Thesis (Ph. D.)--University of Washington, 2005. / Vita. Includes bibliographical references (leaves 219-226).

Thesis (M.A.) in Liberal Studies--University of Maine, 2003. / Includes vita. Includes bibliographical references (leaves 172-175).

Scattered Sandpipers is a Young Adult novel excerpt. Seventeen-year-old Bee, lost her mother two years ago in a car crash. As she denies and represses her grief, strange and magical things begin to happen.

Thesis (M. Des.)--York University, 2007. Graduate Programme in Higher Education. / Typescript. Includes bibliographical references (leaves 36-38). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004 & res_dat=xri:pqdiss & rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation & rft_dat=xri:pqdiss:MR32035.

Dissertation (Ph.D.)--The University of North Carolina at Greensboro, 2008. / Directed by Scott Romine; submitted to the Dept. of English. Title from PDF t.p. (viewed Jan. 28, 2010). Includes bibliographical references (p. 240-254).

Thesis (M.A.)--West Virginia University, 2001. / Title from document title page. Document formatted into pages; contains v, 65 p. Includes abstract. Includes bibliographical references (p. 63-65).

Thesis (M.A.(Drama))--University of Pretoria, 2008. / Includes bibliographical references.

This thesis consists in a comparison between the novels of Julien Gracq and the magical realism. More precisely, our research's main concern is about the forms of strangeness developed throughout the works of the author. We wish to demonstrate how elements of the texts---space, time, metafiction and intertextuality---generate the appropriate atmosphere for the emergence of magic. We think that, whether or not the representation includes magic, it maintains itself on the edge of the fantastic, partly because the images constantly suggest its imminence. Our intention is thus to prove that the feeling of strangeness that emerges from Gracq's fiction is a latent or embryonic form of magical realism.

This Master's thesis examines the status of myth and symbol in postmodern religious discourse, and proposes a new way of understanding representation in religion. The first chapter deals with the sense of symbol as it emerged out of literary and philosophical romanticism, and explores several divergent interpretations of the meaning of the symbol according to modernist and structuralist criticism. The second chapter, after analysing the function of myth and history in religious understanding, connects the romantic symbol to a contemporary hermeneutics based on the aesthetic and epistemological tenets of magic realism. It is my contention in this thesis that magic realism, in its conflation (and deconstruction) of the ideologically charged dichotomy of myth and reality, provides a hermeneutical tool with which to critique demythologization; and that, in its dual aspect as heir to both romanticism and realism, magic realism may be a more fertile source than either neo-romanticism or post-structuralism for a truly postmodern religious criticism.

Thesis (M.A.)--Miami University, Dept. of Spanish and Portuguese, 2006. / Title from first page of PDF document. Includes bibliographical references (p. 43-46).