The goal of this project is to suggest a way to combine a functional curricula (domains) with literacy experiences.

Many studies have shown that an overwhelming number of classroom teachers are encountering increasing diversity issues in both the content of what they teach and among the students they are teaching The purpose of this project is to provide elementary teachers with a resource of multicultural literature that can be integrated into any curriculum, whether it is Language Arts, Social Studies, or story time.

This thesis explores issues surrounding the question of using a literature-based assignment to teach composition at the college freshman level. Following a review of the critical debate on the use of literature in the composition classroom, spanning the last five decades, a specific work of literature is used as the basis for a writing assignment to be given to a freshman composition class.

Since 1979 feminist scholars have misread key images in Virginia Woolf's 'A Room of One's Own'. They delineated the extended essay as a groundbreaking feminist polemic that advocates abolishing the literary patriarchy, expressing distain for John Milton as chief offender. Through rhetorical analysis and close readings of passages, there seems advocacy for change in patriarchial education and for opening of the literary canon to women.

The problem of this study is that of developing a program of study of Mexican literature at the graduate level at North Texas State University. The study of literature and culture is approached by probing into the influences on the thinking of the Mexican and by using an in-depth study, rather than an "anthology" approach to teaching. The findings of the study indicate a need for an upper level course in Mexican literature at North Texas State University. Therefore, the following recommendations seem appropriate: (1) that North Texas State University initiate a course in Mexican literature which may be utilized by both students in the Department of Foreign Languages and Literatures and students in the Bilingual/Bicultural Education program; (2) that the course be made available to both graduate and upper-level students; (3) that oral communication be emphasized in the course and that student participation in the target language be maximized.

Narrative point of view should be the initial place of focus in the study of prose fiction, but it is often difficult to understand or teach. This study proposes that stage or screen production of narrative fiction may be purposefully structured to enhance the understanding of narrative perspective. The study details grammatical analysis of narrative language and describes implications drawn from that language which influence production decisions. The thesis examines the techniques and technology of stage and screen production which may be manipulated to underscore narrative point of view, suggesting ways in which each medium can borrow from the techniques of the other for point of view production.

“Under Wendy Bishop’s Eye” examines the teaching, learning, and social environment of a graduate student in an American creative writing MFA program in the early years of the 21st century. This dissertation is a work of autofiction; it is both an autoethnography and a fictionalized story written in the form of a novel. The project uses the scholarship of writing studies’ leader Wendy Bishop to discuss and analyze the dynamics of graduate student learning in creative writing courses, undergraduate learning in creative writing courses, graduate student teaching in creative writing courses, and graduate student teaching in expository writing or first-year composition courses at a four-year college. The project addresses the limitations of the “workshop method” for teaching creative writing, while supporting the benefits of writing pedagogy that includes cross-genre writing exercises in all university-level writing courses, specifically bringing “personal writing” and creative non-fiction into both creative writing and first-year composition course.

Indiana University-Purdue University Indianapolis (IUPUI) / Un estudiante que empieza a aprender el español en la universidad sin experiencia previa generalmente no tiene un vocabulario amplio en el tercer año de la carrera cuando va a tener que hacer un curso de literatura. Este estudio investiga el reto que enfrenta el estudiante cuando empieza a estudiar la literatura hispánica. Se enfoca en los siguientes aspectos de este tema: 1) la brecha que existe entre el vocabulario limitado de un estudiante de segunda lengua y el vocabulario amplio de un hablante nativo; 2) en qué consiste un vocabulario mínimo; 3) cómo el leer extensivamente ayuda a desarrollar el vocabulario; 4) la necesidad de utilizar y saber utilizar el diccionario para aumentar el vocabulario; 5) la literatura infantil y juvenil como un recurso útil para desarrollar el vocabulario y 6) un análisis de unos libros escritos para niños de varias edades.

The United States has had an interesting and full history of debate over the place of religion in the public schools and each state has had its own unique history on the same subject. Religion/Bible saturated the typical public school in western Virginia before 1863. After West Virginia became a state, the saturation of religion/Bible gradually lessened, producing concern among some citizens. In 1917, the State adopted a direct plan for outside Bible study to incorporate elective Bible study class. Since 1935, however, there is no record of any statewide promotion of religion/Bible in the schools. In 1939 Bluefield, Mercer County, West Virginia, submitted a request to and received approval from the State Board of Education to offer Bible classes in its schools. Adjustments have been made to the program due to judicial or committee decisions. Some of these adjustments have been prompted by national and local controversy over religion/Bible in the public schools. Nevertheless, the existing Bible program has been sustained as a result of its location, community support, and dynamic leaders. The purpose of this study is two-fold: 1) to identify and describe the impact various influences such as the co-founders, the community, and the first teachers, had on the Bluefield Bible Program which contributed to its continued existence to this day; and 2) to create an accurate record of the history and proceedings of the Bluefield Bible Program. / Ed. D.

Informed by post-humanism, my research examines the entanglement of more-than-human forces at the Bread Loaf School of English. The oldest professional development institution of its kind, the Bread Loaf School of English has invited teachers to spend six-weeks each summer studying at its mountain campus since the summer of 1920. When the physical campus was forced to close indefinitely on the eve of its one-hundredth anniversary at the start of the pandemic, the loss of this physical space prompted meditations on over a century of institutional tradition as teachers shared their stories of the mountain campus. Bread Loaf’s landscape is teeming with narrative—stories that blossom like wildflowers each summer before fading with the coming winter. Within those narratives, like the Deleuzoguattarian “orchid and wasp,” the human and non-human transform one another in an intra-active entanglement of bodies. What happens when we pause and attempt to follow the threads of these entangled narratives in order to better understand how more-than-human bodies meet, collide, and contaminate one another over time to constitute the assemblage of the Bread Loaf School of English? The rich tapestry that begins to unfold offers a model for more-than-human storytelling well beyond the mountain, spanning the manifold landscapes teachers return to at the end of the summer.