• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 36
  • 2
  • Tagged with
  • 39
  • 39
  • 39
  • 17
  • 9
  • 8
  • 6
  • 5
  • 4
  • 4
  • 4
  • 4
  • 4
  • 4
  • 4
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

'Gods in our own world': representations of troubled and troubling masculinities in some Australian films, 1991-2001 /

Crilly, Shane Alexander. January 2004 (has links) (PDF)
Thesis (Ph.D.)--University of Adelaide, School of Humanities, Discipline of English, 2004. / "April 2004" Includes bibliographical references (leaves 211-245). Also available online.
22

Every way you look at it, you lose : personal failure to find an authentic sixties masculinity /

Garstka, Joshua Andrew. January 2008 (has links)
Thesis (Honors)--College of William and Mary, 2008. / Includes bibliographical references (leaves 54-56). Also available via the World Wide Web.
23

Falling out of the closet : Kevin Smith, queerness, and independent film /

Soles, Carter Michael. January 2008 (has links)
Thesis (Ph. D.)--University of Oregon, 2008. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 415-429). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
24

Wayne's world : John Wayne, transnational stardom, and global Hollywood in the fifties /

Meeuf, Russell W. January 2009 (has links)
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 329-345). Also available online in ProQuest, free to University of Oregon users.
25

The celluloid cubicle : constructions of masculinity in 1990s office movies /

Hunter, Latham. O'Brien, Susie. January 1900 (has links)
Thesis (Ph.D.)--McMaster University, 2005. / Advisor: Susie O'Brien. Includes bibliographical references (leaves 167-176). Also available via World Wide Web.
26

Dancing masculinity for Hollywood : the American dream, whiteness and the movement vocabulary within Hollywood's choreography for men /

Callison, Darcey. January 2008 (has links)
Thesis (Ph.D.)--York University, 2008. Graduate Programme in Communications and Culture. / Typescript. Includes bibliographical references (leaves 280-291). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR51686
27

Constructing heroic identities : masculinity and the western film /

Foster, Brad D. January 1900 (has links)
Thesis (M.A.)--Oregon State University, 2008. / Printout. Includes bibliographical references (leaves 79-88). Also available on the World Wide Web.
28

Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts.

Mngadi, Sikhumbuzo Richard. January 2010 (has links)
Research in constructions of masculinities in South Africa is already an established field, having in part developed out of the need to contextualise global theories in the social, economic and cultural realities of African subjects. In its turn, this research has engendered a number of focused studies which have sought to depart from the traditional ‘men’s studies’ paradigm. Needless to say, studies in constructions of masculinities have infused the traditional paradigm with a new vitality. This thesis proceeds from the premise that to be a man in (South) Africa and elsewhere is contingent upon a diversity of social, economic, political, generational and cultural expectations. I argue that these expectations, which are linked variously to status, sexual orientation and choice, mean that recognition of gender subjectivity as performed must take precedence over the idea of a stable gender role. And, at times, this applies with more force in African societies, traditional and modern (or, as is often the case, a confluence of both), than it does in western ones where class, rather than the complex intersection of tradition and modernity, tends to set gender identities on a more stable platform. I then propose the view that a nuanced conceptualisation of masculinities in South Africa needs to inform analysis of representations of men and women, and I do so by means of an in-depth critical analysis of the shifting conceptions of black African men and women in Shaka Zulu (1986), Mapantsula (1988), Fools (1998) and Yizo Yizo 1 (1999). / Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2010.
29

Silent cowboys and verbose detectives masculinity as rhetoric in Wister, Hammett, and Chandler /

Nissi, Maria C. January 2007 (has links)
Thesis (M.A.)--University of Montana, 2007. / Title from title screen. Description based on contents viewed Oct. 5, 2007. Includes bibliographical references (p. 61-64).
30

Action figures : spectacular masculinity in the contemporary action film and the contemporary American novel /

Gallagher, Mark. January 2000 (has links)
Thesis (Ph. D.)--University of Oregon, 2000. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 320-335). Includes filmography (leaves 335-337). Also available for download via the World Wide Web; free to University of Oregon users.

Page generated in 0.1214 seconds