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1	A Critical Analysis of the Harmonic Idiom of Songs of Claude Debussy and its Influence on Compositions of Charles Loeffler and John Alden Carpenter Connor, Patricia (Patricia Josephine) 06 1900 (has links) The main purpose of this study will be to analyze the impressionistic style and techniques of Debussy, how the idiom came to be, and the influence of this particular idiom on two American composers. For thorough understanding, the poetic and artistic backgrounds of impressionism must be brought out; the biography of the man who originated the idiom, as well as his aesthetic theories, must be briefly covered. More objectively, from biographies and various other studies the techniques peculiarly impressionistic will be listed, and analysis will be made of several of the Debussy songs from various periods of his composition. Claude Debussy Charles Loeffler John Alden Carpenter harmonic idiom Debussy, Claude, 1862-1918. Loeffler, Charles Martin, 1861-1935. Carpenter, John Alden, 1876-1951.
2	A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others Goodall, John W. (John Williams) 08 1900 (has links) At the turn of this century, Charles Martin Loeffler (1861-1935) was considered to be among the finest of the handful of well-known American composers of the time. His music was often performed by major symphony orchestras, chamber groups and solo artists. Deux rapsodies for Oboe, Viola and Piano: L'Etang and La Cornemuse, after poems by Maurice Rollinat (1846-1903), show Loeffler's affinity for programmatic concepts. These works, completed in 1901, are revisions of settings of 1898 for low voice, clarinet, viola and piano, and are now, unfortunately, out of print; but the oboe, viola and piano setting has been published (originally as Deux rapsodies by G. Schirmer, 1905; the latest edition, Two Rhapsodies, is by McGinnis and Marx, N.Y., 1979) and recorded several times. Loeffler has reflected Rollinat's poetry in his settings by means of melodic, rhythmic and harmonic devices unique to his style. Formal and articulative devices also tend to point to his dependence on the poetry as a source of inspiration and as means for defining the final musical product. Indeed, the music seems incapable of existence independent of its source in the richly imagistic poetry of Rollinat. rapsodies piano music oboe music viola music
3	Video Processing using multiplierless 2D-DCT with Algebraic Integers and MR-DCT Nimmalapalli, Sushmabhargavi January 2018 (has links) No description available. Electrical Engineering Image processing Loeffler factorization Algebraic integers 2D-DCT MR-DCT multiplierless
4	The Development of the Art Song in the United States: 1890-1920 a Lecture Recital, Together with Three Recitals of Selected Works of J. S. Bach, W. A. Mozart, J. Brahms, M. Moussorgsky, J. Ibert, R. Strauss, C. Floyd, and Others Windsor, Eugene Allison 12 1900 (has links) The lecture recital was given on August 5, 1976. Subsequent to a presentation of some pertinent background material, diverse influences on the compositional styles of five representative composers of the period were discussed. Nine songs by Edward MacDowell, Charles Loeffler, Sidney Homer, John Alden Carpenter, and Charles Griffes were interspersed as musical illustrations. In addition to the lecture recital, three other public recitals were performed. The first solo recital was presented on July 26, 1973, and included works by Johann Sebastian Bach, Richard Strauss, and Wolfgang Fortner. The second solo recital, given on December 3, 1973, was comprised of works by Wolfgang Amadeus Mozart, Jacques Ibert, Arrigo Boito, and Modeste Moussorgsky. The third solo recital (with Miss Jo Ann Pickens assisting), was presented on June 26, 1974, and included works by Thomas Arne, Richard Wagner, Johannes Brahms, Benjamin Godard, Giuseppe Verdi, and Carlisle Floyd. art songs Edward MacDowell Charles Loeffler Sidney Homer John Alden Carpenter Charles Griffes
5	Comparison of Holograph and Copyist Scores of Charles Martin Loeffler's "Rapsodies pour voix, clarinette, alto, et piano" (1898) Lickteig, Daniel Paul 12 1900 (has links) Rapsodies pour voix, clarinette, alto, et piano is a set of three songs by Charles Martin Loeffler (1861-1935) with text by Maurice Rollinat (1846-1903). The songs were composed in the summer of 1898 but never published during Loeffler's lifetime. This study compares Loeffler's holograph and copyist scores, showing differences in pitch, rhythm, and various articulation markings. Loeffler and Rollinat's biographies are included, along with scans of the holograph and copyist scores. Loeffler Charles Martin Loeffler vocal chamber music songs with instrumental ensemble holograph score copyist score holograph manuscript editor editing 19th century vocal music Rollinat Maurice Rollinat Rollinat, Maurice, 1846-1903. Songs -- Analysis, appreciation. Music -- Editing. Academic theses

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