"In terms of what they are capable of, it seems to me, when you have the distance narrowing between humans and machines in the sense that if we are becoming more machine-like, it's easier to see the machine as more human-like. I don't want to be overly dramatic about it, but I think more and more people wonder, is this living or are we just going through the motions? What's happening? Is everything being leached out of life? Are the whole texture and values and everything kind of draining away? Well, that would take many other lectures, but it's not so much the actual advance of the technology: If machines can be human, humans can be machines. The truly scary point is the narrowing of the distance between the two".In John Zerza’s talk ‘Against Technology’ at Stanford University, he observed that when you have the distance between humans and machines narrowing then in a sense we are becoming more machine-like, and it’s easier to see the machine as more human like. These views are similar to the views I have been considering for some time in my art practice.My research paper attempts to chart the relationship between my art practice and personal and global circumstances as an international student from Beijing studying at an art school in Melbourne.Living Machines also finds expressions of these ideas in the theories of Michel Focault, Gilles Deleuze, Jacques Lacan and Harold Pinter. The artists I have been investigating include Marcel Duchamp, Ai WeiWei, Ang Lee, Tom Friedman and A Constructed World .The informal nature of the writing attempts to articulate my philosophical stance taken in the studio-based research. My studio research practice comprises collaboration and installations where I construct objects from found materials, and use video, animation, and performance to explore material and spatial equivalences to the concept of body as machine.

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Red Queen is a chess piece on the story of Alice in Wonderland, which is constantly running to hold it in place, because the world around it is constantly in motion. Therefore, it is a symbol of the theory of evolution, a constant necessity innovation and the eternal escape from competitors. Red Queen's Race is constructed into a miniature civilization, or rather one growing superorganism, which constantly oscillates between the digital and the physical world. The main consciousness of this association is black majestically looking server that supplies with his computing power and energy all attached printers. They are designed specifically for this purpose, such as abstraction of robotics industry, with an emphasis on a functionally aesthetic form, in yellow-orange color of heavy industrial machinery. The most important and largest part of this system, are entities which printers materialize. They are created according to a living creature of this world, generated by computer, based on a unique code, which is the result of calculating the evolutionary recombination, processed by the server, depending on the reactions of outside observers at the objects which are already created. Sense of each entity is attract attention. How much more, the greater is the chance to continue their code in future generations.