A research report is submitted in partial fulfilment of the requirements for the degree of Master of Arts in ICT Policy and Regulation to the Faculty of Humanities, University of the Witwatersrand, 2016 / South Africa has a nascent community television sector, which is legislated as a tier of broadcasting. This sector is important in deepening democracy, creating access to information, giving communities the space to share information, and expanding media ownership to communities beyond the public and commercial television broadcasting sectors. Since 2007, when Soweto TV was the first community television station to be licensed, the processes towards migrating analogue to digital terrestrial television have been beset with delays and the experience of the community TV sector with respect to this migration have been not well understood. The conceptual-analytical framework for this historical study of the period 2007 to 2014 drew on the key themes of sector and institutional governance including the effectiveness of policy and regulation, technological advancement, content and services. Using a constructivist methodology the key documents pertaining to broadcast digital migration were reviewed and interviews were conducted with three community TV stations, Soweto TV, Bay TV and Cape Town TV, as well as with the policy-maker, the regulator and sector experts. The findings revealed that the community television (CTV) sector was faced with problems of sector and institutional governance not being effectively addressed in legislation and regulation, stagnation as a result of lack of spectrum in the analogue television-broadcasting dispensation and limitations on content provision. Using McConnell’s 2010 framework, analysis of the data led to the conclusion that the DTTM programme has failed with respect to the community TV sector. Advances for the CTV sector will require revision to legislation and future regulation to guide the governance of the CTV sector and the digital terrestrial television migration should be concluded without further delay, in order to enable the sector to grow. Although CTV stations are providing content to communities, the opportunity for them to make a greater impact, if digital terrestrial television (DTT) is finally launched, should be prioritised as the new technology can provide them with the scope to expand their content offerings. / MT2017

This thesis argues that there is a clear imbalance in the representation of crime in the newspaper, Grocott’s Mail, in Grahamstown, in the Eastern Cape of South Africa. The thesis concludes that the system of marginalisation and segregation which was established during the apartheid era is the foundation for the continued segregation and marginalisation of certain groups of people in Grahamstown as depicted in crime journalism. Previous research shows that not only people, but spaces are marginalised through media representations of crime. As people are represented as dangerous, so too the spaces they occupy become dangerous spaces. Importantly, the research shows that discourses of marginalisation are present in newspaper reports reproducing the discourses prominent in society, and in turn, the newspaper itself perpetuates these marginalising discourses. This extends into the coverage that different crimes receive in newspapers. For instance, the reports show that a middle-class audience will be more concerned with property crime in middle-class neighbourhoods, than other crimes in lower-class neighbourhoods. I argue that not only the type of crime, but the severity, the effect, and the necessity for justice represented by the newspaper, are all largely determined by the region of the crime. Further, I show that the criminal is not only demonised and represented as individually deviant in the reports in the newspaper, but that these representations are made by this newspaper because they are deeply imbedded as a discourse in society. This is partly because this newspaper has taken on a monitorial role, requiring neutral reporting from journalists, and a dedication to surveying the processes of state institutions, like the police and courts. As a result, the ways in which crime is reported on in the newspaper is fairly well fixed, making it difficult for journalists to conceive of different ways of reporting crime. The representations of the criminal justice system that the monitorial media, this newspaper included present, are a careful balance between the interest of the public, and the need to preserve relationships with sources. The monitorial media in general, and this newspaper in particular, represent the criminal justice system. The relationship between the police and the newspaper, and the courts and the media, therefore strongly influences the way in which crime news is reported. In particular, crime news is represented from the perspective of the criminal justice system. This research was carried out using Critical Discourse Analysis, qualitative interviews, and focus group interviews.

This research focuses on the controversy surrounding the exhibition and media publication of Brett Murray’s painting, The Spear of the Nation (May 2012). It takes the form of a qualitative Critical Discourse Analysis (CDA), underpinned by Fairclough’s (1995) three-dimensional approach, to investigate how the contesting discourses articulated by the ruling political party (the ANC) and the news media have been negotiated in the City Press coverage in response to the painting. While the contestation was fought ostensibly on constitutional grounds, it arguably serves as an illustrative moment of the deeply ideological debate occurring in South Africa between the government and the national media industry regarding media diversity, transformation and democracy. It points to the lines of fracture in the broader political and social space. Informed by Foucault’s conceptualisation of discourse and the role of power in the production of knowledge and ‘truth’, this study aims to expose the discourses articulated and contested in order to make inferences about the various ‘truths’ the ANC and the media make of the democratic role of the press in a contemporary South Africa. The sample consists of five reports intended to represent the media’s responses and four articles that prominently articulate the ANC’s responses. The analysis, which draws on strategies from within critical linguists and media studies, is confined to these nine purposively sampled from the City Press online newspaper texts published between 13 May 2012 and 13 June 2012. Findings suggest the ANC legitimise expectations for the media to engage in a collaborative role in order to serve the ‘national interest’. Conversely, the media advocate for a monitorial press to justify serving the ‘public interest’. This research is envisioned to be valuable for both sets of stakeholders in developing richer understandings relevant to issues of any regulation to be debated. It forms part of a larger project on Media Policy and Democracy which seeks to contribute to media diversity and transformation, and to develop the quality of democracy in South Africa.