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Second natures media, masculinity and the natural world in twentieth-century American literature and film /Hamming, Jeanne E. January 1900 (has links)
Thesis (Ph. D.)--West Virginia University, 2003. / Title from document title page. Document formatted into pages; contains iv, 230 p. Includes abstract. Includes bibliographical references (p. 218-230).
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Tough guys, rock stars, and messiahs: genre and gender in the Hollywood musical, 1966-1983Kessler, Kelly Kay 28 August 2008 (has links)
Not available / text
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Turn of the gaze : toward a (re)vision of reading masculinity / by Adrian Augustus Danker.Danker, Adrian Augustus January 1994 (has links)
Errata slips inserted inside front cover. / Bibliography: leaves 307-331. / v, 331 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of English Language and Literature, 1994
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It's a man's world representations of gender and competing ideologies in ""Shaun of the Dead /Stull, Gretchen, Brinson, Susan L., January 2008 (has links)
Thesis--Auburn University, 2008. / Abstract. Vita. Includes bibliography (p.112-137).
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"Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /Crilly, Shane. January 2004 (has links)
Thesis (Ph. D.)--University of Adelaide, 2004. / Title from PDF title page (viewed on Apr. 28, 2005). Includes filmography (p. 209-210) and bibliographical references (p. 211-245).
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Tough guys, rock stars, and messiahs genre and gender in the Hollywood musical, 1966-1983 /Kessler, Kelly Kay. Staiger, Janet, January 2004 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2004. / Supervisor: Janet K. Staiger. Vita. Includes bibliographical references. Also available from UMI.
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Hard to be soft full frontal nudity in cinema : anxieties of alternative masculinities and the recuperation of patriarchy /Abbasi, Ana. January 2010 (has links)
Honors Project--Smith College, Northampton, Mass., 2010. / Includes bibliographical references.
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The rebirth of slick Clinton, Travolta, and recuperations of hard-body nationhood in the 1990s /Titman, Nathan. January 2006 (has links)
Thesis (M.A.)--Bowling Green State University, 2006. / Document formatted into pages; contains v, 92 p. Includes bibliographical references.
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"They Don't Make'em Like They Used To": Cultural Hegemony and the Representation of White Masculinity in Recent U.S. CinemaSchneider, Matthew 12 1900 (has links)
The purpose of this work is to illuminate how white male hegemony over women and minorities is inscribed through the process of film representation. A critical interrogation of six film texts produced over the last decade yields pertinent examples of how the process of hegemonic negotiation works to maintain power for the ever changing modes of postindustrial masculinity. Through the process of crisis and recuperation the central male characters in these films forge new, more acceptable attributes of masculinity that allow them to retain their centrality in the narrative.
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A critical analysis of masculinity portrayals in film : definition, ideal, and possible solutionFlook, Christopher A. January 2007 (has links)
The purpose of this thesis is to critically analyze masculinity portrayals in film at the turn of the Twenty-First Century. Specifically, the films Fight Club and American Beauty are analyzed to determine how these films define masculinity and render the ideal male. This analysis finds that the portrayal of men in these films closely matches the perception of a masculinity crisis. The films also offer a solution to the crisis that follows the philosophical theories suggested by Friedrich Nietzsche. It is concluded that masculinity is a social construction that needs new ideals and definitions to more accurately fit the environment of American men in the new century. / Department of Telecommunications
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