Thesis (Ph. D.)--University of Wisconsin--Madison, 1937. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 837-844).

A depositional framework for the Mississippian (Chesterian) Pride Mountain Formation/Hartselle Sandstone clastic tongue and the lower Bangor Limestone carbonate ramp in the Black Warrior basin, Mississippi and Alabama, is constructed from approximately 250 geophysical well logs, 15 well cuttings descriptions, and outcrop data. The framework is based upon cross sections, isopach maps, and transgressive-regressive sequence stratigraphy. The Lowndes-Pickens synsedimentary fault block controlled sediment dispersal in during Pride Mountain/Hartselle deposition. The basin filled from the southwest, which pushed the depocenter northeastward during Hartselle deposition. The Hartselle sub-basin is composed of the Hartselle barrier-island and back-barrier deposits to the southwest, including the Pearce siltstone. The Pearce siltstone, a previously unidentified subsurface unit, was deposited in a restricted environment controlled by the Lowndes-Pickens block. The Pride Mountain, Hartselle, and lower Bangor succession contains one complete and one partial transgressive-regressive stratigraphic sequence. An exposure surface at the top of the Hartselle Sandstone and Monteagle Limestone is a maximum regressive surface. The upper part of the Bangor ramp is highly cyclic and grades from oolitic shoal deposits southwestward into a condensed section, the Neal black shale, at the toe of the ramp. The entire thickness of the lower Bangor is equivalent to the Neal shale.

In this thesis, I have analysed representations of a selection of fictional and factual serial killers from Thomas de Quincey to Thomas Harris’s Hannibal Lecter, from Mary Shelley’s Frankenstein to the autobiographical narratives of real life serial killers Carl Panzram, Donald Gaskins and Ian Brady. My analysis of these texts identifies the portrayals of serial killers in terms of representations as aesthetic, existential, socially othered phenomena. The thesis proceeds from the premise that serial killer narratives often obscure the existential brute reality of murder. As such, I examine serial killing vis-à-vis attempted explanatory shifts in such narratives which represent serial murder and serial killers in terms of aesthetic, psychopathological, moral/religious/supernatural and socio-political phenomena, and I investigate the implications of these shifts. I focus initially on Romantic ideas of the self, and in the relationship between the ‘outsider’ artist/poet and the textual emergence of the figure of the solitary ‘serial’ murderer in the early nineteenth century, particularly in relation to De Quincey’s aesthetic murder essays. Subsequent fluctuations of the representation of serial killing between mental-health, law-and-order and political/social discourses are discussed in relation to the subsequent texts. I conclude by examining cognitive dissonance theory, A.E. Van Vogt’s description of the Violent Man, and James Gilligan’s theories on violence, in order to propose a possible synergetic response to narratives and representations of serial killers and serial killing.

Southern Alabama holds one of the world's most complete shallow shelf Cretaceous-Tertiary boundary sections. The boundary is exposed in a sequence of marl-limestone interbeds in a roadcut south-east of Braggs in Lowndes County, Alabama. Benthic foraminifera were extracted in 10cm intervals to obtain a high-resolution record of assemblage succession across this controversial boundary. A local sea level curve was then formulated using previous paleobathymetric foraminiferal assemblage models from the Gulf Coast and the Atlantic Coastal margin. Sea-level fluctuations thus evident have revealed a fourth-order cycle similar to those found by Briskin and Fluegeman (1990) with an average period of around 430 kyr through the Paleocene. This cycle includes a drop from outer slope to middle shelf conditions in the latest Cretaceous and a subsequent increase from inner shelf to outer shelf conditions in the earliest Paleocene. Within this cycle are several fifth-order cycles that are interpreted as having a periodicity of roughly 100 kyr. Sea-level cycles with Milankovitch frequencies occurring on an ice-free Paleocene Earth lend support to the concept of astronomical forcing of climate and thus sea-level. / Department of Geology

With the rise of the Popular Front during the 1930s, the American Left came together under the symbols of the “people” and “America,” and as its ranks swelled with modernity’s disenfranchised, radicals utilized the structures and discourses of modernity in the name of political struggle against exploitive American capitalism and fascism abroad. Science fiction and its devoted fan community were among these structures and discourses. Though both were largely conservative, entwined with American corporate capitalism, one group of fans embraced Communism and hoped to politicize science fiction and its fandom. The Michelists, as they called themselves, worked through the established channels of science fiction and fandom advocating a unique Marxist understanding of science fiction. This report situates them within the Popular Front, particularly its discourses of science and popular culture, and highlights how the particularities of the genre and its fandom shaped their political beliefs and actions. / text