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1	Offrir à l'oeil : une phénoménologie du récit Au Château d'Argol de Julien Gracq Thibault, Valérie January 2008 (has links) Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal. Julien Gracq Julien Gracq Au Château d'Argol Au Château d'Argol Littérature et philosophie Literature and philosophy Littérature et phénoménologie Literature and phenomenology Regard Sight Perception Perception Sujet percevant Perceiving subject Donation Donation Conversion réflexive Reflexive conversion Épochè Epoche Variation imaginative Imaginative variation Modalisation Modalisation
2	Offrir à l'oeil : une phénoménologie du récit Au Château d'Argol de Julien Gracq Thibault, Valérie January 2008 (has links) Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal Julien Gracq Julien Gracq Au Château d'Argol Au Château d'Argol Littérature et philosophie Literature and philosophy Littérature et phénoménologie Literature and phenomenology Regard Sight Perception Perception Sujet percevant Perceiving subject Donation Donation Conversion réflexive Reflexive conversion Épochè Epoche Variation imaginative Imaginative variation Modalisation Modalisation
3	Specifika ruské fenomenologie a její význam pro interpretaci literárního textu / The Specifics of a Russian Phenomenology and IIs Its Relevance for Literary Studies Šimák, Petr January 2016 (has links) The aim of the thesis is to think over the possibilities of the history of literature and some other literature theories in the field of interpretation. The history of literature describes literary texts as historical objects. Although it's a human science, it disregards a human beings and their life-world. It rather categorize technically literary texts into different groups. This approach is purely scientific. The history of literature as many other branches of literary science solves their own abstract problems through the abstract theories which has no aim to interpret the literary text as a specific experience for a reader. The article points out how the scientific approach to the literary text disable to interpret a conrete literary text in the sense for human being. I use phenomenological philosophy as a proposal of another type of approach to the interpretation. Interpretation in the phenomenological sence means that through literary text the interpret seeks to understand our living world. In the other parts I follow the trail of phenomenological philosophy in tradition of Prague structuralism. Especially I focus on specifics of Russian phenomenology, particularly in philosophies of these Russian philosophers which dealed with interpretation of art (namely J. Golosovker, B. Engelgardt, G....
4	Specifika ruské fenomenologie a její význam pro interpretaci literárního textu / The Specifics of a Russian Phenomenology and IIs Its Relevance for Literary Studies Šimák, Petr January 2015 (has links) The aim of the thesis is to advert to precarious position of the history of literature and some other literature theories. The history of literature describes literary texts as dead historical objects. Although it's a human science, it disregards a human beings and their life-world. It rather categorize technically literary texts into different groups. This approach is purely scientific. The history of literature as many other branches of literary science solves their own abstract problems through the abstract theories which has no aim to interpret the literary text as a specific experience for a reader. The article points out how the scientific approach to the literary text disable to interpret a conrete literary text in the sense for human being. I use phenomenological philosophy as a proposal of another type of approach to the interpretation. Interpretation in the phenomenological sence means that through literary text the interpret seeks to understand our living world. In the other parts I follow the trail of phenomenological philosophy in tradition of Prague structuralism. Especially I focus on specifics of Russian phenomenology, particularly in philosophies of these Russian philosophers which dealed with interpretation of art (namely J. Golosovker, B. Engelgardt, G. G. Shpet, M. Bakhtin etc.). At the...

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