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Masculinities in Bruce Lee's 'Breakthrough' filmsOlson, Linda Helena. January 2007 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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Hamlet, Fight Club, and Cremaster 3-The Order fighting the Die Hard masculinity narrative /Sobey, Andrew Chapin. January 2009 (has links) (PDF)
Thesis (MFA)--Montana State University--Bozeman, 2009. / Typescript. Chairperson, Graduate Committee: Cindy Stillwell. An ethnography of Ellensburg is a DVD accompanying the thesis. Includes bibliographical references (leaf 29).
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A comparative study of masculinity in the Twilight films and selected teen dramasTheodosiou, Stephanie Nicole January 2012 (has links)
This research paper aims to investigate the effect mainstream cinema has on the formulation and practice of the masculine stereotype in society, thus exploring the representations of masculinity being provided to males through mainstream cinema. This paper examines the representation of masculinity with reference to cinematic depictions of male masculinity produced in the film category of Teen Drama in the 90‘s/ 2000‘s and 2010 to determine the image the media enforces, through cinema, to influence what males modeled themselves on in both the past and present. This treatise shows the effect the media had on men in the past and how present day men continue to base their individual identity, which has been dramatically influenced and stereotyped by the high standards of the media, by analyzing the movie phenomenon of the Twilight franchise (1 to 3) with reference to Clueless (Amy Heckerling, 1995), 10 Things I hate About You (Gil Junger, 1999), Bring It On (Peyton Reed, 2000), John Tucker Must Die (Betty Thomas, 2006), Easy A (Will Gluck, 2010) and I am Number Four (D.J. Caruso, 2011) featured in the 90‘s/ 2000‘s and 2010. This was carried out through qualitative semiotic research to determine the overall influence the media, particularly mainstream cinema, has on the ideals of masculinity that heterosexual males seek to attain.
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Masculinities in Bruce Lee's 'Breakthrough' filmsOlson, Linda Helena. January 2007 (has links)
Thesis (M. A.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.
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Adaptation of Hong Kong films in 1990's /Lee, Sin-man. January 2000 (has links)
Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 42-46).
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Adaptation of Hong Kong films in 1990'sLee, Sin-man. January 2000 (has links)
Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 42-46). Also available in print.
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The narcissistic masculinity of Travis Bickle : American "Reality" in Martin Scorsese's Taxi Driver /Pauw, Waldemar January 2006 (has links)
Thesis (MA)--University of Stellenbosch, 2006. / Bibliography. Also available via the Internet.
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The performative/theatrical divide : staging aberrant masculinities in film, literature, and performance art /Norton, Daxton L., January 2005 (has links)
Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 221-233). Also available for download via the World Wide Web; free to University of Oregon users.
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Homeless on the range : masculinity and the orphan myth in the American Western, 1950-1990 /Barrow, Ann. January 2005 (has links)
Thesis (Ph.D.)--York University, 2005. Graduate Programme in Communication and Culture. / Typescript. Includes bibliographical references (leaves 254-293). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11547
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Adaptation of Hong Kong films in 1990'sLee, Sin-man., 李善雯. January 2000 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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