The Problem statement which was examined in this study is the following: Throughout the history the accuracy and historical value of the Psalm headings were questioned. Translations of the Psalm headings that later on developed for example the Septuagint, the Vulgate and the Peshitta is generally more extended than the Hebrew text. The use of the Grammatical–Historical method shows that the Psalm headings are authorative and that they are part of the Canonical text of the Hebrew Bible. Thorough word study by the method of Verhoef (1973), Hayes & Holladay (2007) and Kaiser (2007) of certain terms was important to note in the naming of the Psalter. This word study was approached through the Grammatical–Historical method. It was further necessary to study the importance of Psalm 145 in the whole of the Psalter, because Psalm 145 is the only Psalm with the heading: תְּהִלָּה . Other Psalm headings were studied and historical information was compared with other parts of Scripture. This study was approached Revelation–Historical. Further on it was necessary to do a comparative study between the Psalm headings of the Masoretic text, the Septuagint and the writings of Qumran to determine the authority of the Psalm headings. A study of contents about the element of praise was also necessary as Van Rooy (2008) explained, because the Psalter shows a development from lament to praise. It is also connected with the title that was originally been given to the Psalter by the Jews. / Thesis (M.Th. (Old Testament))--North-West University, Potchefstroom Campus, 2012.

The Problem statement which was examined in this study is the following: Throughout the history the accuracy and historical value of the Psalm headings were questioned. Translations of the Psalm headings that later on developed for example the Septuagint, the Vulgate and the Peshitta is generally more extended than the Hebrew text. The use of the Grammatical–Historical method shows that the Psalm headings are authorative and that they are part of the Canonical text of the Hebrew Bible. Thorough word study by the method of Verhoef (1973), Hayes & Holladay (2007) and Kaiser (2007) of certain terms was important to note in the naming of the Psalter. This word study was approached through the Grammatical–Historical method. It was further necessary to study the importance of Psalm 145 in the whole of the Psalter, because Psalm 145 is the only Psalm with the heading: תְּהִלָּה . Other Psalm headings were studied and historical information was compared with other parts of Scripture. This study was approached Revelation–Historical. Further on it was necessary to do a comparative study between the Psalm headings of the Masoretic text, the Septuagint and the writings of Qumran to determine the authority of the Psalm headings. A study of contents about the element of praise was also necessary as Van Rooy (2008) explained, because the Psalter shows a development from lament to praise. It is also connected with the title that was originally been given to the Psalter by the Jews. / Thesis (M.Th. (Old Testament))--North-West University, Potchefstroom Campus, 2012.

Thesis (DTh)--University of Stellenbosch, 2002. / AFRIKAANSE OPSOMMING: Die Nederduitse Gereformeerde Kerk is die afgelope paar jare in debatte gewikkel oor die een aktiwiteit wat uniek aan die kerk is, naamlik haar aanbidding. Aanbidding het vandag een van die belangrike redes geword waarom kerke groei, maar is terselfdertyd ook een van die oorsake waarom gemeentes lidmate verloor en kwyn. Aan die voorpunt van die debat oor aanbidding, is die kwessie van lofprysing. Lofprysing het vandag vir baie gelowiges 'n middel geword om hulle geloof en aanbidding tot uitdrukking te bring. In plaas daarvan dat die nuwe beklemtoning en behoefte aan lofprysing die kerk in haar aanbidding van God verenig het, het dit egter 'n bron van frustrasie en konflik geword. Hierdie konflik sentreer hoofsaaklik om die styl waarin lofprysing plaasvind en word aangehelp deur die gebrek aan kennis oor die onderwerp en die diversiteit wat in gemeentes heers. Gemeentes van die Nederduitse Gereformeerde Kerk bestaan vandag uit lidmate wat uiteenlopende lewensuitkyke handhaaf en verskillende spiritualiteite besit. Om die hele kwessie van lofprysing binne die konteks van diverse gemeentes aan te spreek, moes die studie eerstens die aard en funksie van lofprysing binne die liturgie bepaal. Daarna moes 'n wyse gevind word waarop die diversiteit in gemeentes hanteer kon word. Deur middel van 'n spiritualiteitstipologie wat Holmes in 1980 opgestel het, en wat later as basis van verskillende spiritualiteitsanalises gedien het, is 'n instrument daargestel waarmee gemeentes en individue se spiritualiteit getoets kon word. In hierdie studie is die analises nie net gebruik om mense se spiritualiteit vas te stel nie, maar ook om te bepaal of daar 'n korrelasie tussen spiritualiteitsgroepe en hulle aanbiddingsbehoeftes bestaan. Die navorsing het daarin geslaag om nie net 'n verband tussen spiritualiteit en aanbiddingspatrone aan te toon nie, maar ook die waarde van 'n spiritualiteitsanalise te beklemtoon om die diversiteit ten opsigte van aanbidding en lofprysing in gemeentes aan te spreek. / ENGLISH ABSTRACT: Over the past few years the Dutch Reformed Church has been embroiled in a debate regarding worship within the church. Whilst the worship within a congregation has become one of the most important factors in church growth, it is also one of the reasons why some congregations loose membership and shrink in size. A major point of contention within this debate relates to the use of praise. To many believers, praise has become a process through which they worship and reinforce their faith. Instead of unifying the church in her worship of God, the current emphasis on praise within the church has become a source of frustration and a point of contention. This controversy mainly centres around the style with which praise is practiced within the congregation and is exacerbated by a lack of knowledge surrounding the topic and the diversity that exists within congregations. Members of the Dutch Reformed Church has widely divergent life views and also possess different spiritualities. To determine the use of praise within divergent congregations, this study evaluated the nature and function of praise within the context of the liturgy. Subsequently, a method to manage the diversity within congregations was developed. In 1980, Holmes developed a spirituality typology within which he identified four spirituality groups. Based on the spirituality typology, some spirituality analyses were formed to help congregations and individuals to test their spirituality. These analyses were used to identify the correlation between a spirituality group and their worship requirements. The results from this research clearly showed a positive correlation between these two parameters and also highlighted the value of using the spirituality analysis as a method to manage the different praise and worship requirements that exists within congregations.

This thesis investigated the approach to, and the conducting of worship services in ten missional faith communities of the Dutch Reformed Church in South Africa during the period 2004 – 2009. It investigated the shift in theological paradigm (towards mission) taking place in the Dutch Reformed Church from 2002 onwards, and the effects thereof on liturgy and music in the worship domain. In order to contextualise the liturgical developments emanating from the case studies, the history and liturgy of the Dutch Reformed Church in South Africa were traced back to the early Dutch pastors arriving with the first settlers at the Cape Colony in 1652. The historical events leading to the Dutch Reformed Church being labelled as the state church and its sanctioning of the apartheid ideology were placed in perspective as a result of the successes of missionary work in South Africa. The missional paradigm was unpacked according to the missio Dei. God is the primal agent in mission and calls His church into mission, and sending the church to restore society. Created in the imago Dei, human beings have a responsibility towards contextual society in everyday life. Missional worship therefore becomes a paradigmatic way of life. God is the focal point in worship and liturgy: it is all about God. The core of the research revolves around the ten missional faith communities, eight of which were part of the initial Southern African Partnership for Missional Churches project. Unstructured interviews were conducted with pastors, musicians and persons involved in the focussed missional activities within these congregations. Having an insider's perspective on the project, the researcher included his own narrative in order to further underline the changes taking place in the worship domain. Liturgy in the faith communities under investigation was found to be shifting towards ecumenical models: the gathering, the service of the Word, the service of the Table, and the sending. A trend to celebrate the Eucharist/Holy Communion more frequently than the tradition dictated was also noted in the communities. In general, a more creative approach towards the planning and execution of liturgy has been observed – this freedom allowing for the Holy Spirit to move the faith community during worship, and was vastly different to the cognitive historical liturgy. The music ministry has developed into a new paradigm from the historical role of the organist. Music was found to become a focal point, manifesting as liturgical art, pointing towards God and enabling the faith community to meet God in worship. This led to the change in the role of the church musician in terms of scope and spiritual/religious value. The shift towards leading the liturgy and shaping the faith community through music has been noted – thus establishing a music ministry. The Eucharist/Holy Communion is presented as a metaphor, the underlying basis for a model in music ministry. Music ministry is now defined under the theological lens as being sacramental in nature. In closing, recommendations are made to address the re-education of church musicians and theologians to deal with the theological changes taking place in worship. / Thesis (PhD (Music))--North-West University, Potchefstroom Campus, 2013.

This thesis investigated the approach to, and the conducting of worship services in ten missional faith communities of the Dutch Reformed Church in South Africa during the period 2004 – 2009. It investigated the shift in theological paradigm (towards mission) taking place in the Dutch Reformed Church from 2002 onwards, and the effects thereof on liturgy and music in the worship domain. In order to contextualise the liturgical developments emanating from the case studies, the history and liturgy of the Dutch Reformed Church in South Africa were traced back to the early Dutch pastors arriving with the first settlers at the Cape Colony in 1652. The historical events leading to the Dutch Reformed Church being labelled as the state church and its sanctioning of the apartheid ideology were placed in perspective as a result of the successes of missionary work in South Africa. The missional paradigm was unpacked according to the missio Dei. God is the primal agent in mission and calls His church into mission, and sending the church to restore society. Created in the imago Dei, human beings have a responsibility towards contextual society in everyday life. Missional worship therefore becomes a paradigmatic way of life. God is the focal point in worship and liturgy: it is all about God. The core of the research revolves around the ten missional faith communities, eight of which were part of the initial Southern African Partnership for Missional Churches project. Unstructured interviews were conducted with pastors, musicians and persons involved in the focussed missional activities within these congregations. Having an insider's perspective on the project, the researcher included his own narrative in order to further underline the changes taking place in the worship domain. Liturgy in the faith communities under investigation was found to be shifting towards ecumenical models: the gathering, the service of the Word, the service of the Table, and the sending. A trend to celebrate the Eucharist/Holy Communion more frequently than the tradition dictated was also noted in the communities. In general, a more creative approach towards the planning and execution of liturgy has been observed – this freedom allowing for the Holy Spirit to move the faith community during worship, and was vastly different to the cognitive historical liturgy. The music ministry has developed into a new paradigm from the historical role of the organist. Music was found to become a focal point, manifesting as liturgical art, pointing towards God and enabling the faith community to meet God in worship. This led to the change in the role of the church musician in terms of scope and spiritual/religious value. The shift towards leading the liturgy and shaping the faith community through music has been noted – thus establishing a music ministry. The Eucharist/Holy Communion is presented as a metaphor, the underlying basis for a model in music ministry. Music ministry is now defined under the theological lens as being sacramental in nature. In closing, recommendations are made to address the re-education of church musicians and theologians to deal with the theological changes taking place in worship. / Thesis (PhD (Music))--North-West University, Potchefstroom Campus, 2013.