian writing in the area. Thus, attention is also given to forthcoming novels by Hassim, Coovadia and Akabor. Research such as I am proposing can contribute to the debate on the cultural representation of urban space in South Africa and hopefully stimulate further studies of Indian literary production centered on writers, place and identity in the country. / Thesis (M.A.)-University of KwaZulu-Natal, 2007.

Thesis (Ph. D.)--Michigan State University, Dept. of English, 2008. / Title from PDF t.p. (viewed on March 31, 2009) Includes bibliographical references (p. 206-216). Also issued in print.