This study investigates what classroom participants do with literary texts and how literary texts are pedagogically recontextualized through classroom activities in L2 tertiary literature classrooms. Premised upon the pedagogic processes of decontextualization and recontextualization that take place in the meaning-making practices of the literature classroom, the current study examines the process of literary text recontextualization via the multimodal partnership of vocalization and gesticulation. Through this process, esoteric literary meanings requiring specialist knowledge are transformed into mundane meanings from one semiotic-institutional domain to another, where the literary text qua cultural artifact is recontextualized via first-order languaging by dint of pedagogic activities. To understand the real-time first-order languaging dynamics (Thibault, 2011a) that enable the pedagogic recontextualization of literary texts to take place, a micro analytical toolkit grounded in qualitative multimodal interaction analysis is used. This toolkit draws upon the concept of the Growth Point (McNeill & Duncan, 2000) in conjunction with Systemic Functional Grammar (Halliday & Matthiessen, 2004) and McNeill‘s (1992) theory of language and gesture. Classroom observation and video recording in university literature classrooms in Hong Kong and Taiwan provide multimodal data on students‘ languaging behaviours when they engage with literary texts in classroom talk. In order to make links with second-order socio-cultural norms that regulate first-order classroom interactivity (Thibault, 2011a), Bernstein‘s (1990) sociological theory of recontextualization in education is re-thought from the distributed language view (Cowley, 2011; Steffensen, 2011; Thibault, 2011a). Maton‘s (2007) Legitimation Codes of Specialization and Hunter‘s (1988) Foucaultian analysis of literature education (Foucault, 1972, 1985/1984) also inform the conceptual framework. The findings indicate the stability of the textual and lexicogrammatical constructions that function as second-order constraints and the variations in gesture use in its embodied coordination with speech in the pedagogic process of literary text recontextualization through different pedagogic activities. The semantic cohesive relations of Elaboration, Extension, Enhancement, Engagement, and Equipment, fostered by different gesture types together with their corresponding linguistic constructs in the recontextualized texts, demonstrate that the semiotic integration of speech and gesture comprise a single languaging system in the meaning-making process. Based on the production of literary meaning in moral judgement, the specialized consciousness of the ethical self is raised, with ethical subjects constituted through processes of subjectivity, self-reflexivity, and self-confession in the process of literary interpretation and appreciation. The conceptual framework integrating macro- and micro-levels of analysis manifests its theoretical originality by establishing both the methodological framework for multimodal interaction analysis and the cognitive framework for languaging dynamics. The understanding of the meaning-making process in the first-order languaging dynamics suggests that language is an embodied multimodal process. This major conclusion stimulates a re-thinking of important aspects of classroom interaction that have received little attention. Hopefully, the analysis and findings in the current study illustrate the significance of English literature education and suggest new directions for multimodal research in classroom interaction studies. / published_or_final_version / Education / Doctoral / Doctor of Philosophy

Responding to the political and educational crises over cultural literacy, multiculturalism, and expanding the canon of literature, I present case studies of eight first-year college students and their attitudes about literature. These are students who have scored 4s or 5s on the Advanced Placement English Examination and who represent a discourse community well versed in a traditional canon of literature. In first-year composition, I offer them a multicultural curriculum, presenting contemporary Native American and Mexican American literatures in dialogue with more traditional literatures. Specifically, I examine their responses to the politics of aesthetics, setting up a contrast between canons of texts and canons of methods in Advanced Placement English and a first-year college composition course stressing multicultural literatures. I pay special attention to their "cultural literacy" and to their awareness and acceptance of cultural differences. Chapter 1 gives a background and overview of the study. Chapter 2 examines the literature on cultures and its effect on canons of literary texts and methods of teaching and responding to them. Chapter 3 describes the ethnographic methods of this study, traces the history of Advanced Placement English, and lays out the multicultural curriculum of this study. Chapter 4 is a case study of one student before, during, and after the multicultural curriculum. Chapter 5 examines the past histories--families, high schools, and Advanced Placement English--of seven other students. Chapters 6 and 7 describe the responses of these seven students to a multicultural literature curriculum. Chapter 8 reviews the findings, offering interpretations and commentary on Advanced Placement English, the Advanced Placement English Examination, cultural literacy, and multiculturalism, concluding with recommendations for curricula of the future.

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The aim of this study is to investigate the extent to which the teaching of literary art to / Thesis (M.Ed.) - University of KwaZulu-Natal, Durban, 2008.

This thesis examines certain social and institutional forces that have shaped the outlooks and procedures of English departments in South Africa. The approach taken is based on the researches of Michel Foucault, notably his genealogical approach to history, and his view of the university as an institution within a broader "disciplinary society" that controls discourse in the interests of existi~g power relations in that society and not out of a concern with disinterested truth. It is argued that English departments are contingent, historically constituted products whose genealogies continue to have serious consequences for struggles around contemporary issues, notably the reception of indigenous South African writing. The first chapter examines the beginnings of the institutionalised study of English literature in England. This inquiry reveals that English literature became the subject of academic.study as a result of conflict between opposing interests in the university and the social world of nineteenth century J England. It also points to the existence of a "discursive space", an inherently unstable area, which the emergent subject of English was forced to occupy as a result of the ezisting arrang~ment of disciplines in the university. Chapter Two analyses the decisive contribution made by I. A Richards a9d the importance of practical criticism for the humanist enterprise of English studies. F. R. Leavis's adaptation of practical criticism is also examined with a view to understanding its consequences for English studies in South Africa. Chapter Three examines the early history of English studies in South Africa and assesses the impact of metropolitan developments on the manner in which the discipline was constituted in this country. Chapter Four focuses on the effect of metropolitan developments on the conceptualisation and study of a South African literature. Chapter Five examines descriptions of sub traditions of South African literature that were offered during the 1960s and '70s and concludes by offering an analysis of the radical critique of English studies that appeared at the end of the decade. The thesis concludes that the radical critique was largely unsuccessful for a number of reasons, one being the lack of a genealogical analysis. It is suggested that the manner in which English studies was historically constituted, and its mode of institutional existence, pose a perhaps intrinsic obstacle to the study and teaching of indigenous writing. / Thesis (M.A. - English) - University of Natal, 1989

Presenting and synthesizing several paradigms for the teaching of literature in American colleges, I investigate how definitions of reading, readers, texts, interpretations, and knowledge affect student acts of reading and writing. In addition, I draw upon specific examples of text-based, reader-based, and social-cultural based models for the teaching of reading to demonstrate how particular pedagogical theories and practices emerge from and reflect larger ideological concepts and paradigms. Cognitive-oriented models of reading that rely upon schema theory to explain comprehension and interpretation, for example, have been used by theorists who advocated a text-based approach to literary analysis. Even though cognitive models are based on scientific studies that focus on the mental faculties of individual readers, I classify it as a text-based model because when translated into classroom practice, interpretive emphasis has been placed on the text rather than the reader. Therefore, the reader is subordinated to the text in various ways. Expressive and social-cultural theories presented by Louise Rosenblatt, Wolfgang Iser, Stanley Fish, and Kathleen McCormick are used to demonstrate how the rhetorical emphasis of interpretation can be shifted away from the text and toward the reader. As a reader-based theorist, for example, Rosenblatt advocates personal response as the most rewarding form of textual interaction students can experience. McCormick declares that personal response should be analyzed more extensively than the expressive model suggests, however. Hence, she proposes a social-based model that asserts both the cultures of reception and production should be studied as a means for better understanding individual responses to texts. But reading is not my only focus in this project. In each chapter, I extrapolate as to how theories of reading, when translated into classroom practice, affect both student writing and student participation in the making of meaning. Therefore, to enrich my theoretical discussions of pedagogy and its affects on students, I draw upon my experiences as both a teacher and a student to provide practical classroom examples of student acts of reading, interpretation, and writing. Moreover, the application chapters of this project present two extensive examples of how theory can be translated into practice-the first is a discussion of a recent composition course I taught, and the second is an example student paper that performs a McCormickean analysis of Zora Neale Hurston's Their Eyes Were Watching God. From theory to practice, then, this project presents and challenges what it means to be a teacher and a student of literature and composition. / Graduation date: 1997

The freshman course in "writing about literature" is a metaphor of the profession of English. Political disagreements with English departments, vocational pressures exerted from outside the English department, and philosophical differences among composition specialists intersect in the composition course based on literature as they do in no other course. A new paradigm for teaching writing and a revival of rhetorical studies have led many institutions to exclude the reading of imaginative literature from freshman composition courses.This dissertation argues, however, that to include literature in freshman composition is both desirable and possible. Through a history of composition teaching in America, Chapter One analyzes relationships among rhetoric; literature, and composition, demonstrating that writing and reading were effectively interrelated for almost 300 years. It attributes the ineffectivenessabout literature" courses in recent years to an unexamined rhetorical theory and an inappropriate method of objective literary criticism.To reintegrate literature with composition on more solid grounds, Chapters Two and Three explore the needs of freshman students as writers and readers. Chapter Two examines contemporary research in composition, proposing a substitute for current traditional rhetoric. Chapter Three examines literary theories and response to literature, proposing a substitute for objective criticism.Chapter Four reviews proposals to integrate reading and writing, revealing a widespread assumption that writing about literature--in freshman courses as in graduate seminars--means writing objective, analytical, critical prose. It cites significant evidence from many fields that developing writers need to express personal, affective, and poetic ideas as well as to develop critical understanding.Chapter Five proposes a rhetoric for freshman composition that includes the reading and writing of transactional, expressive, and poetic discourse. Organized by means of Janet Emig's "inquiry paradigm," it clarifies a view of reality, a set of assumptions, an intellectual heritage, and a theory for this rhetoric. Finally, it offers one example of an introductory freshman composition course consistent with the rhetorical framework. Using conventional readings in American literature, it suggests methods of teaching and evaluating designed to create an environment in which the activities of reading and writing can be expected to reinforce one another.

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This study concerns the writing of Geoffrey Hugh Durrant. Durrant’s writing is to a large extent academic in nature, but he also comments on the broader South African society during the course of the 1940s and 1950s. The study has two interrelated objectives, the first archival in nature and the second more theoretical. The archival objective entails bringing to attention Durrant’s writing produced during the period he spent in South Africa. At present this archive remains largely unexplored. The second objective is to relate this body of writing to current thinking regarding the mission of university English Studies in South Africa. The study of languages and literatures in South Africa today finds itself in a complex situation of ongoing changes within the university as an institution, the broader system of education, and a society which in many respects can still be described as becoming a “New South Africa”. This is also true for university English Studies. It will be argued that in this process of transition Durrant’s writing, informed by the challenge to university English Studies to define itself as an independent academic discipline with an essential educational and social function, offers a valuable perspective. In defining the task of English Studies at the university Durrant aligns himself with the critical tradition which at a conceptual level originated in the writing of Matthew Arnold by the middle of the nineteenth century, but came to full fruition only after 1917 in the Cambridge English School. Durrant has to be credited for a measure of original thought and for making a personal contribution to this critical framework in for instance his definition of the concept “practical criticism”. He also has to be credited for including politics into the cultural analysis implicit in this critical framework, something which was never done by the Cambridge critics. This, for Durrant, means that his duty as citizen is not to be separated from his duty as university teacher. Durrant believes that indifference and failure to judge unacceptable political developments will ultimately endanger the values of society and make a self-respecting existence impossible. For university teachers an attitude of indifference will eventually leave the universities with no authority, unable to fulfil their essential task. Durrant sees the university as guardian of a specific type of intellectual activity and therefore as indispensable to society. The essential duty of the university is to cultivate an ability of critical discernment, and it is in this realm that the task of the university and that of English Studies coincide. For Durrant the social mission of English Studies depends on the fostering of a critical ability through engagement with the particular form of language use unique to the literary text. The standards of thought and understanding set by the literary text function as touchstones for life in all its various aspects, and mastery of this type of text affords the level of critical discernment necessary as foundation for a civil self capable of critical judgement. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2009.

The purpose of this case study was to examine the effectiveness of a technique known as re-creation on student writing abilities in ENG 104 section 95 during the spring semester of 1992. Re-creation, already used almost exclusively in England and Australia, invites a writer to divulge his or her personal interpretation of a literary text by rewriting given aspects of it. In section 95, the instructor devoted the entire range of assignments to re-creative writing tasks, using four dramatic scripts and the motion pictures that had been adapted from them as literary texts. The instructor carefully developed re-creative writing assignments and a reasonable criteria with which to grade them. He closely monitored how the students adapted to re-creative writing, and discovered that four students exemplified the main different styles of writing that emerged from re-creation. The case study does indicate that all of the twenty-one students coulddo the work that re-creation involves; some experienced only minor successes with it, but other students, including some top achievers who would probably have done well in any writing class, found broad new avenues for creative expression of their personal responses to literature. / Department of English