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Academic discourse and cultural studies---, connection, collision, or confusion?Pytleski, Patricia D. January 2008 (has links)
Thesis (Ph.D.)--Lehigh University, 2008. / Adviser: Edward Lotto.
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The culture of travel in Song China (960-1276) /Zhang, Cong, January 2003 (has links)
Thesis (Ph. D.)--University of Washington, 2003. / Vita. Includes bibliographical references (leaves 270-295).
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Borderland women : cultural production on the women of Juárez /Tillotson, Rachel F. January 2006 (has links)
Thesis (M.A.)--University of Nevada, Reno, 2006. / "December 2006." Includes bibliographical references (leaves 72-75). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2006]. 1 microfilm reel ; 35 mm.
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El poder de la memoria en la narrativa chilena actualBryant, Audrey. García-Corales, Guillermo. January 2007 (has links)
Thesis (M.A.)--Baylor University, 2007. / Includes bibliographical references (p. 104-108).
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Queen Elizabeth 1 and Shakespeare : images of gender, power, and sexuality /Schweizer, Frederick William. January 2008 (has links)
Thesis (Ph.D.) -- University of Rhode Island, 2008. / Typescript. Includes bibliographical references (leaves 114-122).
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Speech and power negotiations in industrial novels from 1849 to 1866 /Murray, John Condon. January 2007 (has links)
Thesis (Ph.D.) -- University of Rhode Island, 2007. / Typescript. Includes bibliographical references (leaves 161-167).
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The histories of the propertyless : the literatures of U.S. women of color /Hong, Kyung Won. January 2000 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2000. / Vita. Includes bibliographical references (leaves 191-201).
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Sexual engendering constructions of chastity and power in Marlowe and Shakespeare /Harris, Bernice. January 1993 (has links)
Thesis (Ph.D.)--University of Tulsa, 1993. / Includes bibliographical references (leaves 148-159).
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Éclats de vies muettes. Figures du minuscule et du marginal dans les récits de vie d'Annie Ernaux, Pierre Michon, Pierre Bergounioux et François Bon / Fragments of Muted lives. Representations of the Minuscule and the Marginal in life-narratives [Annie Ernaux, Pierre Michon, Pierre Bergounioux and François Bon]Adler, Aurélie 19 November 2010 (has links)
Les récits de vie d’Annie Ernaux, Pierre Michon, Pierre Bergounioux et François Bon tentent de témoigner des figures oubliées de l’arbre généalogique et des figures laissées pour compte de la société contemporaine. En écho aux mutations épistémologiques des sciences humaines dans les années 1960-1970, ces quatre auteurs entendent écrire l’Histoire non plus du point de vue des hommes illustres, mais du point de vue des anonymes. La mise en récit des sans-voix participe d’un renouvellement des paradigmes de la narration dans les dernières décennies du XXème siècle. Les figures sans histoire semblent en effet induire des processus de réduction et de marginalisation du genre romanesque. La trame des vies muettes se déroule sur le mode de l’éclat, bribes de la mémoire ou jaillissement incisif d’un réel à vif. La ténuité des archives, le maintien d’un soupçon éthique et poétique quant à la reconfiguration narrative de ces vies réelles conduisent l’écrivain à délaisser les formes périmées du roman réaliste. Ils le poussent aussi à questionner l’écart social et culturel avec ces demi-autres, mués en autant de miroirs de soi en éclats. Travaillées d’hypothèses personnelles, analytiques ou fantasmatiques, ces narrations au genre hybride font apparaître une figure d’auteur majuscule problématique, latérale et brisée, nourrie d’une incertitude épistémique majeure. Ces identités narratives diffractées – personnages et auteurs – interrogent en retour l’histoire de la littérature, sa place et sa puissance de résistance dans la société d’aujourd’hui. / Annie Ernaux, Pierre Michon, Pierre Bergounioux and François Bon's life-narratives attempt to bear witness to the genealogical tree of forgotten names and overlooked figures of contemporary society. In dialogue with the epistemological mutations of the social sciences in the 1960's and 1970's, these four authors will work to write History, not from the point of view of the illustrious, but from the point of view of the anonymous. Telling the stories of the voiceless contributes to the renewal of narrative paradigms in the last decades of the 20th century. These figures without history seem to conduce to a process of reduction and marginalization of the novelistic genre itself. The plot of these muted lives unfolds in the form of fragments, snatches from memory or sudden surges of raw reality. The scarcity of archives, the sustained suspicion, both ethical and poetical, regarding the narrative reconfiguration of these real lives lead the writer to abandon the outdated forms of the realistic novel. Such factors also question the social and cultural gap with these « half-others », turned into so many reflections of the self in a shattered mirror. Wrought with personal hypotheses, whether analytical or fantasised, these hybrid narratives reveal a problematic image of the Author, as a lateral and broken entity, informed by major epistemic doubts. In return, these diffracted narrative identities – characters as well as authors – raise questions as to the history of literature, its place and its power of resistance in today's society.
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