The Rhodes Computer Music Network (RHOCMN) is a network which allows main studio resources to be shared. RHOCMN is growing into a multi-workstation environment and additional devices are being incorporated into the system. A star configuration is used for transmitting MIDI from a MIDI patch bay to the workstations and MIDI devices. This imposes several disadvantages on the use of the studio, such as wiring problems. In a quest to avoid problems related to MIDI in RHOCMN, the MIDINet system was developed. The idea was to acquire a viable solution to MIDI's main problems which does not involve a redefinition of the MIDI specification.

Thesis (Ph.D.)--Auburn University, 2005. / Abstract. Vita. Includes bibliographic references (ℓ. 98-99)

Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2005. / Includes bibliographical references (leaves 70-73). Also available in electronic version.

Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2006. / Includes bibliographical references (leaves 83-85). Also available in electronic version.

The inability to share resources in commercial and institutional computer music studios results in non-optimal resource utilisation. The use of computers to process, store and communicate data can be extended within these studios, to provide the capability of sharing resources amongst their users. This thesis describes a computer music network which was designed for this purpose. Certain devices had to be custom built for the implementation of the network. The thesis discusses the design and construction of these devices.

A software system that automatically classifies MIDI files into hierarchically organized taxonomies of musical genres is presented. This extensible software includes an easy to use and flexible GUI. An extensive library of high-level musical features is compiled, including many original features. A novel hybrid classification system is used that makes use of hierarchical, flat and round robin classification. Both k-nearest neighbour and neural network-based classifiers are used, and feature selection and weighting are performed using genetic algorithms. A thorough review of previous research in automatic genre classification is presented, along with an overview of automatic feature selection and classification techniques. Also included is a discussion of the theoretical issues relating to musical genre, including but not limited to what mechanisms humans use to classify music by genre and how realistic genre taxonomies can be constructed.

No description available.

This thesis investigates the extent to which networking technology can be used to provide remote workstation access to a pool of shared music studio resources. A pilot system is described in which MIDI messages, studio control data, and audio signals flow between the workstations and a studio server. A booking and timing facility avoids contention and allows for accurate reports of studio usage. The operation of the system has been evaluated in terms of its ability to satislY three fundamental goals, namely the remote, shared and centralized access to studio resources. Three essential network configurations have been identified, incorporating a mix of star and bus topologies, and their relative potential for satisfYing the fundamental goals has been highlighted.

The wide range of options for experimentation with the synthesis of sound are usually expensive, difficult to obtain, or limit the experimenter. The work described in this thesis shows how the IBM PC and software can be combined to provide a suitable platform for experimentation with different synthesis techniques. This platform is based on the PC, the Musical Instrument Digital Interface (MIDI) and a musical instrument called a digital sampler. The fundamental concepts of sound are described, with reference to digital sound reproduction. A number of synthesis techniques are described. These are evaluated according to the criteria of generality, efficiency and control. The techniques discussed are additive synthesis, frequency modulation synthesis, subtractive synthesis, granular synthesis, resynthesis, wavetable synthesis, and sampling. Spiral synthesis, physical modelling, waveshaping and spectral interpolation are discussed briefly. The Musical Instrument Digital Interface is a standard method of connecting digital musical instruments together. It is the MIDI standard and equipment conforming to that standard that makes this implementation of synthesis techniques possible. As a demonstration of the PC platform, additive synthesis, frequency modulation synthesis, granular synthesis and spiral synthesis have been implemented in software. A PC equipped with a MIDI interface card is used to perform the synthesis. The MIDI protocol is used to transmit the resultant sound to a digital sampler. The INMOS transputer is used as an accelerator, as the calculation of a waveform using software is a computational intensive process. It is concluded that sound synthesis can be performed successfully using a PC and the appropriate software, and utilizing the facilities provided by a MIDI environment including a digital sampler.

No description available.