This dissertation examines the relationship between martyrdom and divine retribution against the martyr's persecutors in the book of Revelation. The argument is made that Revelation portrays martyrdom as an impetus of Divine retribution against the persecutors of the martyrs. Chapter 1 traces the trend in recent scholarship to view Revelation's portrayal of martyrdom as contributing to the conversion of the nations. Basic assumptions of this view are discussed, as well as some replies from traditionalists. Chapter 2 discusses the methodology and sources used to defend the thesis. A discussion of intertextuality in the book of Revelation leads to the conclusion that the Old Testament, and particularly the prophetic tradition of Israel, is the primary background. The genre analysis leads the author to adopt a modified idealist approach to the symbolism of the book. Chapter 3 argues that martyrdom is the confirmation of the saints' testimony against the persecutors of the church. It is argued that the concept of witness is drawn from the background of God's legal contest with the nations in the Old Testament prophets. The climax of the witnesses' testimony is their martyrdom. Chapter 4 argues that martyrdom determines the sentence against the persecutors based on the lex talionis. The persecutors of the church seal their own fate by striking down God's faithful witnesses. The evil of persecution that leads to martyrdom is exacerbated by the identification of Christ with his witnesses. The vindication of the martyrs is also the vindication of their witness to Christ. This dissertation contends that Revelation's theology of martyrdom should not be conformed to Paul's theology of suffering, but should be understood as a complement to it. John's encouragement is not that the blood of the martyrs is seed, but that the blood of the martyrs is precious to Christ, who will avenge it in God's time. / This item is only available to students and faculty of the Southern Baptist Theological Seminary. If you are not associated with SBTS, this dissertation may be purchased from <a href="http://disexpress.umi.com/dxweb">http://disexpress.umi.com/dxweb</a> or downloaded through ProQuest's Dissertation and Theses database if your institution subscribes to that service.

This work examines the literary English traditions of four Virgin Martyrs: Agatha of Catania, Agnes of Rome, Juliana of Nicomedia, and Katherine of Alexandria. The primary focus surrounds the narratological developments and alterations of these women’s sex-specific or -emphasized tortures. In addition to torments, other details, which may not initially appear sex-specific in nature, are also considered. As recent scholarship has shown, Virgin Martyrs’ lives tend to conform to a relatively standardized core narrative by the later Middle Ages. This study considers to what extent the lives of these four saints actually conform and to what extent they retain individualism despite this homogenizing trend. An analysis of each narrative’s progression from early Latin sources, when available, through fifteenth-century English texts, which supplements the current scholarly trend of examining Virgin Martyrs as a collective group, is also provided. The tracing of these legends’ sex-specific characteristics allows for clear identification of similarities and deviations within various sources. Five appendices, each including an analytical table, are included to aid in the visualization of this progression. The tables, which allow for quick and easy identification of variations through chronologically listed sources, demonstrate this process in a concise and user-friendly manner and should be utilized alongside examinations of these legends as presented in each of the central chapters. The first chapter, on Agatha, addresses her breast amputation and its symbolic implications for femininity and motherhood, as well as the argument that Virgin Martyrs ‘Become Male’ during their passiones. The second chapter, on Agnes, explores her traditionally eroticized relationship with Christ, the motif of concealment, and Virgin Martyrs’ conventional brothel experience. The third chapter, on Juliana, focuses upon the Warrior Virgin Martyr tradition, her physical and spiritual struggle with the devil, and the tradition of familial rejection. The final chapter, on Katherine, considers her position as supreme Bride, her limited physical trials, and her relationship with the Blessed Virgin. The final appendix contains a comparative chart of Virgin Martyr legends within the Legenda aurea, which indicates the frequency of motifs and plot devices in these lives.

This work examines the literary English traditions of four Virgin Martyrs: Agatha of Catania, Agnes of Rome, Juliana of Nicomedia, and Katherine of Alexandria. The primary focus surrounds the narratological developments and alterations of these women’s sex-specific or -emphasized tortures. In addition to torments, other details, which may not initially appear sex-specific in nature, are also considered. As recent scholarship has shown, Virgin Martyrs’ lives tend to conform to a relatively standardized core narrative by the later Middle Ages. This study considers to what extent the lives of these four saints actually conform and to what extent they retain individualism despite this homogenizing trend. An analysis of each narrative’s progression from early Latin sources, when available, through fifteenth-century English texts, which supplements the current scholarly trend of examining Virgin Martyrs as a collective group, is also provided. The tracing of these legends’ sex-specific characteristics allows for clear identification of similarities and deviations within various sources. Five appendices, each including an analytical table, are included to aid in the visualization of this progression. The tables, which allow for quick and easy identification of variations through chronologically listed sources, demonstrate this process in a concise and user-friendly manner and should be utilized alongside examinations of these legends as presented in each of the central chapters. The first chapter, on Agatha, addresses her breast amputation and its symbolic implications for femininity and motherhood, as well as the argument that Virgin Martyrs ‘Become Male’ during their passiones. The second chapter, on Agnes, explores her traditionally eroticized relationship with Christ, the motif of concealment, and Virgin Martyrs’ conventional brothel experience. The third chapter, on Juliana, focuses upon the Warrior Virgin Martyr tradition, her physical and spiritual struggle with the devil, and the tradition of familial rejection. The final chapter, on Katherine, considers her position as supreme Bride, her limited physical trials, and her relationship with the Blessed Virgin. The final appendix contains a comparative chart of Virgin Martyr legends within the Legenda aurea, which indicates the frequency of motifs and plot devices in these lives.

Texte remanié de: Thèse de doctorat--Faculté des lettres--Université de Lausanne, 1998. / Bibliogr. p. 271-286.

This thesis comprises six chapters. Chapter one consists of the statement of the research problem. It covers the outlin of the dissertation and the background of and motivation for the research. It also includes the research problem and the theoretical framework. The last section of the introduction will be the limitations and the assessment of the main resources used in this study. The aim of chapter two is to give the background information of the people of Madagascar in general, and the Merina in particular. It gives a general understanding of their world. It includes a brief description of the island and its population, the location of the Merina and their origin, also their traditional beliefs and religion, the attempts of the early Catholic missionaries to evangelise the Island and Radama's contract with Great Britain. Chapter three deals with the first encounters between the Bible and Merina Christians around the capital of Antananarivo. It highlights the arrival of the first LMS missionaries and their mission in and around the city of Antananarivo, the presence of the Bible in the highlands and the use of it as a text book in schools. From that moment the Merina population sensed that the Bible had power; as a result their interest to get copies of it grew throughout the capital and the surrounding villages. Chapter four provides information about the uncertainty of Christianity in Madagascar. It was uncertain because of the death of Radama, friend of the missionaries, and the accession of Ranavalona I, an anti-Christian queen, to the throne as his successor. It continues with the dusk: a period of confirming the church, then the queen's edicts against the converts. It ends up with the edition of the Bible, translated into the Malagasy language. The focus of chapter five is the sustaining power of the Bible during persecutions. First of all it considers the causes of the persecutions, then the role of the Bible in the Malagasy language in the hands of Christians. After that it speaks of the use of the Bible by the indigenous Christians and the power they gained from it during times of persecution. It also speaks about the edict of the queen to collect all the Bibles and burn them, and how the Christians managed to save some and hide them. Then it concentrates on the three waves of martyrdom, in 1837-1842, 1849 and 1857. Lastly it highlights the courage of these martyrs until death with the Bible in their hands and the contribution of the Bible to the growth of Christianity in Imerina during the persecution. Chapter six will be the conclusion of the thesis. It underlines three aspects of the Bible and its encounters with the martyr church. It considers, in the first aspect, the effects of the translation of the Bible into the Malagasy language. The second aspect deals with the interaction of the Bible with the Malagasy culture and context; and the last is about the power of the Bible itself. The very last paragraph will try to prompt a further research on the Bible and its impact in Madagascar after Ranavalona's death. / Thesis (M.Th.)-University of KwaZulu-Natal, Pietermaritzburg, 2005.

Thesis (D.Min.)--South Florida Center for Theological Studies, 2002. / Includes bibliographical references.

Thesis (M.A.)--Catholic Theological Union at Chicago, 1995. / Vita. Includes bibliographical references.

Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.

The signing of the Ta'if Agreement on October 22, 1989 marked the beginning of the end of the divisive and destructive Lebanese Civil War that had raged since 1975. The war was finally ended in March 1991, when the new Lebanese Parliament enacted the General Amnesty Law, which stated that there were to be no victors and no victims in the war ( la ghalib le maghlub). Unfortunately, this law allowed the Lebanese people to turn a blind eye to the ugly truths of the war, and it ushered in an era of uneasy silence in Lebanon. Today, as Lebanon's political battle for independence and a unified national identity continues, there is still no government supported public attempt to break this silence. I believe that this legislated lack of collective/public self-expression has rendered both the local and the Diaspora populations incapable of reconciliation with their recent traumatic past, let alone allowing them to forge a brighter future. This thesis investigates the unrelenting silence permeating every layer of Lebanese society today and proposes architectural solutions that may help to break the silence and thus reconcile Lebanese to their past. The core of this study consists of three architectural interventions aimed at breaching this silence. These are put into context through historical analysis, family interviews, and personal narratives from field research to Beirut conducted by the author in the fall of 2005, as well as photographs, maps, illustrations, and other documents drawn from first person experience. As such, this thesis probes not just the public, but also a personal experience in overcoming Lebanon's silence. Certainly, there can be no reconciliation based on silence.

The signing of the Ta'if Agreement on October 22, 1989 marked the beginning of the end of the divisive and destructive Lebanese Civil War that had raged since 1975. The war was finally ended in March 1991, when the new Lebanese Parliament enacted the General Amnesty Law, which stated that there were to be no victors and no victims in the war ( la ghalib le maghlub). Unfortunately, this law allowed the Lebanese people to turn a blind eye to the ugly truths of the war, and it ushered in an era of uneasy silence in Lebanon. Today, as Lebanon's political battle for independence and a unified national identity continues, there is still no government supported public attempt to break this silence. I believe that this legislated lack of collective/public self-expression has rendered both the local and the Diaspora populations incapable of reconciliation with their recent traumatic past, let alone allowing them to forge a brighter future. This thesis investigates the unrelenting silence permeating every layer of Lebanese society today and proposes architectural solutions that may help to break the silence and thus reconcile Lebanese to their past. The core of this study consists of three architectural interventions aimed at breaching this silence. These are put into context through historical analysis, family interviews, and personal narratives from field research to Beirut conducted by the author in the fall of 2005, as well as photographs, maps, illustrations, and other documents drawn from first person experience. As such, this thesis probes not just the public, but also a personal experience in overcoming Lebanon's silence. Certainly, there can be no reconciliation based on silence.